{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='How architects influence our world' data-url='/boclips/videos/5c54cb12d8eafeecae1a101d' data-video-url='/boclips/videos/5c54cb12d8eafeecae1a101d' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nHow architects influence our world\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eLEAD IN:This year's International Architecture Exhibition in Venice is hoping to provide answers to revamping Detroit in the US, while examining how architects' designs were used by the Nazis during the Holocaust.It's all part of how...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eLEAD IN:This year's International Architecture Exhibition in Venice is hoping to provide answers to revamping Detroit in the US, while examining how architects' designs were used by the Nazis during the Holocaust.It's all part of how architecture can, and has, influenced all of our lives around the world.STORY-LINEVenice has always been a city famous for its beautiful architecture.Now, for the 15th edition of the architectural Biennale, the creative minds behind these buildings are being celebrated.Entitled \"Reporting From The Front,\" the exhibition aims to make us think about the role of architects, and the way in which they decide to shape our world. Curator of the 2016 edition, Alejandro Aravena, makes this clear right from the start by setting an example: the introductory room has in fact been built with 100 tons of waste material generated by the dismantling of the previous Biennale. 14 kilometres of metal studs hang from the ceiling and small displays play clips of how the Biennale was planned. Not so far away beams of light reproduce the rays of sunlight usually found deep inside a forest, here instead inside the Biennale. The installation called \"Lightscapes / Local identity – exploring a forgotten resource, \" reminds viewers that 'sustainability is nothing other than the rigorous use of common sense'. The theme is set but also open for interpretation. In the gardens of Venice, I Giardini, several countries have given it a shot in their individual pavilions.A pool has been installed in the Australian pavilion. Here visitors are welcomed to dip their feet or even their entire body if they happen to have their swimsuits packed in their bags. For those who are less adventurous, it is also possible to sit and relax in an Anerle-aneme chair, the result of collaboration between Aboriginals and non-Aboriginals, while listening to the narratives of Australians on how pools, and thus pieces of architecture, have shaped their lives.The aim of the pool is to show how defining one piece of architecture can be in a society in good and bad times: childhood memories, coming of age, sports, but also segregation and discrimination. The sign reproduced on the wall Aqua Profonda (sic) meaning Deep Water is also a reminder of the importance of immigration in Australia, a new era and a symbol of openness toward the new arrivals. \"This is an architecture biennale, we wanted to create a piece of architecture, a piece of public architecture, a space where people could enjoy and come and sit by the pool and the information about the exhibition is purposely discrete in a way that you can engage with it as much or as little as you want or take it away. So there are many different levels or ways to engage with this exhibition,\" explains Isabelle Toland, one of the curators of \"The Pool: Architecture, Culture and Identity in Australia.Switzerland is also an attractive stop for all ages. The cloud shaped installation called \"Incidental Space\" by architect Christian Kerez is an invitation to contemplate how we create and experience architecture today. To achieve that goal, Kerez involved a network of over 100 people for about a year to build the 9-ton concrete structure. Sandra Oehry, Curator of the Swiss pavilion says \"I do believe and I hope so too that being inside gives you an even richer experience, it is quite photogenic at once, but it also legitimises the medium of the exhibition by being here because you can only have the full experience if you are here and see the exhibition.\"Visitor Raissa Fonseca is impressed. She says: \"I think it's really cool, it's like a cloudlike environment. And I like that you can actually interact with the piece. Yeah, it's really nice.\"The Unites States has opted for a more concrete interpretation of this year's theme, by offering solutions to save the city of Detroit. For the exhibition called \"The Architectural Imagination\" 12 teams of architects have been selected from more than 250 submissions to reinvent 4 sites in Detroit: Dequindre Cut/Eastern Market, Mexicantown, US Post Office, and Packard Plant. Co-Curator Cynthia Davidson hopes these projects will encourage architectural dialogue \"We are hoping that the conversation these projects might initiate in Detroit by showing them in Venice first. We will also initiate conversations in Europe with an international audience and an international group of architects and critics about what you do in a post-industrial city. It's not just a matter of how you deal with vacant housing, or how you deal with vacant factories or vacant land where buildings have been razed, but what kinds of jobs, what kinds of infrastructure are going to be necessary to keep these cities stable.