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\nExtreme Modulation Using Chromatic Harmony - Music Theory\n

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\n\nPublisher:\n\nMusic Matters\n\n\n
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\nHarmonizing a melody using chromatic chords and advanced harmonic techniques to effect modulation to extreme keys. The melody to be harmonized includes an extreme modulation from Eb to B major before travelling back to Eb major. This...\nHarmonizing a melody using chromatic chords and advanced harmonic techniques to effect modulation to extreme keys. The melody to be harmonized includes an extreme modulation from Eb to B major before travelling back to Eb major. This music theory lesson demonstrates step by step the most effective ways to complete the harmony, using augmented 6th chords, secondary dominants, diminished 7ths, borrowed chords and chromatically altered extended chords. The harmonization also includes the use of enharmonic equivalents as pivot notes in modulation. By the end of this music theory lesson you will know how to harmonize melodies using sophisticated chords, chromatic notes, and modulation to extreme keys. \n
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Resource Details

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Curator Rating
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Educator Rating
Not yet Rated
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Media Length
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33:26
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Grade
9th - 12th
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Subjects
Visual & Performing Arts
1 more...
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Media Type
Instructional Videos
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Source:
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\nMusic Matters\n\n
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Date
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2020
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Language
English
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Audiences
For Teacher Use
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Usage Permissions
Fine Print: Educational Use
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Concepts

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piano, music composition, chords, music theory
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Additional Tags

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flat major, cadence, extreme modulation, chord, how to modulate, pivot chord, complex harmony, double suspension, part, flat belongs, abrsm, enharmonic equivalents, german sex, alto part, notes, chromatic harmony, repeated notes, major, secondary dominant, chromatic chords, minor, harmonizing a melody, augmented 6th chords, bit boring, advanced music theory, modulation, diminished 7th chords, secondary dominant chords, minor key, augmented 4th, pivot note, major key, flat minor, trinity, minor thirds, perfect cadence, nice contribution, lcm, diminished 7th, key signature
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Classroom Considerations

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Video is ad-free
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