Instructional Video2:11
Curated Video

Playing the Bass Part of "Jambalaya" on Accordion

9th - Higher Ed
Howcast - Learn how to play the bass part of "Jambalaya" on the accordion from musician / Broadway actress Katrina Yaukey in this Howcast video.
Instructional Video5:52
Curated Video

How to Play Flamenco Chords

9th - Higher Ed
Howcast - Learn how to play flamenco chords in this flamenco guitar lesson video from Howcast.
Instructional Video3:46
Curated Video

How to Play Minor Chords on a Pedal Steel Guitar

9th - Higher Ed
Howcast - Learn how to play minor chords in this Howcast video about how to play a pedal steel guitar.
Instructional Video3:28
Curated Video

How to Play Major Chords on a Pedal Steel Guitar

9th - Higher Ed
Howcast - Learn how to play major chords in this Howcast video about how to play a pedal steel guitar.
Instructional Video4:37
Curated Video

How to Use the Knee Levers on a Pedal Steel Guitar

9th - Higher Ed
Howcast - Learn how to use the knee levers on a pedal steel guitar in this Howcast video.
Instructional Video1:14
Curated Video

How to Play Sixth Chords on a Pedal Steel Guitar

9th - Higher Ed
Howcast - Learn how to play sixth chords in this Howcast video about how to play a pedal steel guitar.
Instructional Video3:09
Curated Video

How to Play the Blues Scale on Country Guitar

9th - Higher Ed
Howcast - Learn how to play the blues scale on country guitar from musician Boo Reiners in this Howcast video.
Instructional Video2:31
Curated Video

How Did John Popper Start Playing Harmonica?

9th - Higher Ed
Howcast - Learn how John Popper started playing harmonica in this interview with John Popper himself.
Instructional Video12:08
Music Matters

When Should You Use Second Inversion Chords? - Music Composition

9th - 12th
Why do second inversion chords demand special treatment? Starting with an explanation of why root position and first inversion chords are stable in themselves we are introduced to 6/4 5/3 progressions and passing 6/4 chords, as the...
Instructional Video13:44
Music Matters

Using Chords in the Natural Minor - Music Theory

9th - 12th
Many people are comfortable working in the harmonic and melodic keys when harmonising a melodic line but feel less assured doing the same in the natural minor. In this music theory lesson we explore which chords are major, which are...
Instructional Video13:51
Music Matters

Harmonizing a Melody Using the Natural Minor - Music Composition

9th - 12th
Join us and learn how to harmonize a melody using the natural minor. We start by constructing the scale and the chords in D natural minor, before going on to observe the harmonization of a melody in D natural minor. We consider the...
Instructional Video8:36
Curated Video

Revolutionizing Music: The Future of Instruments

6th - Higher Ed
Dive into the world of futuristic musical instruments where traditional boundaries are redefined. Explore the 3DVarius, an electric violin crafted through 3D printing, and the Dualo, an intuitive synthesizer that makes learning music...
Instructional Video21:32
Music Matters

Using Too Many Non-Chord Tones - Music Composition

9th - 12th
This music composition lesson explores the embellishment of music with non-chord tones/ inessential notes, including a reminder of what are the most common inessential notes. We then consider the implication of using too many non-chord...
Instructional Video30:31
Music Matters

Interpreting Debussy's Arabesque No.1 for Piano - Piano Interpretation

9th - 12th
Understanding and interpreting your piano music allows you to bring your own unique flair and personality to a piece. Here we investigate this famous Arabesque written by Debussy during his early career and explore the hints of the...
Instructional Video8:06
Music Matters

Why There's Only One Way to Resolve a Flat II Chord - Music Theory

9th - 12th
Resolving Neapolitan flat II chords? It's all about chord progression. This music theory lesson explains why the choice of resolution chords are limited, essentially because the chord functions as a pre dominant. We consider matters of...
Instructional Video10:57
Music Matters

Using Suspensions to Harmonize a Descending Bass - Music Composition

9th - 12th
Here's an idea for writing a sequence based on using a chain of suspensions above a descending scale in the bass line. Descending scales in the bass can be awkward to harmonise satisfactorily without generating parallels. This pattern...
Instructional Video11:33
Music Matters

Using 7th Chords Back to Back - Music Composition

9th - 12th
In this music composition lesson we review how to form 7th chords and remind ourselves of the traditional function of standard 7th chord progressions. The video goes on to consider the effectiveness of using 7th chords back to back...
Instructional Video9:32
Music Matters

Harmonizing an Ascending Scale with 5-6 Alterations - Music Composition

9th - 12th
This music composition lesson demonstrates an idea for alternating inversions and an associated melodic pattern above an ascending scale in the bass line. Ascending scales in the bass can be awkward to harmonise satisfactorily without...
Instructional Video20:06
Music Matters

Harmonizing a Chromatic Scale is Not Impossible - Music Theory

9th - 12th
Learn how to harmonise a chromatic scale. Starting with harmonising diatonic scales, the video moves on to using secondary dominants then to using chromatic chords and to using chords in a less functional way. This music theory lesson...
Instructional Video13:57
Music Matters

Harmonic Surprises in All I Want for Christmas is You - Composer Insights

9th - 12th
Discover three harmonic surprises that occur in Mariah Carey’s famous Christmas hit, “All I want for Christmas is you”. Many song composers find themselves using familiar and predictable chord patterns, and they would love to discover...
Instructional Video12:50
Music Matters

Elaborating an Upper Voice When Using an Ascending Bass Scale - Music Composition

9th - 12th
An idea for elaborating an upper melodic line over an ascending scale in the bass line. Ascending scales in the bass can be awkward to harmonise satisfactorily without generating parallels. This pattern illustrates one way of handling...
Instructional Video23:59
Music Matters

Can You Hear Which Chords Are Major and Which Are Minor? - Ear Training

9th - 12th
This lesson begins by working through each of the chords in major and minor keys explaining which are major, which are minor and which are augmented or diminished. The video moves on to explore how to hear the difference between major...
Instructional Video23:31
Music Matters

Can You Hear Four-Part Harmony and Write It Down? - Ear Training

9th - 12th
Have you ever had the frustrating experience of hearing a musical idea you want to work with as a player or as a composer but have struggled with being able to write it down? This lesson is an exercise in hearing a passage of four part...
Instructional Video25:41
Music Matters

Why Learn Figured Bass? - Music Theory

9th - 12th
See why every musician should become familiar with figured bass. For harpsichordists and organists needing to realise figured bass in performance realising figured bass fluently with style is essential. For others it’s a useful way of...