\"The models presented include projects like \"A New Federal Project\" by Andrew Zago which gives form to Government buildings and spaces to welcome refugee immigrants on the Dequindre Cut site. While some have opted to use their imagination to guarantee a better future, others have chosen to look at the past. One exhibit does just that by examining the architecture of the Holocaust. Robert Jan van Pelt, known for serving as an expert witness on Auschwitz in the Irving Trial , was invited to represent his findings in a room by Aravena. ( Note: David Irving was the British historian who was arrested in Austria for Holocaust denial in 2005). Jan van Pelt gathered together Anne Bordeleau, Sascha Hastings, and Donald McKay to create The Evidence Room, aiming to give tangibility to what happened by casting the evidence and reconstructing certain elements. One of the pieces of evidence is a gas column designed to enable SS officers to lower Zyclon B pellets into the underground gas chambers, and be able to pull them back up after everyone was killed, without having to wait 24 hours for the pellets to de-gas. Another important piece of evidence is the peephole protection, which allowed SS officers to see whether there was still movement in the gas chambers, while ensuring those inside could not break the glass to the peephole.\"This is maybe one of the darkest moments in our history but there are things happening today that are not so far from what we are representing here, so yes of course this was one very strong dimension of this project. It's a message also not just about 'let's remember this past' as past ,but also 'let's take responsibility of this past' because this is the range of what we are able to do as human beings, and if we don't , we are not aware of that then I think we fail to actually in some ways avoid it in the future.\" says Anne Bordeleau.The Architecture Biennale runs until 27 November 2016. LEAD IN:This year's International Architecture Exhibition in Venice is hoping to provide answers to revamping Detroit in the US, while examining how architects' designs were used by the Nazis during the Holocaust.It's all part of how architecture can, and has, influenced all of our lives around the world.STORY-LINEVenice has always been a city famous for its beautiful architecture.Now, for the 15th edition of the architectural Biennale, the creative minds behind these buildings are being celebrated.Entitled \"Reporting From The Front,\" the exhibition aims to make us think about the role of architects, and the way in which they decide to shape our world. Curator of the 2016 edition, Alejandro Aravena, makes this clear right from the start by setting an example: the introductory room has in fact been built with 100 tons of waste material generated by the dismantling of the previous Biennale. 14 kilometres of metal studs hang from the ceiling and small displays play clips of how the Biennale was planned. Not so far away beams of light reproduce the rays of sunlight usually found deep inside a forest, here instead inside the Biennale. The installation called \"Lightscapes / Local identity – exploring a forgotten resource, \" reminds viewers that 'sustainability is nothing other than the rigorous use of common sense'. The theme is set but also open for interpretation. In the gardens of Venice, I Giardini, several countries have given it a shot in their individual pavilions.A pool has been installed in the Australian pavilion. Here visitors are welcomed to dip their feet or even their entire body if they happen to have their swimsuits packed in their bags. For those who are less adventurous, it is also possible to sit and relax in an Anerle-aneme chair, the result of collaboration between Aboriginals and non-Aboriginals, while listening to the narratives of Australians on how pools, and thus pieces of architecture, have shaped their lives.The aim of the pool is to show how defining one piece of architecture can be in a society in good and bad times: childhood memories, coming of age, sports, but also segregation and discrimination. The sign reproduced on the wall Aqua Profonda (sic) meaning Deep Water is also a reminder of the importance of immigration in Australia, a new era and a symbol of openness toward the new arrivals. \"This is an architecture biennale, we wanted to create a piece of architecture, a piece of public architecture, a space where people could enjoy and come and sit by the pool and the information about the exhibition is purposely discrete in a way that you can engage with it as much or as little as you want or take it away. So there are many different levels or ways to engage with this exhibition,\" explains Isabelle Toland, one of the curators of \"The Pool: Architecture, Culture and Identity in Australia.Switzerland is also an attractive stop for all ages. The cloud shaped installation called \"Incidental Space\" by architect Christian Kerez is an invitation to contemplate how we create and experience architecture today. To achieve that goal, Kerez involved a network of over 100 people for about a year to build the 9-ton concrete structure. Sandra Oehry, Curator of the Swiss pavilion says \"I do believe and I hope so too that being inside gives you an even richer experience, it is quite photogenic at once, but it also legitimises the medium of the exhibition by being here because you can only have the full experience if you are here and see the exhibition.