{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Calls for ancient artifacts to be put on public display' data-url='/boclips/videos/5c54d415d8eafeecae1efaf3' data-video-url='/boclips/videos/5c54d415d8eafeecae1efaf3' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nCalls for ancient artifacts to be put on public display\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eITALY HERCULANEUM SOURCE: ASSOCIATED PRESSRESTRICTIONS: AP CLIENTS ONLYLENGTH: 6:41 SHOTLIST:ASSOCIATED PRESS - AP CLIENTS ONLYHerculaneum - 18 April 20171. Pan left wide of Herculaneum archaeological site2. Visitors at Herculaneum...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eITALY HERCULANEUM SOURCE: ASSOCIATED PRESSRESTRICTIONS: AP CLIENTS ONLYLENGTH: 6:41 SHOTLIST:ASSOCIATED PRESS - AP CLIENTS ONLYHerculaneum - 18 April 20171. Pan left wide of Herculaneum archaeological site2. Visitors at Herculaneum archaeological site3. Hand turning keys inside lock4. Herculaneum Archaeological Park Director, Francesco Sirano, entering Herculaneum storage room together with Herculaneum site employee 5. Herculaneum employee removing blanket from Roman era furniture piece6. Roman era furniture piece7. Employee removing blanket from Roman era cradle8. Pan left Roman era cradle9. SOUNDBITE (Italian) Francesco Sirano, Herculaneum Archaeological Park Director:\"We're at the Herculaneum Museum's storage room, where the most delicate and precious objects of the collection are kept. They're mainly wooden artefacts, exceptionally well preserved; they were discovered during digs that started in the 1920's. They've undergone a unique carbonization process: they weren't burned but they've almost turned into minerals. They've somehow been mineralized. They're being kept here under controlled climatic conditions.\"10. Pan left Roman era wooden bed frame11. Sirano and employee looking at Roman era artifacts at storage room12. Hands holding metal statuette of Roman household god13. Pan left metal statuettes of Roman household gods14. Tilt-down Roman era wooden altar dedicated to household gods 15. SOUNDBITE (Italian) Francesco Sirano, Herculaneum Archaeological Park Director:\"They're so well preserved because of the circumstances of the destruction: the famous blazing cloud, the pyroclastic flow that fell over the city (of Herculaneum) during the first night of (Mount Vesuvius') eruption have sealed the state and conditions of these materials.\"16. Tilt-up Roman era wooden furniture piece17. Various of Roman era carbonized food remainsASSOCIATED PRESS - AP CLIENTS ONLYHerculaneum - 19 April 201718. Herculaneum Conservation Project's Chief Archaeologist, Domenico Camardo, rocking Roman era wooden cradle19. SOUNDBITE (Italian) Domenico Camardo, Herculaneum Conservation Project's Chief Archaeologist:\"Herculaneum is one of the most extraordinary places for this. It allows us to trace back what daily life was like at the time. Thanks to the particular burial here many furniture pieces that were in Herculaneum homes (in Roman times) have come to us intact. Today this allows us to know how they (Romans) were furnishing their homes. Contrary to Pompeii, here we don't have empty homes with exquisite frescoes and mosaics; here we also have artifacts from the homes' interiors.\"20. Camardo's hand rocking Roman era wooden cradle21. SOUNDBITE (Italian) Domenico Camardo, Herculaneum Conservation Project's Chief Archaeologist:\"It's one of the most emotional objects found at Herculaneum. It was uncovered by Amedeo Maiuri inside a room where he found the bodies of five adults along with the cradle, its mattress and skeletal remains of a child. It provides a photograph of the terrible moment the eruption took place. This family, for some reasons, decided not to run away.\"ASSOCIATED PRESS - AP CLIENTS ONLYHerculaneum - 18 April 201722. Pan right area at Herculaneum archaeological site under which Roman era human skeletal remains are being kept23. Tilt-up Roman era human skeletal remainsASSOCIATED PRESS - AP CLIENTS ONLYPompeii - 18 April 201724. Entrance to Pompeii archaeological site25. Various Pompeii archaeological sites and tourists 26. President of Cultural Heritage Observer, Antonio Irlando, walking toward Roman era fruit and vegetable market space now used as storage room for archaeological artifacts like amphorae 27. Amphorae stored at former Roman era fruit and vegetable market space 28. Various tourists near House of Sirico 29. Pan left interior of frescoes at House of Sirico30. SOUNDBITE (Italian): Antonio Irlando, President of Cultural Heritage Observer:\"The issue of the hidden artifacts that aren't shown to the millions of visitors who come to Herculaneum and Pompeii is one of the curses of these archaeological sites and isn't going away. It's unconceivable that through these artifacts we can't show visitors what life was like in the homes and public places of both Herculaneum and Pompeii.\"ASSOCIATED PRESS - AP CLIENTS ONLYHerculaneum - 18 April 201731. Pan left House of Graianus where Roman era cradle was discovered 32. SOUNDBITE (Italian) Francesco Sirano, Herculaneum Archaeological Park Director:\"There's a project to build a provisional museum; it started many years ago and was interrupted several times. This is why it's not been opened to the public yet. We'll pick up again on the idea of a museum, very likely in tandem with the HCP Foundation - the Herculaneum Conservation Project - and the Packard Foundation that's interested not just in restoration projects but in greatly enhancing Herculaneum.