Instructional Video7:17
Music Matters

False Relation - Music Theory

9th - 12th
Learn all about false relation and the two ways in which it commonly occurs. A false relation comes about when there are two notes of the same letter but with differing accidentals that either occur simultaneously or between one chord...
Instructional Video15:01
Music Matters

The Best Chords to Follow Chord VII (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord VII what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video9:02
Music Matters

The Best Chords to Follow Chord IV (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord IV what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video6:12
Music Matters

Romantic Waltz Style - Composing for the Piano

9th - 12th
In this episode of composing for the piano we take the Music Matters theme and present it as a Waltz in Romantic style. The Music Matters theme was originally written in 4 time. By converting it into 3 time with some rhythmic...
Instructional Video11:18
Music Matters

How to Easily Move from One Key to Another Using a Pivot Chord - Music Composition

9th - 12th
Learn how to easily modulate from one key to another using a pivot chord. Some people can write a piece of music but experience difficulty when it comes to modulation i.e. moving from one key to another. This music composition lesson...
Instructional Video2:38
Music Matters

Anticipation Notes (Non-Harmonic Tones) - Music Theory

9th - 12th
Improve your melody writing and learn all about anticipation notes and non-harmonic tones. When melody notes fit the prevailing chord we refer to them as harmony notes. When they do not fit the chord they should belong to one of the...
Instructional Video17:24
Music Matters

Using Scalic Bass Lines - Inside the Mind of Bach

9th - 12th
Bach loves to use scalic bass lines within his chorales as a solid foundation for building the harmonic structure. Often the bass lines interact with the other parts within the texture to create a conversational type of movement. Let's...
Instructional Video11:41
Music Matters

The Best Chords to Follow Chord III (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord III what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video11:01
Music Matters

The Best Chords to Follow Chord VI (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord VI what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video18:45
Music Matters

4 Ways to Harmonize the Same Melody - Music Composition

9th - 12th
How to harmonize a melody in four different ways. This music composition lesson begins by using diatonic chords to present two possible alternative harmonisations. We then move on to two further harmonisations using chromatic chords and...
Instructional Video12:58
Music Matters

Decoding David Bowie's Harmonic Language - Composer Insights

9th - 12th
Is There Life On Mars? A harmonic analysis of one of Bowie's best. We delve into the mind of the composer and explore what makes David Bowie’s “Life on Mars” such an original and iconic song. The main focus is on the harmonic content of...
Instructional Video14:43
Music Matters

How to Come Up With a Motif - Music Composition

9th - 12th
How to come up with a motif. Motifs need a musical identity, which is created through melodic design, rhythmic character, and articulation. All the notes within the motif need to be either harmony notes or inessential notes. The process...
Instructional Video17:05
Music Matters

Burgmuller's Romantic Harmony - Composer Insights

9th - 12th
This composer insights lesson explores the Romantic harmony of Burgmüller as written in his delightful character piece for piano “At the Christmas Tree”. It explains the overall Ternary structure of the piece then how the internal phrase...
Instructional Video19:11
Music Matters

Writing Counterpoint from a Chord Scheme - Music Composition

9th - 12th
How to write counterpoint from a chord scheme. If you are working with a progression of chords and want to learn how to write contrapuntally around that harmonic scheme then this is the video for you. If you are analysing contrapuntal...
Instructional Video17:38
Music Matters

Identifying Double Major Thirds - Music Composition

9th - 12th
What is doubling the major third? How do you know if its a major third? Can you double thirds? Why is doubling a major third bad? This music composition lesson explains one of the rules of writing four-part harmony, namely the advice to...
Instructional Video21:34
Music Matters

Fluid Basslines - Inside the Mind of Bach

9th - 12th
Join us as we examine the choice of harmony, chromatic chords, secondary dominants, borrowed chords. and modulation, the part writing, the use of inessential notes and suspensions, plus other features of the Bach Chorale style. Useful...
Instructional Video7:32
Two Minute Music Theory

Tritone Substitution vs Augmented 6 Chords - Q&A #3

12th - Higher Ed
Today's question is about the difference between the Tritone Substitution and the Augmented 6 Chord. Is there a difference? Are they the same thing? Will a fight break out in the comments section? Does the Australian Augmented 6 actually...
Instructional Video3:02
Two Minute Music Theory

Q&A #1 - Why Do We Need Double Sharps? - TWO MINUTE MUSIC THEORY

12th - Higher Ed
A question that comes up a lot: Why do we need double sharps and double flats? Where would we possibly use them? Also, does E# or B# exist? Where would we use that? Find out today on the first ever Two Minute Music Theory Q&A!
Instructional Video2:01
Two Minute Music Theory

Major Scale vs. Ionian Mode - TWO MINUTE MUSIC THEORY #29

12th - Higher Ed
The Major scale and the Ionian mode share a lot. Pitch collection, home note, key signature. So, are they the same? We find out today on Two Minute Music Theory. Season 3, Episode 8
Instructional Video20:55
Music Matters

The Harmonic Surprises of Mozart - Composer Insights

9th - 12th
How to write counterpoint from a chord scheme. If you are working with a progression of chords and want to learn how to write contrapuntally around that harmonic scheme then this is the video for you. If you are analysing contrapuntal...
Instructional Video14:24
Music Matters

The Rules of Harmony and Some Things to Avoid - Keyboard Harmony

9th - 12th
These rules will get you writing better harmony. Avoiding these common mistakes, although not absolutely necessary, will often help your keyboard harmony flow much better than before. In this video, we work through some of the ‘rules of...
Instructional Video6:54
Music Matters

How to Modulate - Music Theory

9th - 12th
Learn how to easily modulate using something known as a pivot chord. Do you struggle to modulate from one key to another? Then this is for you. Lots of people can write or improvise music but get stuck in one key. Changing key, or...
Instructional Video18:17
Music Matters

The Best Chords to Follow Chord II (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord II what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video3:38
Music Matters

Auxiliary Notes (Non-Harmonic Tones) - Music Theory

9th - 12th
Learn how auxiliary notes and escape tones work, a useful melodic device you can use to improve your melody writing. Melody notes usually work best when they belong to the prevailing chord. However, by only using notes that belong to the...