{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='International architects interpret  \u0026quot;Freespace\u0026quot; theme' data-url='/boclips/videos/5c54d7a1d8eafeecae20d744' data-video-url='/boclips/videos/5c54d7a1d8eafeecae20d744' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nInternational architects interpret  \u0026quot;Freespace\u0026quot; theme\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eLEADIN              National participants at the 16th International Architecture Exhibition have presented their interpretations of a \"Freespace\" theme.              STORYLINE:              Inside the Giardini national participants at...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eLEADIN\u003cbr/\u003e              National participants at the 16th International Architecture Exhibition have presented their interpretations of a \"Freespace\" theme.\u003cbr/\u003e              STORYLINE:\u003cbr/\u003e              Inside the Giardini national participants at the architecture Biennale generally ask visitors to come into their pavilion to see their exhibitions.\u003cbr/\u003e              Russia however has completely transformed its pavilion into an apparent train station.\u003cbr/\u003e              The Station Russia as it had been renamed, explores the past, present and future of the Russian railways.\u003cbr/\u003e              According to the pavilion's Commissioner, Semyon Mikhailovsky, railways are the lifeblood of the widespread country, the space of Russia.\u003cbr/\u003e              \"All the Russian train stations are unique, the atmosphere of train stations, and the trains are changing and we have a lot of famous travellers who travel through Russia, a lot of events happened in the train stations or in trains so we have history, connected with Russian history, trains are connected and of course there is the literature, from Anna Karenina to Doctor Zhivago, from Nicola II (Nicolas II) to Aleksandr Solzhenitsyn,\" he says.\u003cbr/\u003e              The exhibition is divided into different parts including a section downstairs called The Crypt of Memories where steel cabinets hold genuine historic artifacts and stories of famous travellers.\u003cbr/\u003e              Before leaving visitors can watch a film called Seven days in Seven Minutes, which shows what Russia looks like from a train window from Moscow to Vladivostok.\u003cbr/\u003e              To interpret this year's theme \"Freespace\", Argentina has also used its own landscape.\u003cbr/\u003e              Architectural projects are exposed on a horizontal line and a visual installation aims to help the visitor understand the Argentinian territory.\u003cbr/\u003e              \"We built an object that is an abstract representation of the immensity of the Argentinian territory, and by playing with reflection, mirrors and a moving sky, it tries to create this feeling we often have in Argentina of an infinite sky, a land that never ends and that meeting point on the horizon line that is never ending,\" explains Pablo Anzilutti, Co-Curator of the Argentinian pavilion.\u003cbr/\u003e              The United States pavilion is, among other things, also trying to challenge the way we envision boundaries.\u003cbr/\u003e              In a room dedicated to the Nation, MEXUS: A Geography of Interdependence presents a mural-sized visualisation of watersheds or ecological corridors that overlap with the political border between Mexico and the United States.\u003cbr/\u003e              \"They're asking us to think about what is the space of the border, a border region and this is perhaps a transnational comment, a space of exchange, of togetherness, they illustrate that by looking at eight watersheds and it is defined by the ecological flows, rather than the sort of statement of sovereignty and fortified at that,\" explains Mimi Zeiger, Co-Curator of the US pavilion.\u003cbr/\u003e              Meanwhile other countries are confronting their own history first in order to reflect on borders in the world.\u003cbr/\u003e              When you enter the German pavilion, it would appear that you are facing a series of walls or fragments of walls, which later turn out to be panels.\u003cbr/\u003e               \"We're showing 28 projects that exemplify how complicated and how complex it is to un-build a wall,\" says Wolfram Putz, one of the co-curators of the German pavilion.\u003cbr/\u003e              \"28 years ago the wall came down, it was standing for 28 years and so we are showing the heterogeneity of architectural answers and the identity of these answers. What do they talk about? How do they show a democratic society that has basically found a solution to start a democratic discourse and to create diversity in a debate of architectural buildings?\"\u003cbr/\u003e              The exhibition also looks at walls beyond Germany and what it means to live in these areas with a series of interviews of people living with walls in their daily lives displayed in the pavilion.\u003cbr/\u003e              The Republic of Korea is also using its history to make sense of space and architecture today.\u003cbr/\u003e              Their exhibition Spectres of the State Avant-garde explores the relationship between architecture and state by looking at the influence of the KECC, a technical consultancy for architecture and civil engineering established by the state in 1965, which was responsible for most of the architecture of the country but did not keep archives of its work.