\"Visitor Raissa Fonseca is impressed. She says: \"I think it's really cool, it's like a cloudlike environment. And I like that you can actually interact with the piece. Yeah, it's really nice.\"The Unites States has opted for a more concrete interpretation of this year's theme, by offering solutions to save the city of Detroit. For the exhibition called \"The Architectural Imagination\" 12 teams of architects have been selected from more than 250 submissions to reinvent 4 sites in Detroit: Dequindre Cut/Eastern Market, Mexicantown, US Post Office, and Packard Plant. Co-Curator Cynthia Davidson hopes these projects will encourage architectural dialogue \"We are hoping that the conversation these projects might initiate in Detroit by showing them in Venice first. We will also initiate conversations in Europe with an international audience and an international group of architects and critics about what you do in a post-industrial city. It's not just a matter of how you deal with vacant housing, or how you deal with vacant factories or vacant land where buildings have been razed, but what kinds of jobs, what kinds of infrastructure are going to be necessary to keep these cities stable.\"The models presented include projects like \"A New Federal Project\" by Andrew Zago which gives form to Government buildings and spaces to welcome refugee immigrants on the Dequindre Cut site. While some have opted to use their imagination to guarantee a better future, others have chosen to look at the past. One exhibit does just that by examining the architecture of the Holocaust. Robert Jan van Pelt, known for serving as an expert witness on Auschwitz in the Irving Trial , was invited to represent his findings in a room by Aravena. ( Note: David Irving was the British historian who was arrested in Austria for Holocaust denial in 2005). Jan van Pelt gathered together Anne Bordeleau, Sascha Hastings, and Donald McKay to create The Evidence Room, aiming to give tangibility to what happened by casting the evidence and reconstructing certain elements. One of the pieces of evidence is a gas column designed to enable SS officers to lower Zyclon B pellets into the underground gas chambers, and be able to pull them back up after everyone was killed, without having to wait 24 hours for the pellets to de-gas. Another important piece of evidence is the peephole protection, which allowed SS officers to see whether there was still movement in the gas chambers, while ensuring those inside could not break the glass to the peephole.\"This is maybe one of the darkest moments in our history but there are things happening today that are not so far from what we are representing here, so yes of course this was one very strong dimension of this project. It's a message also not just about 'let's remember this past' as past ,but also 'let's take responsibility of this past' because this is the range of what we are able to do as human beings, and if we don't , we are not aware of that then I think we fail to actually in some ways avoid it in the future.\" says Anne Bordeleau.The Architecture Biennale runs until 27 November 2016. AP TelevisionVenice, Italy – 31 May 20161. Wide of city of Venice 2. Mid of same3. Mid of people walking to the Biennale exhibition 4. Tilt down of introductory room built with 100 tons of waste5. Mid of people in introductory room6. Wide of \"Lightscapes / Local identity – exploring a forgotten resource\" installation7. Close tilt up of \"Lightscapes / Local identity – exploring a forgotten resource\" installation8. Wide of Giardini and Australian pavilion terrace9. Wide of \"The Pool: Architecture, Culture and Identity in Australia\" installation in Australian pavilion  ++ OVERLAID WITH AUDIO FROM THE INSTALLATION ++10. Close of reproduction of 'Danger Deep Water / Aqua Profonda' (SIC) sign at pool  ++ OVERLAID WITH AUDIO FROM THE INSTALLATION ++11. Wide of pool ++ OVERLAID WITH AUDIO FROM THE INSTALLATION ++12. SOUNDBITE (English) Isabelle Toland, Co-Curator of exhibit and Creative Director at Aileen Sage Architects\"This is an architecture biennale, we wanted to create a piece of architecture, a piece of public architecture, a space where people could enjoy it and come and sit by the pool and the information about the exhibition is purposely discrete in a way that you can engage with it as much or as little as you want or take it away. So there are many different levels or ways to engage with this exhibition.