{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Getting the fine details really up close on art safari' data-url='/boclips/videos/5c54cb10d8eafeecae1a0edd' data-video-url='/boclips/videos/5c54cb10d8eafeecae1a0edd' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nGetting the fine details really up close on art safari\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eFOR CLEAN VERSION SEE STORY NUMBER: 4035467LEAD IN:Artists in Namibia are getting so close to the country's animals that they feel they can 'look into their souls.'That's according to one painter on an art safari - where people visit...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eFOR CLEAN VERSION SEE STORY NUMBER: 4035467LEAD IN:Artists in Namibia are getting so close to the country's animals that they feel they can 'look into their souls.'That's according to one painter on an art safari - where people visit animal reserves to sketch and paint pictures of wildlife. STORY-LINE: The world's fastest land mammal is equally graceful at walking - or snoozing.These artists have the privilege of studying the cheetah's every move and gesture at very close quarters.The visitors have travelled a long distance to explore some of southern Africa's premier game reserves and national parks for art safari.Their visit includes a stop at Na'an Kuse, an hour from Namibia's capital city, Windhoek.Here, on the first stop of their two week journey, armed with easel and paintbrush, the group work on cheetah sketches.Mary-Anne Bartlett has run more than 150 art safaris since 1999.\"When you're sketching you're collecting a moment of time. You're sitting in an environment and you become part of that habitat. And the animals will often walk into the scene. And that's a phenomenal feeling – rather than feeling as if you're chasing things,\" she says. Cheetahs are known informally as the dogs of the cat family, because they become tame easily.\"The main aim that we have here at Na'an Kuse is bringing animals that create problems on farms here. This is a way of solving farmer-animal conflicts. That is why Na'an Kuse was built here – as a safe haven for animals in danger of farmer-wildlife conflict. Members of the public are allowed in to see the cheetahs, and that includes artists who have a great opportunity to get very close to the animals,\" says Na'an Kuse guide, Balon Teko. Safari Artist Paul Hazeldine first came across Bartlett's art safaris a decade ago.  He has been a regular on Bartlett's global creative forays ever since.\"I'd been doing lots of over-landing, going with all these safaris, and they gave you less and less time to stop. It was almost like a race to get a photograph. And I came across Mary-Anne in one of her shows – she just stood there painting. And it's one of these cases – I'd never painted since school, so it's like 20, 30 years with never painting, and I thought, it's interesting!\"Bartlett advises the artists to begin by observing the animal first in order to study its behaviour and attitude.Slow-drying oils or acrylics are avoided in favour of water colours.\"Sometimes I suggest starting with just the backbone, or a dominant line, or you might start with the eyes, ears and nose, and build out from there,\" she says. The group's next stop is at Okapuka, half an hour north of the capital. It's here they find a white rhino -  threatened due to escalating poaching for its valuable horn.The artists can't be at touching distance this time around - but they a close enough for a detailed view of the animal. Art safaris are open to all ages and those with our without art experience. Fran Williams has no formal training in art and this is her first art safari.\"I read somewhere, or I was told, that when you sit and paint or draw an animal, you actually have the opportunity to look into its soul. And I think having just sat for probably 20 minutes, half an hour, and drawn a rhino several times, I think this is very true and I'm sure it applies to all animals,\" she says. Martin Webb-Bowen runs Ultimate Safaris, the company that helps with on-the-ground arrangements in Namibia for the art safaris.