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To Film School or Not To Film School: Crash Course Film Production
Should you go to film school? Great question? But there aren't necessarily a lot of direct answers. Do you want to go to Hollywood? Do you want to make movies in your spare time? Do you want to learn about world cinema? Do you want to be...
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The Filmmaker's Army: Crash Course Film Production
Who does what on a film set? And how many of them are there? What is HMU? What is a Scripty? In this episode of Crash Course Film Production, Lily gives us A BIG OVERVIEW on the Production Team. Who they are, who they report to, and why...
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The Editor: Crash Course Film Production
The Editor is yet another unsung hero in the filmmaking process. For a century of film history, Editors have taken raw footage and worked to transform it into a cohesive whole. Basically making one thing from many. But, how do they do...
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Television Production: Crash Course Film Production
In our final episode of Crash Course Film Production, it's time to take a look at television production and how it differs from feature film production. It's subtle but it has a lot to do with how television shows make money for their...
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Screenplays: Crash Course Film Production
If you want to make a movie, generally you're going to want to start with a script. In this episode of Crash Course Film Production, Lily Gladstone talks about the basics of screenplays and how to get started thinking about and actually...
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Special Effects: Crash Course Film Production
Chances are, when you hear the phrase "Special Effects," you may have images pop into your mind. The Hulk smashing a city, a lightsaber fight, or maybe an alien world. But effects can be much more subtle and have been around really since...
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The Lumiere Brothers: Crash Course Film History
As cinema started to take off, things like "single viewer" devices weren't going to cut it as the medium advanced. In this episode of Crash Course Film History, Craig talks to us about the Lumiere brothers, their invention of the...
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Designing the World of Film: Crash Course Film Production
Literally, ‘mise-en-scene’ means “placing on stage.” But in film, mise-en-scene encompasses everything the camera is capturing. The artists and crafts-people who work in Production Design, Wardrobe, and Hair and Makeup are responsible...
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Dissecting The Camera: Crash Course Film Production
Sometimes the most intimidating part of making a movie is that little box of concentrated technology called "The Camera." But, FEAR NOT! In this episode of Crash Course Film Production, Lily helps us dissect the basics of modern movie...
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The Language of Film: Crash Course Film History
In this episode of Crash Course Film History, we talk about the development of the language of films by filmmakers like Edwin S. Porter and his films; Life of an American Fireman and The Great Train Robbery.
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Producers: Crash Course Film Production
So... what do Producers even do? It's a hard question to answer because there are so many different kinds of producers on a movie. In this episode of Crash Course Film Production, Lily Gladstone talks us through the different kinds of...
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The Eagle Huntress: Crash Course Film Criticism
During our Film History and Production series, we talked about how Film is an "Illusion of Reality." That filmmakers use shots, cuts, and narrative structure to trick us into believing what we're seeing. But, what happens when that...
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The First Movie Camera: Crash Course Film History
After serial photography became a thing, it wasn't long before motion pictures started to develop. And, at the front of that development was Thomas Edison, who you may know as an inventor and business person. In this episode of Crash...
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Sound Production: Crash Course Film Production
Good sound is easy to miss because, usually, you're not paying attention to it. You're just simply, "in the story." But, sound recordists and engineers need to have a lot of technical know how as well as an instinct for story to help...
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Lost in Translation: Crash Course Film Criticism
It's time to take a look at a quieter, sweeter, and maybe happier film in this series. Sophia Coppola's "Lost in Translation" is a wonderful romantic comedy that doesn't play by the usual rules of its genre. In this episode, Michael...
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Beasts of No Nation: Crash Course Film Criticism
Beasts of No Nation is available to stream on Netflix (as it is a Netflix release). Some films are about war, some films are about kids, but some films are about kids during a time of war. Even more upsetting are films about kids who...
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In the Mood For Love: Crash Course Film Criticism
Cinematic love stories come in all shapes and sizes. Movies are really good at both capturing and projecting emotions. And one of the best directors at the modern love story is Wong Kar-Wai. In this episode of Crash Course Film...
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Crash Course Film History Preview
Beginning April 13th, join Craig Benzine (the internet's WheezyWaiter) for 16 weeks of Film History right here on Crash Course. He'll look at the history of one of our most powerful mediums. Film has the ability to communicate with...
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Where Are My Children: Crash Course Film Criticism
Before the Hayes Code was enacted, movies were a lot more brazen than we sometimes tend to think. Director/Producer Lois Weber spent much of her career making movies that challenged audiences. Her film, "Where Are My Children" is no...
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The Limey: Crash Course Film Criticism
Steven Soderbergh is known as much for his Oscar winning tense dramas as he is retiring... then not retiring. He was a part of the indy revolution in the 1980s and 90s that helped usher in a new case of writers and directors who didn't...
Crash Course
Aliens: Crash Course Film Criticism
James Cameron rocketed onto the action film scene with 1984's "The Terminator" and followed that up with a highly anticipated sequel to the 1979 film, "Alien." His film, "Aliens," would go on to not only be a financial success, but a...
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Pitching and Pre-Production: Crash Course Film Production
Pitching your movie to people can be hard. A studio, a friend, your mom... each of these entities will have different stressed and give you different results. But, what's important in a pitch? And what happens after the pitch? How do you...
Crash Course
Do the Right Thing: Crash Course Film Criticism
Mainstream American films don’t often tackle race and racism head-on, and when they do, they often end up trying to find easy answers. Which makes films like Spike Lee’s Do the Right Thing all the more powerful. It’s an intimate portrait...
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The Birth of the Feature Film: Crash Course Film History
Movies didn't always look like they do now. There was a period (kind of a problematic one) where movies transitioned from short novelties to big, epic, feature films. That's our focus this week as Craig talks to us about the birth of the...
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