Instructional Video5:05
Odd Quartet

Music Theory - The Imperfect Music Cadence

9th - 12th
The Music Theory Crash Course continues with our look at cadences. This time we break down the Imperfect Authentic Cadence. We look at some cadence examples on the piano and explain how to identify an Imperfect Authentic Cadence as well...
Instructional Video21:59
Music Matters

Where to use Non-Chord Tones - Music Composition

9th - 12th
This music composition lesson takes a simple passage and explains how you can spot obvious places in which to add non-chord tones. The video explains neighbour tones (auxiliary notes) and passing tones (passing notes) then goes on to...
Instructional Video11:21
Music Matters

How Chord Inversions Work - Music Theory

9th - 12th
Learn how chord inversions work, what they are, how and when to use them, and how to label them. This music theory lesson includes U.K. and U.S. terminology to describe inversion chords and you will learn how to use all the diatonic...
Instructional Video19:31
Music Matters

Generating Rhythmic Movement and Embellishment - Inside the Mind of Bach

9th - 12th
A look at a Bach chorale where the embellishments work in conjunction to create rhythmic movement within the piece. We examine the choice of harmony, the part writing, dealing with harmonic and melodic minor, plus other features of the...
Instructional Video12:20
Music Matters

Creating Melodies from Chord Progressions - Music Composition

9th - 12th
Learn how to create melodies from chord progressions. We start with a set of chords in four-part harmony and find notes which fit the progression before going on to add melodic variation and input some non-harmonic tones. This music...
Instructional Video13:46
Music Matters

How to Compose a Melody from a Chord Scheme - Music Composition

9th - 12th
Learn how to write a melody over a chord progression. Have you got a great set of chords that need a melody to fit with them? In this music composition lesson we learn how to compose or improvise a melody that fits with a given chord...
Instructional Video16:35
Music Matters

Common Notes Between Chords - Inside the Mind of Bach

9th - 12th
How does Bach create stability when writing harmony? Let's find out as we take a deeper look into a fantastic chorale harmonization and examine the choice of harmony, chromatic chords, secondary dominants, borrowed chords. and...
Instructional Video9:35
Odd Quartet

How Style and Instrumentation Affect Chord Progressions

9th - 12th
Today we will look at a chord progression, but we will look at it in two different ways. First, as an 18th century piano composition. Then, as a 1950s American dance music. The trick is that we will use the same chord progression for...
Instructional Video12:34
Music Matters

The Best Chords to Follow Chord V (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord V what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video18:02
Music Matters

Rachmaninoff's Lyrical Use of Motif - Composer Insights

9th - 12th
How Sergei Rachmaninoff makes use of motifs when composing music. This composer insights lesson explores the opening of Rachmaninoff’s “Vocalise”. The melodic design is explained alongside the rich harmony, which features extended and...
Instructional Video16:54
Music Matters

The Best Chords to Follow Chord One - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? When you're writing a chord progression it often makes sense to start with chord one but which chords could you use next? This music composition lesson gives you thirteen...
Instructional Video17:40
Music Matters

3 Ways to Modulate from the Same Opening - Music Composition

9th - 12th
This music composition lesson takes an opening bar and demonstrates how to modulate into three different closely related keys. The opening bar is used as a departure point for modulations to the dominant, the subdominant and the relative...
Instructional Video3:55
Two Minute Music Theory

Why Eric Whitacre's Clusterchords Work

12th - Higher Ed
Today we're looking at the 14-part clusterchord from Water Night by Eric Whitacre, how it is constructed, and how it all works - thanks to a good preparation of voicing and voice-leading.
Instructional Video10:56
Music Matters

George Michaels Skillful Use of Extended Chords Composer Insights

9th - 12th
An insight into the introduction of George Michael’s “Careless Whisper” to discover the skills employed to create the opening to this iconic song. This video lays out the chord scheme used during the introduction and demonstrates the...
Instructional Video7:17
Music Matters

False Relation - Music Theory

9th - 12th
Learn all about false relation and the two ways in which it commonly occurs. A false relation comes about when there are two notes of the same letter but with differing accidentals that either occur simultaneously or between one chord...
Instructional Video15:01
Music Matters

The Best Chords to Follow Chord VII (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord VII what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video9:02
Music Matters

The Best Chords to Follow Chord IV (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord IV what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video6:12
Music Matters

Romantic Waltz Style - Composing for the Piano

9th - 12th
In this episode of composing for the piano we take the Music Matters theme and present it as a Waltz in Romantic style. The Music Matters theme was originally written in 4 time. By converting it into 3 time with some rhythmic...
Instructional Video11:18
Music Matters

How to Easily Move from One Key to Another Using a Pivot Chord - Music Composition

9th - 12th
Learn how to easily modulate from one key to another using a pivot chord. Some people can write a piece of music but experience difficulty when it comes to modulation i.e. moving from one key to another. This music composition lesson...
Instructional Video2:38
Music Matters

Anticipation Notes (Non-Harmonic Tones) - Music Theory

9th - 12th
Improve your melody writing and learn all about anticipation notes and non-harmonic tones. When melody notes fit the prevailing chord we refer to them as harmony notes. When they do not fit the chord they should belong to one of the...
Instructional Video17:24
Music Matters

Using Scalic Bass Lines - Inside the Mind of Bach

9th - 12th
Bach loves to use scalic bass lines within his chorales as a solid foundation for building the harmonic structure. Often the bass lines interact with the other parts within the texture to create a conversational type of movement. Let's...
Instructional Video11:41
Music Matters

The Best Chords to Follow Chord III (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord III what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video11:01
Music Matters

The Best Chords to Follow Chord VI (in Major Keys) - Music Composition

9th - 12th
Are you struggling to get started in writing a chord progression? If you want to use chord VI what are the best options for chords to follow? This music composition lesson gives you plenty of options for chords that progress well from...
Instructional Video18:45
Music Matters

4 Ways to Harmonize the Same Melody - Music Composition

9th - 12th
How to harmonize a melody in four different ways. This music composition lesson begins by using diatonic chords to present two possible alternative harmonisations. We then move on to two further harmonisations using chromatic chords and...