{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Jonas Kaufmann stars in Korngold’s opera “Die Tote Stadt” which mixes Hitchcock’s Vertigo with Freud' data-url='/boclips/videos/6878b7fe8802842c0ca28c71' data-video-url='/boclips/videos/6878b7fe8802842c0ca28c71' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nJonas Kaufmann stars in Korngold’s opera “Die Tote Stadt” which mixes Hitchcock’s Vertigo with Freud\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003ePremiering at the Bavarian State Opera in Munich, “Die Tote Stadt” (The dead city) is a story about grief; a man who lost his wife, Marie and can’t move on.\u0026nbsp; After eventually falling in love with her look-alike Marietta, Paul is...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003ePremiering at the Bavarian State Opera in Munich, “Die Tote Stadt” (The dead city) is a story about grief; a man who lost his wife, Marie and can’t move on.  \u003cbr/\u003e\u003cbr/\u003e\u003cbr/\u003eAfter eventually falling in love with her look-alike Marietta, Paul is torn between desire and a feeling of guilt. \u003cbr/\u003e\u003cbr/\u003e“The rooms which split up and are put back together reflects the inner conflict,\" says Nikolaus Bachler, from the Bavarian State Opera. \u003cbr/\u003e\u003cbr/\u003e\"I think the stage designer translated that very well. You can also imagine a city in itself, a psychological space. It’s a Sigmund Freud-space.” \u003cbr/\u003e\u003cbr/\u003e\u003cbr/\u003e“That bathroom is up on the top of the other building. And Paul is downstairs. It creates this feeling like you're in a dream and you cannot reach something even if you feel that you can, because it's not that far away,” says Baritone Andrzej Filonchyk. \u003cbr/\u003e\u003cbr/\u003e\u003cbr/\u003eThe exceptional work has a difficult score written when the composer was just 23 years old, as director, Nikolaus Bachler explains: \u003cbr/\u003e\u003cbr/\u003e“Technically speaking it’s almost unfeasible what the tenor has to do in the first act.”  \u003cbr/\u003e\u003cbr/\u003eJonas Kaufmann, who sings the tenor part agrees: \u003cbr/\u003e\u003cbr/\u003e\u003cbr/\u003e“I think it’s partly because of Korngold’s young age that he didn’t know how far he could go (where the limits of the voices are). All that he had in mind, all these incredible changes of harmony and rhythm. It’s a crazy maze made up of different styles.” \u003cbr/\u003e\u003cbr/\u003eExpressive sounds, finesse and psychedelic melodies, the opera challenges a maestro. \u003cbr/\u003e\u003cbr/\u003e“Listen to the orchestra pit and watch what is happening there! It’s something you will hardly find anywhere else. Especially with such a difficult oeuvre. How Kirill Petrenko partly dissects it but without ever losing the poetry,\" says Bachler. \u003cbr/\u003e\u003cbr/\u003e\u003cbr/\u003e\"At the same time, there are these contradictions, these breaks and these surprising flashes which almost bring us back to Hitchcock.” \u003cbr/\u003e\u003cbr/\u003eAfter a nightmarish trip into the depths of his mind, Paul kills Marietta, but only in his dreams.  \u003cbr/\u003e\u003cbr/\u003eBut can he finally move on? \u003cbr/\u003e\u003cbr/\u003e\u003cbr/\u003e“I think that this is a nice idea to leave it unknown or unclear. And even Korngold wrote it in his score, that the stage has to be open till the last bars of the music,\" says Baritone Andrzej Filonczyk. \u003cbr/\u003e\u003cbr/\u003e\u003cbr/\u003e\"The curtain has to stay up and show the emptiness of the stage.”\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star-half-stroke text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-regular fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt class=\"educator-rating-title\"\u003eEducator Rating\u003c/dt\u003e\u003cdd\u003e\u003cdiv class=\"educator-rating-details\" data-path=\"/educator_ratings/rrp_data?resourceable_id=91054467\u0026amp;resourceable_type=Boclips%3A%3AVideoMetadata\"\u003e\u003cspan class=\"not-yet-rated\"\u003eNot yet Rated\u003c/span\u003e\u003c/div\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eMedia Length\u003c/dt\u003e\n\u003cdd\u003e4:15\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eGrade\u003c/dt\u003e\u003cdd title=\"Grade\"\u003e9th - Higher Ed\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eSubjects\u003c/dt\u003e\u003cdd\u003e\u003cspan\u003e\u003ca href=\"/search?keywords=note+cards+taking+notes\u0026amp;page=22\u0026amp;search_tab_id=1\u0026amp;subject_ids%5B%5D=365223\"\u003eVisual \u0026amp; 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