\"13. Mid of person walking by pool14. Close of person reading newspaper by pool15. Mid of person walking by window16. Close of \"Incidental Space\" installation sign, in Swiss pavilion17. Tilt down of \"Incidental Space\" installation, in Swiss pavilion18. Close of people entering the installation19. Wide of family inside installation20. Close of person passing by installation seen from the inside21. Set up shot of Sandra Oehry, Curator of the Swiss pavilion, inside installation22. SOUNDBITE (English) Sandra Oehry, Curator of the Swiss pavilion:\"I do believe and I hope so too that being inside gives you an even richer experience, it is quite photogenic at once, but it also legitimises the medium of the exhibition by being here because you can only have the full experience if you are here and see the exhibition.\"23. Mid of Raissa Fonseca inside the installation seen from outside24. SOUNDBITE (English) Raissa Fonseca, visitor, voxpop:\"I think it's really cool, it's like a cloudlike environment. And I like that you can actually interact with the piece. Yeah, it's really nice.\"25. Wide of \"The Architectural Imagination\" exhibition in US pavilion26. Close of one of the projects \"Mexicantown: A Liminal Blur\" by Mack Scogin Merrill Elam Architects 27. Pan right on project \"Promised Land Air by A(n) Office on Mexicantown site28. SOUNDBITE: (English) Cynthia Davidson, co-curator of \"The Architectural Imagination\" exhibition\"We are hoping that the conversation these projects might initiate in Detroit by showing them in Venice first. We will also initiate conversations in Europe with an international audience and an international group of architects and critics about what you do in a post-industrial city. It's not just a matter of how you deal with vacant housing, or how you deal with vacant factories or vacant land where buildings have been razed, but what kinds of jobs, what kinds of infrastructure are going to be necessary to keep these cities stable.\"29. Mid of project \"New Corktown\" by Present Future for the U.S Post office site which replaces the old U.S. Post office with wood skyscrapers built from trees grown throughout the city.  30. Wide of project \"A New Federal Project\" by Andrew Zago on the Dequindre Cut/Eastern Market site31. Zoom in of project \"A Situation Made from Loose and Overlapping Social and Architectural Aggregates\" by MOS on the Dequindre Cut/Eastern Market site32. Mid of project \"Detroit Reassembly Plant\" by the firm T+E+A+M on the Packard Plant site33. Zoom on project \"Detroit Reassembly Plant\" by the firm T+E+A+M on the Packard Plant site34. Close of \"The Evidence Room\" entrance35. Wide of \"The Evidence Room\"36. Close of hemispherical metal protection for a peephole 37. Close of sign reading: (English) \"This room presents that evidence – which also points to the greatest crime committed by architects.\"38. SOUNDBITE (English) Anne Bordeleau, Director of School of Architecture, University of Waterloo: \"This is maybe one of the darkest moments in our history but there are things happening today that are not so far from what we are representing here, so yes of course this was one very strong dimension of this project. It's a message also not just about 'let's remember this past' as past ,but also 'let's take responsibility of this past' because this is the range of what we are able to do as human beings, and if we don't , we are not aware of that then I think we fail to actually in some ways avoid it in the future.\"39. Mid of visitor in The Evidence Room looking at the casts on wall40. Mid of visitor looking at gas column 41. Pull of plan of basement in Crematorium 2 with final modifications from December 194242. Zoom of drawing \"In the undressing room of Crematorium 3\" by David Olère43. Close of gas mask 44. Wide of person walking by Giardini 45. Mid of Vaporetto stop announcing the BiennaleLENGTH: 5:55\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star-half-stroke text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-regular fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt class=\"educator-rating-title\"\u003eEducator Rating\u003c/dt\u003e\u003cdd\u003e\u003cdiv class=\"educator-rating-details\" data-path=\"/educator_ratings/rrp_data?resourceable_id=342490\u0026amp;resourceable_type=Boclips%3A%3AVideoMetadata\"\u003e\u003cspan class=\"not-yet-rated\"\u003eNot yet Rated\u003c/span\u003e\u003c/div\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eGrade\u003c/dt\u003e\u003cdd title=\"Grade\"\u003eHigher Ed\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eSubjects\u003c/dt\u003e\u003cdd\u003e\u003cspan\u003e\u003ca href=\"/search?keywords=free+guided+reading+lessons\u0026amp;search_tab_id=1\u0026amp;subject_ids%5B%5D=1216220\"\u003eAll Subjects\u003c/a\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eMedia Type\u003c/dt\u003e\u003cdd\u003e\u003cspan\u003e\u003ca href=\"/search?keywords=free+guided+reading+lessons\u0026amp;search_tab_id=2\u0026amp;type_ids%5B%5D=4543650\"\u003eNews Clips\u003c/a\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eSource:\u003c/dt\u003e\n\u003cdd\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eDate\u003c/dt\u003e\n\u003cdd\u003e2016\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003ci aria-hidden='true' class='fai fa-solid fa-language'\u003e\u003c/i\u003e\n\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eAudiences\u003c/dt\u003e\u003cdd\u003e\u003cspan\u003e\u003ca href=\"/search?audience_ids%5B%5D=371079\u0026amp;keywords=free+guided+reading+lessons\u0026amp;search_tab_id=1\"\u003eFor Teacher Use\u003c/a\u003e\u003c/span\u003e\u003c/dd\u003e\u003cdd class=\"text-muted\"\u003e\u003ci class=\"fa-solid fa-lock mr5\"\u003e\u003c/i\u003e2 more...