{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Venice prepares for 57th Biennale of Art' data-url='/boclips/videos/5c54d451d8eafeecae1f1a47' data-video-url='/boclips/videos/5c54d451d8eafeecae1f1a47' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nVenice prepares for 57th Biennale of Art\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eLEAD-IN:Against the dreamy backdrop of canals, gondolas and bridges, the Italian city of Venice is gearing up for the much-anticipated 57th Biennale of Art. Hundreds of international artists will exhibit their works at the Biennale, one...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eLEAD-IN:Against the dreamy backdrop of canals, gondolas and bridges, the Italian city of Venice is gearing up for the much-anticipated 57th Biennale of Art. Hundreds of international artists will exhibit their works at the Biennale, one of the most prestigious contemporary art fairs in the world. STORYLINE:Once every two years Venice plays host to contemporary artists from across the world for its celebrated Biennale.  At the Biennale pavilions - located near the heart of Venice - everything is almost ready ahead of this Saturday's Biennale official opening. Christine Macel has been chosen as the curator of the 57th Venice Biennale and of the main group exhibition also titled \"Viva Arte Viva\"; both will run for the next seven months. Macel has a background in art history and for the past 17 years she's been the Chief Curator at the MusÃƒÂ©e national d'art moderne Ã¢Â€Â“ Centre Pompidou of Paris.She isn't new to the Biennale, having curated the French pavilion in 2013 and the Belgian pavilion in 2007. Macel says \"Viva Arte Viva\" plays on the double meaning of the word \"viva\" in Italian, signifying both \"hooray\" and \"alive\". \"Viva Arte Viva\" is an exclamation, an exhortation to art as well as a statement, that art is alive. \"The idea is to keep the double meaning of 'Viva Arte Viva' because I want both to celebrate the art and the artist and also to celebrate the life of the creation of today and to put the artist at the centre of the exhibition as a point of departure of the whole exhibition and of all the parallel projects of the exhibition,\" Macel explains. \"Viva Arte Viva\"'s main idea is that art is entrusted to reveal humanity at a time when humanity is jeopardised by war and uncertainty. In an era of unresolved tensions, populism and individualism \"Viva Arte Viva\" sees art as an act of resistance. \"Nowadays I think that art is especially important because art was always a big part of humanism. Humanism has developed in the Renaissance thanks to the art and culture and now that humanism, I mean human values are threatened by conflict, by the situation of the world that is kind of chaotic and uncertain, unpredictable it's more than ever important to associate the art to our lives, to find also a way to reinvent the reality and its future,\" Macel says. The \"Viva Arte Viva\" international group exhibit unfolds through nine pavilions or \"chapters\" disposed in a narrative sequence, each with its own story, showcasing the works of 120 artists from 51 countries.  \"Green Light - an Artistic Workshop\" by Danish artist Olafur Eliasson, challenges Europe's struggle with the refugee crisis, showing a possible way out of it. Eliasson's installation imagines a world where migrants and locals harmoniously live and work together.  \"Green Light - an Artistic Workshop\" is set in a large office-like space where people from different ethnicities build modular objects together, recognising and welcoming their respective differences. The Biennale will host 85 national pavilions from countries all over the world, from France to the United States, from South Korea to Brazil. This year four nations are set to make their debut at the international art fair: Nigeria, together with the islands of Antigua and Barbuda in central America and the Pacific Ocean small nation of Kiribati. Time and identity inspire Nigeria's \"How About Now? exhibit showcasing the works of artists Victor Ehikhamenor, Peju Alatise and Qudus Onikeku. Victor Ehikhamenor's  installation \"A Biography of the Forgotten\" pays homage to Nigerian artists of the past, whose memory has been buried by the carelessness of colonialism.