\"The conventional safaris, people tend to come in, find what they want to photograph, take a photograph, watch it for a little while and then move on. But when you're actually sitting there and sketching it, you tend to have to get in much more deeply to what's going on, to look at what the animal's doing for example, to work out a little bit more about its motivation. And you become much more part of the environment rather than just touching on it and moving on,\" he says. Namibia is one of 27 countries globally that offers safaris specifically for the creation of art. FOR CLEAN VERSION SEE STORY NUMBER: 4035467LEAD IN:Artists in Namibia are getting so close to the country's animals that they feel they can 'look into their souls.'That's according to one painter on an art safari - where people visit animal reserves to sketch and paint pictures of wildlife. STORY-LINE: The world's fastest land mammal is equally graceful at walking - or snoozing.These artists have the privilege of studying the cheetah's every move and gesture at very close quarters.The visitors have travelled a long distance to explore some of southern Africa's premier game reserves and national parks for art safari.Their visit includes a stop at Na'an Kuse, an hour from Namibia's capital city, Windhoek.Here, on the first stop of their two week journey, armed with easel and paintbrush, the group work on cheetah sketches.Mary-Anne Bartlett has run more than 150 art safaris since 1999.\"When you're sketching you're collecting a moment of time. You're sitting in an environment and you become part of that habitat. And the animals will often walk into the scene. And that's a phenomenal feeling – rather than feeling as if you're chasing things,\" she says. Cheetahs are known informally as the dogs of the cat family, because they become tame easily.\"The main aim that we have here at Na'an Kuse is bringing animals that create problems on farms here. This is a way of solving farmer-animal conflicts. That is why Na'an Kuse was built here – as a safe haven for animals in danger of farmer-wildlife conflict. Members of the public are allowed in to see the cheetahs, and that includes artists who have a great opportunity to get very close to the animals,\" says Na'an Kuse guide, Balon Teko. Safari Artist Paul Hazeldine first came across Bartlett's art safaris a decade ago.  He has been a regular on Bartlett's global creative forays ever since.\"I'd been doing lots of over-landing, going with all these safaris, and they gave you less and less time to stop. It was almost like a race to get a photograph. And I came across Mary-Anne in one of her shows – she just stood there painting. And it's one of these cases – I'd never painted since school, so it's like 20, 30 years with never painting, and I thought, it's interesting!\"Bartlett advises the artists to begin by observing the animal first in order to study its behaviour and attitude.Slow-drying oils or acrylics are avoided in favour of water colours.\"Sometimes I suggest starting with just the backbone, or a dominant line, or you might start with the eyes, ears and nose, and build out from there,\" she says. The group's next stop is at Okapuka, half an hour north of the capital. It's here they find a white rhino -  threatened due to escalating poaching for its valuable horn.The artists can't be at touching distance this time around - but they a close enough for a detailed view of the animal. Art safaris are open to all ages and those with our without art experience. Fran Williams has no formal training in art and this is her first art safari.\"I read somewhere, or I was told, that when you sit and paint or draw an animal, you actually have the opportunity to look into its soul. And I think having just sat for probably 20 minutes, half an hour, and drawn a rhino several times, I think this is very true and I'm sure it applies to all animals,\" she says. Martin Webb-Bowen runs Ultimate Safaris, the company that helps with on-the-ground arrangements in Namibia for the art safaris.\"The conventional safaris, people tend to come in, find what they want to photograph, take a photograph, watch it for a little while and then move on. But when you're actually sitting there and sketching it, you tend to have to get in much more deeply to what's going on, to look at what the animal's doing for example, to work out a little bit more about its motivation. And you become much more part of the environment rather than just touching on it and moving on,\" he says. Namibia is one of 27 countries globally that offers safaris specifically for the creation of art. Na an Kuse Game Reserve, Namibia, 22 February 20161. Pan and zoom out of cheetah to group of safari artists2. Cheetah lies down in front of group of safari artists3. Various close up of cheetah4. Pan vehicle enters Na'an Kuse Wildlife Sanctuary5. Close of entrance sign6. Safari artists enter area where rescued cheetah lives7. Cheetah in foreground as safari artists sketch8. Close up cheetah9. Artists with cheetah 10. Close up water colour painting of a cheetah by Mary-Anne Bartlett11. SOUNDBITE: (English) Mary-Anne Bartlett, Art Safari Tutor and owner: \"When you're sketching you're collecting a moment of time. You're sitting in an environment and you become part of that habitat. And the animals will often walk into the scene. And that's a phenomenal feeling – rather than feeling as if you're chasing things.