Crash Course
Witches and Hags: Crash Course World Mythology #39
New ReviewThis week, Mike is teaching you about the most mythic of mythological creatures: Dragons. Cultures across the world (and across Westeros) tell stories of dragons, and their power to destroy, their power to prop up kings, and their power...
Crash Course
Serpents and Dragons: Crash Course World Mythology #38
New ReviewThis week, Mike is teaching you about the most mythic of mythological creatures: Dragons. Cultures across the world (and across Westeros) tell stories of dragons, and their power to destroy, their power to prop up kings, and their power...
Crash Course
Mythical Language and Idiom: Crash Course World Mythology #41
New ReviewIt's the end of the world, everybody. Well, it's the end of our mythology series, anyway. This week, we're talking about how mythological themes have made their way into the English language. We're taking on the Herculean task of...
Crash Course
Mythical Horses: Crash Course World Mythology #37
New ReviewHorses have been human companions for thousands of years, and have been essential companions and tools for the development of human culture. So, it makes sense that horses would make their way into our most important stories. Today,...
Crash Course
Freud, Jung, Luke Skywalker, and the Psychology of Myth: Crash Course World Mythology #40
New ReviewIn which Mike Rugnetta teaches you about Sigmund Freud and Carl Jung, and how a lot of their work was influenced by myth and mythology. While Freud and Jung aren't quite as revered as they once were, they were undoubtedly a huge...
Crash Course
Crash Course World Mythology Preview
New ReviewCrash Course Mythology with Mike Rugnetta is here, and we have the preview video to prove it. We'll be uploading Friday afternoons to fulfill all your hunger for foundational cultural stories and whatnot.
Crash Course
The Horrors of the Grand Guignol: Crash Course Theater #35
New ReviewPrepare to be horrified, and to look into the face of inhumanity with the Grand Guignol. Mike Rugnetta teaches you about one of theater history's most horrible chapters. The Grand Guignol was a French theater based in Paris from the late...
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The Harlem Renaissance: Crash Course Theater #41
New ReviewIn the 1920s, there was a blossoming of all kinds of art made by African Americans in the New York neighborhood Harlem. Let's call it a renaissance. While all the arts were having a great run, some extremely interesting things were...
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The Birth of Off Broadway: Crash Course Theater #47
New ReviewBy the middle of the 20th century, the epicenter of American theater, the Broadway theater district in New York, was getting to be a pretty staid and commercial place. There was a lot of money to be made from prestige plays and dancing...
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Synge, Wilde, Shaw, and the Irish Renaissance: Crash Course Theater #36
New ReviewThe Irish Renaissance in the early 20th century included a wealth of new plays written both in Ireland, and by Irish ex-patriots elsewhere. W.B. Yeats, Lady Augusta Gregory, and J.M. Synge were creating a new national theater of Ireland...
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Symbolism, Realism, and a Nordic Playwright Grudge Match: Crash Course Theater #33
New ReviewIt's a Scandinavian grudge match on Crash Course Theater. We're looking at a couple of the key movements in European theater that deeply influenced the modern theater of today. We'll take a close look at two of the most radical and...
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Realism Gets Even More Real: Crash Course Theater #32
New ReviewIn the late 19th and early 20th centuries, theater was evolving rapidly in Europe. Impresarios like Georg II, Duke of the Duchy of Saxe Meinengen (in what is now Germany), were pushing theater troupes to new heights of realism. New...
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Poor Unfortunate Theater: Crash Course Theater #48
New ReviewPoor Theater and Theater of the Oppressed were two sort of concurrent movements that shared some of the same aims. Jerzy Grotowski's Poor Theater eschewed the use of lighting, props, costumes, makeup, and many of the other trappings of...
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Into Africa and Wole Soyinka: Crash Course Theater #49
New ReviewIt's difficult to talk about African theater thanks to colonialism. Pre-colonial Africa was home to many spoken languages, and not nearly as many written languages. The chain of oral tradition was broken by colonial policies, and so many...
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Futurism and Constructivism: Crash Course Theater #39
New ReviewIt's time to go Back...to the Future. By which I mean, we're going back into the past to talk about Futurism. Which seems like it would be cool, but it was started by this terrible guy Martinetti, who also wrote the Italian Fascist...
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Federal Theatre and Group Theater: Crash Course Theater #42
New ReviewThe 1930s in the United States were pretty bad for employment in all industries, and the theater was no exception. As part of Roosevelt's New Deal, the Works Progress Administration created a division called the Federal Theatre Project....
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Dada, Surrealism, and Symbolism: Crash Course Theater #37
New ReviewWatch. Dime. Develop. Powder. Pantry. Dirt. That's right, it's time for a dip into the random, because we're talking about the Dada theater that grew out of Symbolism, and the Surrealist theater that followed Dada. You'll learn about...
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Broadway Book Musicals: Crash Course Theater #50
New ReviewThis is it! We're going out with a singing, dancing look at the Broadway Book Musical. Oklahoma! On the Town! Annie Get Your Gun! Also, just Annie! Today you'll learn about the development of the Broadway Book Musical in the late 19th...
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Bertolt Brecht and Epic Theater: Crash Course Theater #44
New ReviewAre you ready to learn something about the world? Then you're ready for Bertolt Brecht, and his ideas about Epic Theater. Brecht wanted to lean into the idea of theater as a tool to upset and educate the world about stuff like the...
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Little Theater and American Avant Garde: Crash Course Theater #40
New ReviewIn the early 20th century United States, big melodramatic productions were on Broadway, and everywhere across the country. Which inevitably led to an Avant-Garde backlash. An interesting part of the backlash was Little Theater, a...
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Expressionist Theater: Crash Course Theater #38
New ReviewJoin us here, in the darkness. Our theater journey takes us into the heart of expressionism today, as playwrights in the late 19th and early 20th centuries explored the limits of human beings' tolerance for a mechanized, industrial...
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Crash Course Theater and Drama Preview!
New ReviewWe're back! This year Mike Rugnetta is teaching you about theater and drama. Are you in drama club? Want to know about the history of theater? Maybe learn some theater history? Have a lot of fun? This is the series for you! Over the next...
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Chekhov and the Moscow Art Theater: Crash Course Theater #34
New ReviewGet ready for Russian modernism. Mike is teaching you about the playwrighting of Catherine the Great, Anton Chekhov's plays, the Moscow Art Theater, and the acting theories of Stanislavski. It's all very real, and very modern. From a...
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Broadway, Seriously: Crash Course Theater #46
New ReviewWe're going to Broadway, everybody, and it's not going to be that fun. In fact, it's going to be a very serious experience with lots of powerful social commentary and indictments of life in America in the 1950s. So be prepared to look at...