\"33. Tilt-up tourists at archaeological siteLEADINThere's a campaign for artifacts from the ancient Roman city of Herculaneum to be put on public display, instead of being locked away in a storeroom. The eruption of Mount Vesuvius in 79AD killed thousands of people in the city and neighbouring Pompeii. Ninety years ago archaeologists in Herculaneum discovered preserved wooden furniture revealing extraordinary tales about daily life in Roman times.STORYLINEThe ancient town of Herculaneum sits in the shadow of Mount Vesuvius. Herculaneum and nearby Pompeii were destroyed in the dramatic eruption of 79AD that killed an estimated 20,000 people. The layers of volcanic ash preserved the sites for centuries, providing precious information on domestic life in the ancient world.Tourists visit Herculaneum and Pompeii in their thousands, hoping for a glimpse into a world long gone. A key unlocks a room in Herculaneum where visitors are not allowed to enter, but it hides even more secrets of life in the Roman Empire. A baby cradle, a bed frame, stalls; all finely decorated and strikingly similar to furniture of modern homes. Their blackened, carbonized wood reveals their origin: they belong to homes in Herculaneum at the time the city was obliterated by Vesuvius. Frozen in time and buried for centuries, they offer an intimate picture of domestic comfort in Imperial Rome.The furniture pieces were discovered 90 years ago, in the 1920's, by Italian archaeologist Amedeo Maiuri, who for decades conducted extensive excavations in Herculaneum and Pompeii. Francesco Sirano is the newly-appointed director of the Herculaneum Archaeological Park. \"They're mainly wooden artifacts, exceptionally well preserved; they were discovered during digs that started in the 1920's. They've undergone a unique carbonization process: they weren't burned but they've almost turned into minerals. They've somehow been mineralized. They're being kept here under controlled climatic conditions,\" Sirano explains.The collection includes metal statuettes dedicated to household gods as well as food remains such as lentils and carbonized onions. There's a reason these everyday objects have been found in Herculaneum and not in Pompeii. The eruption covered Pompeii with a layer of ashes and pebbles with a maximum depth of 10 metres. Herculaneum was shrouded by a much thicker blanket of volcanic material with a depth ranging from 15 metres (49 feet) to 25 metres (82 feet). Over the centuries, this rock solid mantle has almost perfectly preserved wooden objects, food and artifacts in Herculaneum, Sirano explains. \"They're so well preserved because of the circumstances of the destruction: the famous blazing cloud, the pyroclastic flow that fell over the city (of Herculaneum) during the first night of (Mount Vesuvius') eruption have sealed the state and conditions of these materials,\" the director says. Domenico Camardo is the Chief Archaeologist of the Herculaneum Conservation Project (HCP). Camardo says the wooden furniture offers a one-of-a-kind opportunity to peek through the life of ancient Romans: \"Herculaneum is one of the most extraordinary places for this. It allows us to trace back what daily life was like at the time. Thanks to the particular burial here many furniture pieces that were in Herculaneum homes (in Roman times) have come to us intact. Today this allows us to know how they (Romans) were furnishing their homes. Contrary to Pompeii, here we don't have empty homes with exquisite frescoes and mosaics; here we also have artifacts from the homes' interiors.\"Perhaps the collection's most moving object is a baby cradle so well preserved it still rocks as it did 2,000 years ago. It tells a family's tragic tale and about the frantic hours of the eruption, it speaks of the residents' confusion as volcanic material started to rain on them. Camardo calls the cradle \"one of the most emotional objects found\" at the site. \"It was uncovered by Amedeo Maiuri inside a room where he found the bodies of five adults along with the cradle, its mattress and skeletal remains of a child. It provides a photograph of the terrible moment the eruption took place. This family, for some reasons, decided not to run away,\" Camardo explains. When Maiuri found the wooden objects in 1927 he decided not to lend them to the Naples National Archaeological Museum but to keep them in Herculaneum instead - the idea was to eventually set up a local museum to showcase the artifacts. For a time Maiuri exhibited the wooden furniture inside ancient Roman homes discovered in Herculaneum, Camardo explains; but soon, fearing for the safety of these most precious objects, site officials decided to move them to the storage room. As plans for the museum continue to stall, activists say keeping these treasures away from the public's eyes is a lost opportunity to reunite visitors with their own cultural heritage. Antonio Irlando is the author of \"Pompeii Under the Volcano\" and the President of Cultural Heritage Observer, an NGO that monitors the conservation of Herculaneum and Pompeii, among other archaeological sites. Irlando says that many museums around the world would love to exhibit the furniture. \"The issue of the hidden artifacts that aren't shown to the millions of visitors who come to Herculaneum and Pompeii is one of the curses of these archaeological sites and isn't going away. It's unconceivable that through these artifacts we can't show visitors what life was like in the homes and public places of both Herculaneum and Pompeii,\" he says. While they wait for a permanent home, a number of objects from the wooden collection have been showcased at the British Museum of London in 2013 and at other temporary exhibits in Italy. Herculaneum officials say that preliminary studies have already been conducted and plans for a museum are there. There just isn't a time frame or any firm arrangements yet. Sirano, however, concedes time is running out and that plans for a permanent exhibit will be worked out in tandem with HCP and the Packard Humanities Institute. \"There's a project to build a provisional museum; it started many years ago and was interrupted several times. This is why it's not been opened to the public yet. We'll pick up again on the idea of a museum, very likely in tandem with the HCP Foundation - the Herculaneum Conservation Project - and the Packard Foundation (Packard Humanities Institute) that's interested not just in restoration projects but in greatly enhancing Herculaneum,\" Sirano says. On its website the Packard Humanities Institute acknowledges the importance of daily life artefacts and remains discovered in Herculaneum says that it's \"exploring the opportunity to design and build a museum adjacent to the excavations\" there. ====Clients are reminded: (i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: info@aparchive.com. 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