{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Surrealism celebrated in Madrid exhibition' data-url='/boclips/videos/5c54d785d8eafeecae20c9bf' data-video-url='/boclips/videos/5c54d785d8eafeecae20c9bf' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nSurrealism celebrated in Madrid exhibition\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eLEADIN:              Surrealism is being celebrated at a new exhibition in Madrid featuring some of the 20th Century's most revolutionary artists.              Duchamp, Magritte, Dalí and many other European artists are brought together,...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eLEADIN:\u003cbr/\u003e              Surrealism is being celebrated at a new exhibition in Madrid featuring some of the 20th Century's most revolutionary artists.\u003cbr/\u003e              Duchamp, Magritte, Dalí and many other European artists are brought together, showing how they challenged traditional concepts and stereotypes to turn the art world upside down. \u003cbr/\u003e              STORYLINE:\u003cbr/\u003e              The creative team behind the exhibition \"Magritte, Duchamp, Dali: 20th century art revolutionaries\". \u003cbr/\u003e              The collection on display at Madrid's Gaviria Palace features 180 works by well-known Dada and Surrealism artists, including Rene Magritte, Marcel Duchamp, and Salvador Dali. \u003cbr/\u003e              Both Dada and Surrealism were major movements of the 20th Century that revolutionised the language of art, aiming to free the spirit and celebrate the human imagination.\u003cbr/\u003e              Dada is an art movement that began in 1916 in Zurich and was a reaction to the horror of the First World War. \u003cbr/\u003e              This movement spread to Hannover, Cologne, Berlin, New York and Paris. In France, during the early 1920s, it developed into the Surrealism movement who's leader was André Breton. The Surrealism manifesto was written in 1924.\u003cbr/\u003e              Those were multimedia movements. They are characterised by the used of new technologies brought by the 20th Century: photography, film, radio, etc.\u003cbr/\u003e              \"Dada was one of the first, or the first you could say, multimedia movements because it begins with performances, films, photography, collage, montage, the ready-made. Not only painting, and sculpture and drawing which were also their tools. But they bring together all the tools that are offered to them as artists of the beginning of the 20th Century to create a revolution of the spirit,\" says curator Adina Kamien-Kazhdan.\u003cbr/\u003e              Visitors are able to see the different stages of the art revolution where the works blur the borders between art and life, highlighted by pieces from Marcel Duchamp and collage and photomontage by Ernst and Höch in the section titled \"Juxtapositions\".\u003cbr/\u003e              \"I would say art used to be on more of a pedestal and by using train tickets, wrappers of candies, pieces of newspaper and bringing it and creating an artwork out of this rubbish, things that you would have through in the garbage, that bridges the boundaries between art and life. Creating a sculpture, which is no longer called the sculpture but a ready-made, out of a kitchen stool and a bicycle wheel is redefining what art was and bridging the boundaries between art and life,\" explains Kamien-Kazhdan.\u003cbr/\u003e              All the artwork shown is on loan from Israel Museum and it has been grouped into different themes. \u003cbr/\u003e              Israel Museum director Ido Bruno says there are a lot of deep meanings between the works themselves and the exhibition space. \u003cbr/\u003e              \"Some of them interact with the space, some of them interact with the meaning. You know in the sacristy of the Palacio we actually have the section of the exhibition that deals with desire and it's painted pink,\" he says.\u003cbr/\u003e              The \"Desire: muse and abuse\" section is focused in the image of women.\u003cbr/\u003e              In fact, architect Oscar Tusquets has reconstructed the famous Mae West living room which stands in Salvador Dali's house in Figueres.\u003cbr/\u003e              \"This was a work that was done with Salvador Dalí in 1975. It is the fruit of my collaboration with Salvador Dalí, who was a great friend of mine. The idea was to create a space used as a living room that reproduced the painting \"Mae West's face\". I proposed to Salvador Dali why don't we make a room that reproduced that painting. At that time I was very conceptual (he laughs). And Salvador Dali was delighted (by the idea),\" says Tusquets.\u003cbr/\u003e              As the exhibition fitter, Tusquets has also rebuilt the installation of 1200 sacks of coal designed by Duchamp for the Exposition Internationale du Surréalisme in 1938.\u003cbr/\u003e              The \"Biomorphism and Illusion\" section reflects the tendency to favour ambiguous and organic shapes, inspipred by nature, nudity and the stars.\u003cbr/\u003e              Another section deals with \"Automatism\"  - reflecting the movement's fascination with new developments in psychiatric thought in the late nineteenth and early twentieth centuries. \u003cbr/\u003e              Here, visitors will be able to enjoy the works of Joan Miro and Marcel Duchamp.\u003cbr/\u003e              The dream images created by Magritte, Dali and Paul Delvaux which inspired Surrealism are put together in the \"Dreamscape\" section.