\u003cbr/\u003e              \"Today it seems we have leap frogged into the future without really having a past and we have this strange mixture of futuristic architecture without a foundation of the past. That's what we wanted to re-establish, this firm holding foothold which is more of a historical foundation that we never bothered to make,\" explains Choon Choi, Co-Curator of exhibition and architect.\u003cbr/\u003e              The exhibition interprets the missing pieces as ghosts and spectres and aims to create an archive with a series of pieces that explain the history and dynamics behind Korean architectural monuments.\u003cbr/\u003e              France has chosen to dedicate its pavilion to places and what places evoke, rather than buildings.\u003cbr/\u003e              The pavilion is filled with a variety of items from bells to bicycle wheels, to show it can be up to the people to invent a place, depending on what they chose to do in a dedicated space.\u003cbr/\u003e              \"It was important for us to show places and not buildings, that is why the subtitle of the exhibit is should we simply build buildings or seek to make places? So it is a question we are asking and in this exhibit we wish to make portraits of places that touched us as architects,\" explains the co-curator of the French pavilion, Julien Choppin.\u003cbr/\u003e              The exhibition presents ten different places, including recuperated spaces or places transformed for social projects.\u003cbr/\u003e              \"These are often abandoned places, that have been deserted, old factories or offices, that have been reactivated and where civil society has great impact as these are bottom up projects, with mixed programmes and for us these projects are full of hope for the future given the ecological, social and economical crises we are going through,\" says Choppin.\u003cbr/\u003e              But at first glace, it would appear Great Britain has been the most literal in its interpretation of the Freespace theme.\u003cbr/\u003e              As visitors enter the British pavilion, they will find nothing but free space.\u003cbr/\u003e              The narrative given to visitors explains the galleries have been abandoned and have not been renovated since the last exhibition.\u003cbr/\u003e              Meanwhile an island has formed over the galleries on the roof, suggesting many themes including climate change, abandonment, colonialism or even Brexit.\u003cbr/\u003e              After visiting a series of empty rooms visitors can go upstairs to see the island.\u003cbr/\u003e              \"You sort of ascend and it's quite a raw structure and the scaffolding sort of suggests that something is under renovation, maybe about to change and then you reach the top and you see there's a piazza,\" explains Sarah Mann, Commissioner of the British Pavilion 2018.\u003cbr/\u003e              \"The intention of the piazza is really to be as a piazza would be in Venice, the floor is designed to kind of mirror many different patterns from Venetian floors and it's a place of respite from the Biennale and it is really intended for people to be up there to relax.\u003cbr/\u003e              \"Every day at 4pm we serve tea, but obviously there is kind of a heavy metaphorical aspect to the project but it has lots of layers and I hope the people will take what they want from it.\"\u003cbr/\u003e              The 16th International Architecture Biennale Exhibition will take place from 26 May to 25 November 2018 in Venice.\u003cbr/\u003e            \u003cbr/\u003e\u003cbr/\u003e              Venice, Italy - 24 May 2018\u003cbr/\u003e              1. Wide of Venice Architecture Biennale\u003cbr/\u003e              2. Wide exterior of Russian pavilion\u003cbr/\u003e              3. Wide of video inside Russian pavilion showing the history of trains and railways\u003cbr/\u003e              4. Wide of exhibit inside Russian pavilion\u003cbr/\u003e              5. SOUNDBITE (English) Semyon Mikhailovsky, Commissioner of the Russian Pavilion:\u003cbr/\u003e              \"All the Russian train stations are unique, the atmosphere of train stations, and the trains are changing and we have a lot of famous travellers who travel through Russia, a lot of events happened in the train stations or in trains so we have history, connected with the Russian history, trains are connected and of course there is the literature and cinema, from Anna Karenina to Doctor Zhivago, from Nicola II (Nicolas II) to Aleksandr Solzhenitsyn.\"\u003cbr/\u003e              6. Wide of steel cabinets, mimicking a traditional luggage room\u003cbr/\u003e              7. Close of a cabinet with history of railway journey of Leon Trotsky\u003cbr/\u003e              8. Mid of film by Daniil Zinchenko, 'Seven Days in Seven Minutes' showing his journey from Moscow to Vladivostok\u003cbr/\u003e              9. Wide of Vertigo Horizontal exhibition in Argentinian pavilion\u003cbr/\u003e              10. Mid of woman looking at installation\u003cbr/\u003e              11. Close of grass inside installation\u003cbr/\u003e              12. SOUNDBITE (Spanish) Pablo Anzilutti, Co-Curator of the Argentinian pavilion:\u003cbr/\u003e              \"We built an object that is an abstract representation of the immensity of the Argentinian territory, and by playing with reflection, mirrors and a moving sky, it tries to create this feeling we often have in Argentina of an infinite sky, a land that never ends and that meeting point on the horizon line that is never ending.