\"12. Wide safari artists stroke the cheetah 13. Guide Balon Teko strokes the cheetah14. SOUNDBITE (San): Balon Teko, Guide:\"The main aim that we have here at Na'an Kuse is bringing animals that create problems on farms here. This is a way of solving farmer-animal conflicts. That is why Na'an Kuse was built here – as a safe haven for animals in danger of farmer-wildlife conflict. Members of the public are allowed in to see the cheetahs, and that includes artists who have a great opportunity to get very close to the animals.\"15. Tutor Mary-Anne Bartlett gives tips to safari artist Paul Hazeldine16. Over the shoulder focus pull of Paul Hazeldine at work painting17. Close Up Paul Hazeldine's cheetah sketch18. Close Up cheetah19. SOUNDBITE (English): Paul Hazeldine, Safari Artist:\"About ten years ago – I'd been doing lots of over-landing, going with all these safaris, and they gave you less and less time to stop. It was almost like a race to get a photograph. And I came across Mary-Anne in one of her shows – she just stood there painting. And it's one of these cases – I'd never painted since school, so it's like 20, 30 years with never painting, and I thought, it's interesting.\" 20. Close Up Paul Hazeldine's cheetah sketchWindhoek, Namibia, 22 February 201621. Wide group of Safari Artists hold a meeting 22. SOUNDBITE (English): Mary-Anne Bartlett, Art Safari Tutor and owner:\"Sometimes I suggest starting with just the backbone, or a dominant line, or you might start with the eyes, ears and nose, and build out from there.\"23. Close Up rhino sketch24. Wide and zoom into rhino water colourOkapuka, Namibia, 23 February 201625. Pan safari vehicle drives past26. Zoom out white rhinoceros to a safari artist sketching the rhino27. White rhinoceros stands up28. Wide safari artist Fran Williams sketches the rhino29. Close Up Rhino sketches by Fran Williams30. SOUNDBITE (English): Fran Williams, Safari Artist:\"I read somewhere, or I was told, that when you sit and paint or draw an animal, you actually have the opportunity to look into its soul. And I think having just sat for probably 20 minutes, half an hour, and drawn a rhino several times, I think this is very true and I'm sure it applies to all animals.\"31. Ostrich sitting on its eggs32. Over the shoulder of a safari artist sketching the ostrich33. Close up ostrich sketches34. Wide Safari vehicle with safari artists at work35. Close up warthog 36. Close up warthog water colour paintingNa an Kuse Game Reserve, Namibia, 22 February 201637. Martin Webb-Bowen of Ultimate Safaris walks out the entrance to Na'an Kuse Wildlife Sanctuary 38. SOUNDBITE (English): Martin Webb-Bowen, Ultimate Safaris:\"The conventional safaris, people tend to come in, find what they want to photograph, take a photograph, watch it for a little while and then move on. But when you're actually sitting there and sketching it, you tend to have to get in much more deeply to what's going on, to look at what the animal's doing for example, to work out a little bit more about its motivation. And you become much more part of the environment rather than just touching on it and moving on.\"Okapuka, Namibia, 23 February 201639. The safari artists sketching wildlife40. Wide giraffe browsing41. Close up water colour of landscape including a giraffe\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" 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id='concepts-heading'\u003eConcepts\u003c/h2\u003e\n\u003cdiv class='clearfix'\u003e\n\u003cdiv class='details-list concepts' data-identifier='Boclips::VideoDecorator' data-type='concepts'\u003eanimals, time, painting, rhinoceros, mammals, shadows, safaris, wildlife, crime, ears\u003c/div\u003e\n\u003cdiv class='concepts-toggle-buttons' data-identifier='Boclips::VideoDecorator'\u003e\n\u003cbutton aria-expanded='false' class='more btn-link' type='button'\u003e\n\u003cspan\u003eShow More\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-down ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003cbutton aria-expanded='true' class='less btn-link' style='display: none;' type='button'\u003e\n\u003cspan\u003eShow Less\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-up ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='additional-tags-heading' 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