Instructional Video13:03
Crash Course

Race Melodrama and Minstrel Shows: Crash Course Theater #30

12th - Higher Ed
We’re continuing our discussion of nineteenth-century American theater with a look at some upsetting parts of the US's theatrical past. In the nineteenth century, race and racism contributed to a unique and troubling performance culture,...
Instructional Video11:33
Crash Course

The Rise of Melodrama: Crash Course Theater #28

12th - Higher Ed
At the turn of the 18th century, audience were ready to go over the top, and get some really, really dramatic theater in their lives. Like, a dog dueling a man type of dramatic. In London, only two theaters were licensed, but...
Instructional Video12:07
Crash Course

Zola, France, Realism, and Naturalism: Crash Course Theater #31

12th - Higher Ed
This week, we're back in Europe to learn about Realism and Naturalism. In the 19th Century, playwrights like Eugene Scribe, Alexandre de Dumas Fils, and Emile Zola remade the French theater, first with Realism, and later with Naturalism....
Instructional Video2:52
Ti & Me TV

Lorde- Liability I Contemporary DanceI @Miss Auti

K - 5th
A contemporary dance to Liability, covered by Auti Kamal.
Instructional Video
British Library

British Library: Oliver Twist: Depicting Crime and Poverty

9th - 10th
In Oliver Twist, Dickens paints a vivid picture of London's criminal underworld, a subject he harnesses both to excite the reader and to explore the effects of social deprivation. [8:10]