{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Tate Britain traces HockneyÃ¢Â€Â™s journey from England to the US' data-url='/boclips/videos/5c54d30cd8eafeecae1e69e1' data-video-url='/boclips/videos/5c54d30cd8eafeecae1e69e1' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nTate Britain traces HockneyÃ¢Â€Â™s journey from England to the US\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eLEAD-IN:It's not often an artist finds himself occupying 12 rooms of London's leading museum of British art, but David Hockney is unique. Tate Britain is giving Hockney a major retrospective, it includes around 250 works - from oil and...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eLEAD-IN:It's not often an artist finds himself occupying 12 rooms of London's leading museum of British art, but David Hockney is unique. Tate Britain is giving Hockney a major retrospective, it includes around 250 works - from oil and acrylic paintings to sketches on an iPad.STORY-LINE:Sunbaked Los Angeles swimming pools and rolling Yorkshire hills, the unmistakable work of British artist David Hockney is in town.For curators of this major retrospective - claimed to be the most extensive yet - the 79-year-old is an innovator whose 60-year career has taken in sketching, painting, printmaking, photography and digital drawing on smartphones and tablets. Presented in chronological order, the exhibit goes from Hockney's appearance on the public stage as a student in 1961, to new paintings of the artist's Los Angeles home and garden from 2016.\"Hockney is one of the great British artists even though he's an international figure, maybe spent more time in America than in Britain,\" says curator Chris Stephens.\"And it's incredibly exciting to see, brought together for the first time, works that we've seen in recent years in a continuous thread, linked back to these great iconic pictures of the 60s and 70s that I've only seen many of them as postcards.\"Hockney has spent much of his life in California, but is one of Britain's best-known living artists.In the 1960s, he left grey Britain for southern California and strove to capture the intense LA light and the rippling surface of swimming pools in paintings like \"A Bigger Splash.\"But in the early 2000s, he looked afresh at the fields and forests of Yorkshire.This series of exuberant landscape paintings combine bold colour with minute attention to the texture of snow on a hillside or blossom on a hawthorn hedge. \"In the future, when we look back retrospectively, I think we'll be still basking in the sunshine of his colours, in the very unusual perspective that he manages to achieve, and the fact that he's opening our eyes to the fact that Hollywood can be as glamorous as Yorkshire,\" says art critic Estelle Lovatt.The exhibit shows how in recent years Hockney has experimented with various new technologies.There's the four-minute-long 'The Four Seasons', it is 36 digital videos synchronised and presented across four walls.Hockney made the artwork by fixing a number of cameras to the outside of a vehicle, then driving along a quiet Yorkshire road.Hockney's iPad drawings fill the final room of the exhibit, which contains some 250 works in all: drawings, paintings in acrylic and oil, photo collages and videos. \"I think David right from the beginning has been fascinated with finding new ways to make a picture,\" says Stephens.\"So, early at the Royal College he started making etchings, because he said he couldn't afford canvases. \"And so his etchings are some of the most innovative known. And all through his career his engaged with something new. \"So, when sophisticated colour photocopies came in, he started making prints with a photocopier, feeding the sheet through so you get these layered images. \"When faxes came in, he started sending pictures to friends by fax. And then of course, when the iPhone and iPad came along he started making drawings - initially just to send to people and then later presenting them in exhibitions as they are here.\"The show, which runs to 29 May, is already the fastest-selling in Tate Britain's history. It moves on to the Pompidou Center in Paris from 21 June to 23 October, and New York's Metropolitan Museum of Art from November to February.Alongside the artistic journey, the exhibition charts how a gay, working-class youth from the unfashionable north of England went from outsider to national treasure. \"He's considered to be Britain's greatest because he is Britain's greatest artist,\" says Lovatt.\"He just uses the canvas, he uses colour, he uses the camera, he uses film in the most exceptional and imaginable ways. \"And he has this great imagination and this great power to put on 2D what is actually 3D. \"And he confuses us, and he plays with us, and he cajoles with us, and he wants us to step through the canvas with him or through the photograph with him. We are part of the artwork.\"'David Hockney' runs at Tate Britain art museum 9 February to 29 May 2017.London, UK - 6 February 20171. Various of 'Portrait of an Artist (Pool with Two Figures)' 1972 on display at new David Hockney exhibit at Tate Britain art gallery2. Various of 'Mr and Mrs Clark and Percy' 1970-13. Various of 'Christopher Isherwood and Don Bachardy' 1968 4. Various of 'A Bigger Splash' 19675. Various of 'A Lawn Being Sprinkled' 19676. SOUNDBITE (English) Chris Stephens, Curator, Tate Britain:\"Well, It's fantastic to have this show in Tate Britain. You know, Hockney is one of the great British artists even though he's an international figure, maybe spent more time in America than in Britain. And it's incredibly exciting to see, brought together for the first time, works that we've seen in recent years in a continuous thread, linked back to these great iconic pictures of the 60s and 70s that I've only seen many of them as postcards as a teenager.\"7.Wide tilt down of exhibit space8. Various of 'Pacific Coast Highway and Santa Monica' 19909. Various of 'Nichols Canyon' 1980 10. Various of '15 Canvas Study of the Grand Canyon' 199811. Various of 'May Blossom on the Roman Road' 200912. Various of 'Elderflower Blossom, Kilham' July 200613. Various of 'The Road to Thwing, July 2006' 200614. Various of 'A Closer Winter Tunnel, February - March' 200615. SOUNDBITE (English) Estelle Lovatt, Art Critic:\"In the future, when we look back retrospectively, I think we'll be still basking in the sunshine of his colours, in the very unusual perspective that he manages to achieve, and the fact that he's opening our eyes to the fact that Hollywood can be as glamorous as Yorkshire.\"16. Various of four screen showing 'The Four Seasons, Woldgate Woods (Spring 2011, Summer 2010, Autumn 2010, Winter 2010)' 2010-201117. Various of screen showing iPad drawings of 'The Supper' 201618. Various of screen showing iPad drawings of 'The Smoking Room' 201619. Various of screens showing selection of iPhone drawings20. SOUNDBITE (English) Chris Stephens, Curator, Tate Britain:\"I think David right from the beginning has been fascinated by finding new ways to make a picture. So, early on at the Royal College he started making etchings, because he said he couldn't afford canvases. And so his etchings are some of the most innovative known. And all through his career his engaged with something new. So, when sophisticated colour photocopies came in, he started making prints with a photocopier, feeding the sheet through so you get these layered images. When faxes came in, he started sending pictures to friends by fax. And then of course, when the iPhone and iPad came along he started making drawings - initially just to send to people and then later presenting them in exhibitions as they are here.\"21. Various of 'Henry Geldzahler and Christopher Scott' 196922. Various of 'The Road across the Wolds' 199723. Various of 'Red Pots in the Garden' 200024. Wide of 'Garden #3' 2016 (right) and 'Two Pots on the Terrace' 2016 (left)25. Tilt down of 'Garden #3' 2016 26. Pan left of 'Two Pots on the Terrace' 2016 27. SOUNDBITE (English) Estelle Lovatt, Art Critic:\"He's considered to be Britain's greatest artist because he is Britain's greatest artist. He just uses the canvas, he uses colour, he uses the camera, he uses film in the most exceptional and imaginable ways. And he has this great imagination and this great power to put on 2D what is actually 3D. And he confuses us, and he plays with us, and he cajoles with us, and he wants us to step through the canvas with him or through the photograph with him. We are part of the artwork.\"28. Wide of exhibit space29. Low shot of Tate Britain art gallery exterior30. 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