\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='concepts-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='concepts-heading'\u003eConcepts\u003c/h2\u003e\n\u003cdiv class='clearfix'\u003e\n\u003cdiv class='details-list concepts' data-identifier='Boclips::VideoDecorator' data-type='concepts'\u003esocial issues, architecture, the holocaust, business, nazism, discrimination, immigration\u003c/div\u003e\n\u003cdiv class='concepts-toggle-buttons' data-identifier='Boclips::VideoDecorator'\u003e\n\u003cbutton aria-expanded='false' class='more btn-link' type='button'\u003e\n\u003cspan\u003eShow More\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-down ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003cbutton aria-expanded='true' class='less btn-link' style='display: none;' type='button'\u003e\n\u003cspan\u003eShow Less\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-up ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='additional-tags-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='additional-tags-heading'\u003eAdditional Tags\u003c/h2\u003e\n\u003cdiv class='clearfix'\u003e\n\u003cdiv class='details-list keyterms' data-identifier='Boclips::VideoDecorator' data-type='keyterms'\u003eproject, ways, nice, apce-nyc, architecture and design services, deeper, postal service, wanted, industrial products and services, engage, piece, age discrimination, people, government and politics, industries, initiate, shipping, kinds, life, arts and entertainment, events, construction and engineering, exhibition, human rights and civil liberties, building construction, professional services, thing, conversation, public buildings construction, transportation and shipping, social affairs, deal\u003c/div\u003e\n\u003cdiv class='keyterms-toggle-buttons' data-identifier='Boclips::VideoDecorator'\u003e\n\u003cbutton aria-expanded='false' class='more btn-link' type='button'\u003e\n\u003cspan\u003eShow More\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-down ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003cbutton aria-expanded='true' class='less btn-link' style='display: none;' type='button'\u003e\n\u003cspan\u003eShow Less\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-up ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='educator-ratings-heading' class='rp-info-section'\u003e\n\u003ch2 class='title sr-only' id='educator-ratings-heading'\u003eEducator Ratings\u003c/h2\u003e\n\u003cdiv id=\"educator-ratings-root\"\u003e\u003c/div\u003e\u003cdiv id=\"all-educator-ratings-root\"\u003e\u003c/div\u003e\u003cdiv id=\"educator-rating-form-root\"\u003e\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-resource'\u003e\n\u003cdiv aria-label='Show resource details' class='rp-show-info' role='button' tabindex='0'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\nShow resource details\n\u003c/div\u003e\n\u003cdiv aria-label='Video player' class='player' id='player-wrapper' role='region'\u003e\n\u003cdiv class='relative container mx-auto' id='lp-boclips-visitor-thumbnail'\u003e\n\u003ca class=\"block\" data-html=\"true\" data-placement=\"bottom\" data-trigger=\"click\" data-content=\"\u003cdiv class=\u0026quot;text-center py-2\u0026quot;\u003e\u003ca class=\u0026quot;bold\u0026quot; href=\u0026quot;/auth/users/sign_in\u0026quot;\u003eSign in\u003c/a\u003e or \u003ca class=\u0026quot;bold text-danger\u0026quot; data-posthog-event=\u0026quot;Signup: LP Signup Activity\u0026quot; data-posthog-location=\u0026quot;body_link_boclips\u0026quot; data-remote=\u0026quot;true\u0026quot; href=\u0026quot;/subscription/new\u0026quot;\u003eJoin Now\u003c/a\u003e\u003c/div\u003e\" data-title=\"Get Full Access\" data-container=\"body\" rel=\"popover\" tabindex=\"0\" aria-label=\"Play video: How architects influence our world\" href=\"/subscription/new\"\u003e\u003cimg class=\"resource-img img-thumbnail img-responsive z-10 lp-boclips-thumbnail w-full h-full lozad\" alt=\"How architects influence our world\" title=\"How architects influence our world\" onError=\"handleImageNotLoadedError(this)\" data-default-image=\"https://static.lp.lexp.cloud/images/attachment_defaults/resource/large/missing.png\" data-src=\"https://static.lp.lexp.cloud/images/attachment_defaults/resource/large/missing.png\" width=\"315\" height=\"220\" src=\"data:image/png;base64,R0lGODlhAQABAAD/ACwAAAAAAQABAAACADs\" /\u003e\n\u003cspan aria-hidden='true' class='flex justify-center items-center bg-white rounded-full w-16 h-16 absolute top-1/2 left-1/2 -mt-8 -ml-8 cursor-pointer z-0 border-2 border-primary drop-shadow-md lp-boclips-thumbnail-playBtn'\u003e\n\u003ci class='fa-solid fa-play text-primary text-3xl ml-1 drop-shadow-xl'\u003e\u003c/i\u003e\n\u003c/span\u003e\n\u003c/a\u003e\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n"}