\"It's a way of looking at pre-colonial and post-colonial (Nigeria), you understand ? So that in-between, you understand, where were we before ? you know, and where are we now ? you know, so what are some of the bridges that broke during this intervention, during this colonial intervention ? you know, because a lot of things shifted, a lot of things were mislabelled, or things were not even labelled at all,\" Ehikhamenor explains. Located in the same pavilion, Peju Alatise's \"Flying Girls\" is the story of a wish, that of a ten-year-old Nigerian girl who dreams to be free and fly away like the birds that hover over her head. Alatise was inspired by two unresolved issues in his own country: the kidnapping of girls who often become sex slaves and that of child brides, of underage girls being married to older men. With \"Right Here, Right Now\" Nigeria artist Qudus Onikeku chooses a video dance performance to re-enact his country's violent colonial past and integrate it into the present.Venice - 10 May 20171. Various shots of Venice 2. Exterior of Biennale entrance and people walking by3. Visitors at Biennale entrance; behind them is sign reading \"Viva Arte Viva\", the title of this year's Biennale4. Entrance to installation by Danish artist Olafur Eliasson titled \"Green Light - An Artistic Workshop\"5. Top view of Olafur Eliasson's \"Green Light - An Artistic Workshop\" installation6. Various women talking at Olafur Eliasson's \"Green Light - An Artistic Workshop\" installation7. People sitting at table and building objects at Olafur Eliasson's \"Green Light - An Artistic Workshop\" installation8. Visitors at \"Viva Arte Viva\" international group exhibition 9. Supermarket trolleys exhibit of Raymond Hains \"Les Jardineries du Sud\" installation10. Computer monitor part of Raymond Hains \"Les Jardineries du Sud\" installation11. Biennale Curator, Christine Macel, talking to visitors12. SOUNDBITE (English): Christine Macel, 57th Biennale of Art Curator\"The idea is to keep the double meaning of 'Viva Arte Viva' because I want both to celebrate the art and the artist and also to celebrate the life of the creation of today and to put the artist at the centre of the exhibition as a point of departure of the whole exhibition and of all the parallel projects of the exhibition.\"13. Visitors walking at room hosting \"Tightrope\" video artwork by Russian artist Taus Makhacheva14. Clip of \"Tightrope\" video artwork by Russian artist Taus Makhacheva15. Wide installation \"A Short Film\" by Canadian artist Hajra Waheed16. Detail of \"A Short Film\" installation by Canadian artist Hajra Waheed17. SOUNDBITE (English): Christine Macel, 57th Biennale of Art Curator\"Nowadays I think that art is especially important because art was always a big part of humanism. Humanism has developed in the Renaissance thanks to art and culture and now that humanism, I mean human values are threatened by conflict, by the situation of the world that is kind of chaotic and uncertain, unpredictable it's more than ever important to associated the art to our lives, to find also a way to reinvent the reality and its future.\"18. Visitor looking at \"Untitled\" painting by Czech artist Lubos Plny19. Detail of \"Untitled\" painting by Czech artist Lubos Plny20. Wide visitor looking at paintings by Syrian artist Marwan21. \"Der Schleiler (The Veil)\" painting by Syrian artist Marwan22. Visitors at Biennale's Giardini location23. Visitors at installation \"The Biography of the Forgotten\" by Nigerian artist Victor Ehikhamenor24. Various bronze figurines, part of \"The Biography of the Forgotten\" installation by Nigerian artist Victor Ehikhamenor25. Various small mirrors and bronze figurines, part of \"The Biography of the Forgotten\" installation by Nigerian artist Victor Ehikhamenor26. Nigerian artist Victor Ehikhamenor talking to a woman in front of his installation27. SOUNDBITE (English): Victor Ehikhamenor, Nigerian Artist\"It's a way of looking at pre-colonial and post-colonial (Nigeria), you understand ? So that in-between, you understand, where were we before ? you know, and where are we now ? you know, so what are some of the bridges that broke during this intervention, during this colonial intervention ? you know, because a lot of things shifted, a lot of things were mislabelled, or things were not even labelled at all.\"28. Wide \"Flying Girls\" installation by Nigerian artist Peju Alatise29. Detail of birds part of \"Flying Girls\" installation by Nigerian artist Peju Alatise30. Various  \"Flying Girls\" installation by Nigerian artist Peju Alatise31. 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