{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Paris exhibition explores racism amid tensions in France ++REPLAY++' data-url='/boclips/videos/5c54d40ad8eafeecae1ef57c' data-video-url='/boclips/videos/5c54d40ad8eafeecae1ef57c' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nParis exhibition explores racism amid tensions in France ++REPLAY++\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eFRANCE RACISMSOURCE: ASSOCIATED PRESSRESTRICTIONS: AP CLIENTS ONLYLENGTH: 6:19SHOTLIST:Associated PressParis - 30 March 20171. Wide of the screen of the Exhibition entry, showing sorting of objects and people2. Mid of same screen3. Wide...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eFRANCE RACISMSOURCE: ASSOCIATED PRESSRESTRICTIONS: AP CLIENTS ONLYLENGTH: 6:19SHOTLIST:Associated PressParis - 30 March 20171. Wide of the screen of the Exhibition entry, showing sorting of objects and people2. Mid of same screen3. Wide right pan of screens showing classification of people by their religion4. Mid of screen showing a man and woman, Christian and Jewish5. Wide of screen showing classification of people on the screen by their skin colour6. Mid of same screen7. Wide left pan of the hall showing books and objects that represent racial group identities 8. Wide tilt down of the section named The Rise of \"Racial Science\" 9. Close up of skull and a measurement tool10. Mid of display showing objects and trademarks that use racial branding11. Close up of L'Ebene (Ebony) floor wax, showing a face of a black man12. Mid of cacao and pasta boxes of the Banana trademark, with faces of black man and woman13. Wide setup shot of Carole Reynaud-Paligot, historian, curator of the exhibition14. Mid of Carole Reynaud-Paligot, historian, curator of the exhibition15. SOUNDBITE (French) Carole Reynaud-Paligot, historian and curator of the exhibition:\"We want to reach out to all citizens and allow them to use their critical mind and understand how things happened in the past, how we managed to come to all of this (the racism). And to (allow them) to be more critical of the society we live in. Who are the actors that are encouraging me to go that way, who are those using racism notes, what are economical, political challenges, what is hiding behind that? And it seems that, when we understand that (the racism mechanisms), we can then be more vigilant.\" 16. Wide of room showing a film and objects from the period of the racial segregation in the United States17. Mid of screen showing slavery period 18. Wide right pan from the screen to the bus plate 19. Close up of 1934 bus plate that reads: 'Colored, go to back of bus.' from Montgomery, Alabama.20. Mid tilt down of the room dedicated to \"The Nazis and their obsession with racial purity\"21. Wide right pan from the screen to the gas chamber funnel from the Natzweiler-Struthof concentration camp. 22. Mid of gas chamber funnel 23. Close right pan of gas chamber funnel24. Mid of exhibit visitors25. SOUNDBITE (English) Evelyne Heyer, co-curator and a professor of genetic anthropology at the National History Museum:\"Since the world genome sequencing more than 20 years ago, it has been completely proven that race does not exist. It's not a good representation of the genetic diversity, because in the concept of race you think, the idea is that there is an independent group and that this group are independent enough to create race... like in dogs...or cows and so on, which is not the case. When you look at the human genetic diversity, because you have always migrations among different populations, so you cannot define, clearly cut a group like race.\"26. Wide of room showing a film on Rwandan genocide and a radio set27. Close up of radio set, symbolizing the hate that was aired through the 'Radio Télévision Libre des Mille Collines - RTLMC' (\"Thousand Hills Free Radio and Television\") which was a Rwandan radio station that played a significant role during the Rwandan Genocide. 28. Wide left pan from a woman taking picture to the wall with questions regarding racism29. Close up of the inscription that reads: We do all come from Africa, don't we?30. Close up of the inscription that reads: If there are different breeds of dogs, why shouldn't there be different races of humans?31. Close up of the inscription that reads: How can I fight racism?32. SOUNDBITE (English) Evelyne Heyer, co-curator and a professor of genetic anthropology at the National History Museum:\"We know now how the brain works. We have to put things in boxes, in a way. We have to categorize things. You know what a chair is, what a table is and animals, and so on. So we have the same process when we look at the human diversity: we tend to put individuals in boxes.\"33. Wide of a man walking in the exhibition corridor34. Wide tilt down of stripes representing genome sequencing35. Close up of stripes representing genome, a man passing by in the background36. Wide of woman observing a video on screen37. Mid of screen showing a video explaining the mix of different groups of people38. SOUNDBITE (French) Carole Reynaud-Paligot, historian and curator of the exhibition:\"What is alarming today in France is that two categories are bringing up a concern are stigmatized: Romani that we denigrate, unhumanize, animalize and that is very alarming for research that worked on those questions. And the other nowadays tendency is the rise of Islamophobia, a specific anti-Muslim racism, turned against the religion.