College Board
2008 AP® English Literature and Composition Free-Response Questions Form B
Ever wondered what your dog is thinking? Scholars take a close look at two poems written through the eyes of animals and then create essays analyzing each author's technique. Pupils also read a passage to write about the literary...
Curated OER
Fall Similes
Fall is like a beautiful painting come to life—or is it more like an overflowing cornucopia? Practice writing similes with a lesson on figurative language. As learners review simile structure, they come up with their favorite similes for...
Curated OER
Figurative Language #2
Identify figurative language in sentences that have been pulled out of a text. Looking at the sentence independently, can you tell which technique is being used? How do you know? Ninth graders look at 10 sentences that show simile,...
Curated OER
Lesson: Paul Chan: Alternumeric Fonts
Learning to analyze language, symbols, and codes is part of becoming a deep and critical thinker. Young analysts consider their ability to see hidden messages as they analyze the work of Paul Chan. There are two fully developed...
Curated OER
Rhythm and Improv, Jazz and Poetry
Connect the ideas of jazz improvisation and art to writing poetry. Learners collaborate and write different lines of poetry, imitating the jazz styles of improvisation and freewriting. Take a close look at the poems "Tenebrae" by Yusef...
Curated OER
The Imagine Poetry & Mural Lesson
Readers of all ages can work together in groups to create original poetry on the theme of "Imagine," inspired by John Lennon's classic song. They also create a mural to illustrate their poetry. A beautiful lesson, inspired by a beautiful...
Curated OER
The Tone Map
Poems are meant to be heard. Hearing a poem being read enriches one’s understanding of the tone and mood of the piece. Introduce your class to the sounds of poetry with a packet that not only details how to use poetry recordings in the...
Teacher's Corner
Cinquain (sink-ain)
The cinquain, a five line, fixed-form poem that features one subject, is the focus of the third exercise in a series of ten poetry writing resources.
Teacher's Corner
Tanka
The Tanka, another fix from of Japanese poetry, is featured in the final exercise in a 10-part series of poetry writing activities.
Teacher's Corner
Alliteration
Calliope calls kids to craft clever creations in this, the second in a series of ten poetry sessions.
Curated OER
Poetry Workshop: Fixed Form Poems
Encourage the poetic genius in your young creative writers with a poetry workshop. Fix form poems (cinquains acrostic poems, octopoems, hello/goodbye poems) provide a framework and encourage vocabulary development as well as an awareness...
Curated OER
Making Objects Human
Explore poetry, personification, and multiple languages with a poetry reading and writing lesson. After the teacher reads the poem to the class, a discussion about personification follows. The class then writes a collaborative poem...
National Endowment for the Humanities
Practical Criticism
As an introduction to literary criticism, class members recreate I.A. Richards' close reading experiment. Individuals select a poem, paraphrase the story, focus on the imagery used, consider what the imagery adds to the tale, and...
Curated OER
Set a Poem to Music
Fun awaits both you and your class as you embark on a musical activity. After discussing different rhythmic meters they choose a poem to set to music. The poem must rhyme and be set to a melody in the key of C Major. Because the activity...
Southern Nevada Regional Professional Development Program
Poetry Aloud/Poetry Out Loud
To appreciate the value of seeing and hearing a poetry performance, groups prepare readings of selected poems and then compare and critique their interpretations and videotaped versions of the same poem. Included in the resource are...
Read Works
City Autumn
Glimpse a beautiful moment through poetry with a reading comprehension activity. As sixth graders read through "City Autumn" by Joseph Moncure March, they answer ten questions about the setting, mood, vocabulary, and punctuation of...
Curated OER
Dr. Jekyll and Mr. Hyde: Poems for Two Voices
"That man is not truly one, but truly two." The Strange Case of Dr. Jekyll and Mr Hyde offers readers a change to craft a poem combining words and phrases from Robert Lewis Stevenson's novella to create a poem...
Teaching Matters
Welcome to Writing Poetry
Your pupils are poets, and now they'll be able to show it with the exercises in this packet. The lessons, designed for beginner, intermediate, and experienced poets, not only feature a variety of poetic forms, but take...
Tiny Mobile
Poetry Creator | Verses
Construct from a canvas of words, lyrical expressions that your budding poets can share and post. Based on refrigerator magnet poetry, creative writers can develop their poetry independently, or from a given prompt from their...
EngageNY
Gathering Textual Evidence for the Two-Voice Poem (Author’s Note)
Writers take a look at how to gather evidence from the information text in the unit that connects to Salva and Nya’s story. They complete a Gathering Evidence from Informational Texts sheet to guide their work. Pupils then use the...
National Endowment for the Humanities
Introducing Metaphors Through Poetry
Metaphors are word pictures, creating images in our brains that draw readers to consider how two seemingly unrelated items are alike. Poems by Langston Hughes, Margaret Atwood, and Naomi Shihad Nye provide learners with an opportunity to...
Novelinks
Tuck Everlasting: Similes, Metaphors, and Personification in Imagery
Poetic language is abundant in Natalie Babbitt's beautiful novel, Tuck Everlasting. Learners note the examples of similes, metaphors, and personification they find as they read, and illustrate how the language creates a sensory...
K12 Reader
Literature About Chicago: Prose vs. Poetry
In this comprehension exercise, readers compare Carl Sandburg's "Chicago" to a description of the city from Upton's Sinclair's The Jungle.
EngageNY
Peer Critique: Use of Evidence in the Two-Voice Poem
Peer editors review critique expectations before offering feedback on each other's two-voice poems. They record their feedback on peer critique recording forms, and then begin revising their poems.