\"\u003cbr/\u003e              13. Mid of lightening effect inside the installation\u003cbr/\u003e              14. Wide of installation\u003cbr/\u003e              \u003cbr/\u003e              Venice, Italy - 23 May 2018\u003cbr/\u003e              15. Wide of Nation scale inside US pavilion\u003cbr/\u003e              16. Close of detail of installation saying this concerns 15 million people\u003cbr/\u003e              17. Wide of curators looking at installation\u003cbr/\u003e              18. Mid of curators looking at installation\u003cbr/\u003e              19. SOUNDBITE (English), Mimi Zeiger, Co-Curator of US pavilion:\u003cbr/\u003e              \"They're asking us to think about what is the space of the border, a border region and this is perhaps a transnational comment, a space of exchange, of togetherness. They illustrate that by looking at eight watersheds and it is defined by the ecological flows, rather than the sort of statement of sovereignty and fortified at that.\"\u003cbr/\u003e              20. Wide of MEXUS: A Geography of Interdependence installation\u003cbr/\u003e              21. Close of MEXUS: A Geography of Interdependence installation\u003cbr/\u003e              22. People talking together in German pavilion\u003cbr/\u003e              23. Wide of exhibition in German pavilion\u003cbr/\u003e              24. SOUNDBITE (English), Wolfram Putz, Co-Curator of German Pavilion:\u003cbr/\u003e              \"We're showing 28 projects that exemplify how complicated and how complex it is to un-build a wall. 28 years ago the wall came down, it was standing for 28 years and so we are showing the heterogeneity of architectural answers and the identity of these answers: What do they talk about? How do they show a democratic society that has basically found a solution to start into a democratic discourse and to create diversity in a debate of architectural buildings?\"\u003cbr/\u003e              25. Wide of exhibition inside German pavilion\u003cbr/\u003e              26. Mid of Wall of Opinions – showing people living with walls and their situation\u003cbr/\u003e              27. Wide exterior of Korean pavilion\u003cbr/\u003e              28. Wide of exhibit inside Korean pavilion\u003cbr/\u003e              29. Wide of Dream Cells installation inside Korean pavilion\u003cbr/\u003e              30. Mid of artists interacting with Dream Cells installation\u003cbr/\u003e              31. Close of architect face represented on Dream Cells installation\u003cbr/\u003e              32. SOUNDBITE (English) Choon Choi, Co-Curator of exhibition and architect\u003cbr/\u003e              \"Today it seems we have leap frogged into the future without really having a past and we have this strange mixture of futuristic architecture without a foundation of the past. That's what we wanted to re-establish, this firm holding foothold for the future which is more like a historical foundation that we never bothered to make.\"\u003cbr/\u003e              33. Tilt down of Autopsy of the Future by Choon Choi\u003cbr/\u003e              34. Mid of visitor taking picture of installation\u003cbr/\u003e              35. Wide of French pavilion\u003cbr/\u003e              36. Tilt up of interior of French pavilion\u003cbr/\u003e              37. Close of bell ringing\u003cbr/\u003e              38. Tilt right from clock to bicycle wheel\u003cbr/\u003e              39. SOUNDBITE (French), Julien Choppin, Co-Curator of French pavilion:\u003cbr/\u003e              \"It was important for us to show places and not buildings, that is why the subtitle of the exhibit is should we simply build buildings or seek to make places? So it is a question we are asking and in this exhibit we wish to make portraits of places that touched us as architects.These are often abandoned places, that have been deserted, old factories or offices, that have been reactivated and where civil society has great impact as these are bottom up projects, with mixed programmes and for us these projects are full of hope for the future given the ecological, social and economical crises we are going through.\"\u003cbr/\u003e              40. Mid of La Convention building model\u003cbr/\u003e              41. Close of La Convention building model\u003cbr/\u003e              42. Close of building model\u003cbr/\u003e              43. Wide of British pavilion\u003cbr/\u003e              44. Wide of people walking through empty room inside British pavilion\u003cbr/\u003e              45. Mid of people walking through empty room inside British pavilion\u003cbr/\u003e              46. Close of map on wall of empty pavilion\u003cbr/\u003e              47. Wide of view from British pavilion from external elevator\u003cbr/\u003e              48. Mid of terrace of British pavilion from external elevator\u003cbr/\u003e              49. SOUNDBITE (English) Sarah Mann, Commissioner of the British Pavilion 2018\u003cbr/\u003e              \"You sort of ascend and it's quite a raw structure and the scaffolding sort of suggests that something is under renovation, maybe about to change. And then you reach the top and you see there's a piazza. And the intention of the piazza is really to be as a piazza would be in Venice, the floor is designed to kind of mirror many different patterns from Venetian floors and it's a place of respite from the Biennale and it is really intended for people to be up there to relax. Every day at 4pm we serve tea, but obviously there is kind of a heavy metaphorical aspect to the project but it has lots of layers and I hope the people will take what they want from it.\"\u003cbr/\u003e              50. Wide of piazza on top of British pavilion\u003cbr/\u003e              51. Mid of piazza on top of British pavilion\u003cbr/\u003e              52. Wide of view from piazza on top of British pavilion\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci 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