\"39. Wide right pan of the wall showing figures that explain the importance of racism in French society40. Close up of the wall of statistics that reads: Although 93% of second-generation immigrants feel French, 24% of them are convinced that they are not perceived to be French.41. Close up of the wall of statistics that reads: Do people choose their partners according to their origins? 65% of second-generation immigrants, both men and women, have formed couples with a person from the majority population.42. Close up of the wall of statistics that reads: Does employment discrimination exist?43. Wide right pan from the window to Alecia McKenzie, Jamaican novelist, living in Paris for eight years 44. Zoom out of Alecia McKenzie, Jamaican novelist, living in Paris for eight years 45. SOUNDBITE (English) Alecia McKenzie, Jamaican novelist, living in Paris for eight years:\"I think that since 2015 there is a sense of distrust which is, I suppose, is only natural. And being from somewhere else, being a foreigner, I feel that. I think other people must feel it as well. These incidents, I think, polarized people and sometimes politicians use them to create even a greater divide.\"46. Wide of room with giant letters that read: Egalité (The equality) 47. Close up of a man in the background of a giant letter LEADIN:An exhibition that explores the psychology behind racism aims to shed light on why racist acts in France are on the rise. \"We and the Others, Prejudices of Racism,\" is on at the Museum of Mankind in Paris.STORYLINE: Exploring the rise of racism and looking at the many labels placed on people of all colours and creed.\"We and the Others, Prejudices of Racism,\" looks at the history of racism, the progress as well as the setbacks, and aims to educate against prejudice.Cabinets showcase colonial-era French scientific textbooks that teach children hierarchical racial difference.There are also once popular everyday products indicating how casual racism was allowed to creep into society. The exhibition comes at a prescient moment - during a divisive presidential campaign that's been rife with anti-Islam rhetoric.\"We want to reach out to all citizens and allow them to use their critical mind and understand how things happened in the past, how we managed to come to all of this (the racism). And to (allow them) to be more critical of the society we live in. Who are the actors that are encouraging me to go that way, who are those using racism notes, what are economical, political challenges, what is hiding behind that? And it seems that, when we understand that (the racism mechanisms), we can then be more vigilant,\" says Carole Reynaud-Paligot, a historian and curator of the exhibition. The exhibit, which includes multimedia, objects and text, makes for uncomfortable viewing.It revisits dark historical moments including segregation in the United States, French colonial rule and the Holocaust.One section features a simple metal funnel dated 1943 that was used to gas people in Natzweiler-Struthof, the only Nazi death camp on current French territory. The curators say racism can't find its roots in science because 99.9 percent of the genome is the same for all people of the world.\"Since the world genome sequencing more than 20 years ago, it has been completely proven that race does not exist. It's not a good representation of the genetic diversity, because in the concept of race you think, the idea is that there is an independent group and that this group are independent enough to create race... like in dogs... which is not the case. When you look at the human genetic diversity, because you have always migrations among different populations, so you cannot define, clearly cut a group like race,\" says Evelyne Heyer, co-curator and a professor of genetic anthropology at the National History Museum.The Rwandan genocide is also featured in the exhibition. A simple radio symbolizing the hate that was aired through the 'Radio Télévision Libre des Mille Collines - RTLMC' (\"Thousand Hills Free Radio and Television\"). But the exhibit is rooted in the present day.It presents newly published research, which shows that while racial tolerance is generally increasing, racist acts and threats have been rising over the last ten years in French society. Racism is a thing of a human nature and education, according to Heyer.\"We know now how the brain works. We have to put things in boxes, in a way. We have to categorize things. You know what a chair is, what a table is and animals, and so on. So we have the same process when we look at the human diversity: we tend to put individuals in boxes,\" she says.And despite our DNA being the same, some boxes are given much lower status than others, according to Reynaud-Paligot.  \"What is alarming today in France is that two categories are bringing up a concern are stigmatized: Romani that we denigrate, unhumanize, animalize and that is very alarming for research that worked on those questions. And the other nowadays tendency is the rise of Islamophobia, a specific anti-Muslim racism, turned against the religion.\"Alecia McKenzie is a Jamaican novelist who's been living in Paris for eight years and says she's recently noticed a shift in French society. \"I think that since 2015 there is a sense of distrust which is, I suppose, is only natural. And being from somewhere else, being a foreigner, I feel that. I think other people must feel it as well. These incidents, I think, polarized people and sometimes politicians use them to create even a greater divide.\"The exhibit runs until January 8 2018.====Clients are reminded: (i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: info@aparchive.com. 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