\u003cbr/\u003e              The exhibition comes to Madrid after its premiere in Bologna, Italy. The exhibition at Madrid's Gaviria Palace runs until July 15th 2018.\u003cbr/\u003e              of any sound recording or performance included within the AP Television News service\u003cbr/\u003e            \u003cbr/\u003e\u003cbr/\u003e              Madrid, Spain - 9 April 2018\u003cbr/\u003e              1. Wide of \"Magritte, Duchamp, Dali: 20th century art revolutionaries\" exhibition directors, curators and fitters in front of exhibition's banner\u003cbr/\u003e              2. Tilt down from close of \"self-portrait Mona Lisa\" by Salvador Dali (1973) used for exhibition's banner to the title that reads in Spanish \"20th Century art revolutionaries. Masterpieces of the Israel museum, Jerusalem\"\u003cbr/\u003e              3. \"Observatory time - The Lovers\" by Man Ray (Emmanuel Radnitzky) (1932-1934)\u003cbr/\u003e              4. Various of installation that reproduces images of Salvador Dali and Luis Buñuel \"An Andalusian dog\" film\u003cbr/\u003e              5. \"Surrealist essay\" by Salvador Dali (1934)\u003cbr/\u003e              6. Wide of visitors walking around the exhibition. \"Woman and birds\" by Joan Miró (1970) is in forefront.\u003cbr/\u003e              7. Pull focus on \"Bird\" by Joan Miró (1960)\u003cbr/\u003e              8. Mobile \"Untitled\" by Alexander Calder\u003cbr/\u003e              9. Tilt down of 1963 limited edition replica of \"Bicycle wheel\" by Marcel Duchamp (1913)\u003cbr/\u003e              10. SOUNDBITE (English) Adina Kamien-Kazhdan, curator:\u003cbr/\u003e              \"Dada was one of the first, or the first you could say, multimedia movements because it begins with performances, films, photography, collage, montage, the ready-made. Not only painting, and sculpture and drawing which were also their tools. But they bring together all the tools that are offered to them as artists of the beginning of the 20th Century to create a revolution of the spirit.\"\u003cbr/\u003e              11. Close-up of ready-made \"Waistcoat for Benjamin Péret\" by Marcel Duchamp (1958)\u003cbr/\u003e              12. Wide of curator Adina Kamien-Kazhdan explaining art works\u003cbr/\u003e              13. Medium of \"Chateau Mille-secousses \" (1962) and \"Monument to the unknown painter\" (1955) by Man Ray (Emmanuel Radnitzky) and \"Box alert\" by Mimi Parent (1959)\u003cbr/\u003e              14. 1971 limited edition replica of \"Pallettablle\" by Man Ray (Emmanuel Radnitzky) (1940)\u003cbr/\u003e              15. SOUNDBITE (English) Adina Kamien-Kazhdan, curator:\u003cbr/\u003e              \"I would say art used to be on more of a pedestal and by using train tickets, wrappers of candies, pieces of newspaper and bringing it and creating an artwork out of this rubbish, things that you would have through in the garbage, that bridges the boundaries between art and life. Creating a sculpture, which is no longer called the sculpture but a ready-made, out of a kitchen stool and a bicycle wheel is redefining what art was and bridging the boundaries between art and life.\"\u003cbr/\u003e              16. Zoom out of \"The handsome brooder\"  by René Magritte (1950)\u003cbr/\u003e              17. Wide of curator Adina Kamien-Kazhdan explaining  \"The Castle of the Pyrenees\" by René Magritte (1959)\u003cbr/\u003e              18. Tilt up of \"The Castle of the Pyrenees\" by René Magritte (1959)\u003cbr/\u003e              19. SOUNDBITE (English) Ido Bruno, Israel Museum director:\u003cbr/\u003e              \"There are a lot of more deep meanings between the works themselves that you can see in the exhibition and the different spaces. Some of them interact with the space, some of them interact with the meaning. You know in the sacristy of the Palacio we actually have the section of the exhibition that deals with desire and it's painted pink.\"\u003cbr/\u003e              20. Tilt down from Gaviria's palace sacristy dome to \"Desire\" room painted in pink\u003cbr/\u003e              21. \"Marcel Duchamp as Belle Haleine\" by Man Ray and Marcel Duchamp (1921)\u003cbr/\u003e              22. \"Untitled nude\" by Man Ray (Emmanuel Radnitzky) (1949)\u003cbr/\u003e              23. \"Woman in front of the sea\" by Pablo Picasso (1939)\u003cbr/\u003e              24. Various of the \"Specter of the Gardenia\" by Marcel Jean (1936/1968)\u003cbr/\u003e              25. A woman watching through a hole in Oscar Tusquets reconstruction of the famous Mae West living room\u003cbr/\u003e              26. Various of women taking pictures in Mae West living room\u003cbr/\u003e              27. SOUNDBITE (Spanish) Oscar Tusquets, architect and exhibition fitter:\u003cbr/\u003e              \"This was a work that was done with Salvador Dalí in 1975. It is the fruit of my collaboration with Salvador Dalí, who was a great friend of mine. The idea was to create a space used as a living room that reproduced the painting \"Mae West's face\". I proposed to Salvador Dali why don't we make a room that reproduced that painting. At that time I was very conceptual (he laughs). And Salvador Dali was delighted (by the idea).\"\u003cbr/\u003e              28. Zoom out of \"Waiting for the liberation (skeletons in an office)\" by Paul Delvaux (1944)\u003cbr/\u003e              29. 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