{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Sculpture at Versailles raises eyebrows' data-url='/boclips/videos/5c54cabed8eafeecae19e899' data-video-url='/boclips/videos/5c54cabed8eafeecae19e899' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nSculpture at Versailles raises eyebrows\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eA new provocative sculpture by Anish Kapoor is on display at France's esteemed Versailles Palace.The artist said he is interested in the \"panoply of meaning\" that the centrepiece of his latest installation, called \"Dirty Corner,\"...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eA new provocative sculpture by Anish Kapoor is on display at France's esteemed Versailles Palace.The artist said he is interested in the \"panoply of meaning\" that the centrepiece of his latest installation, called \"Dirty Corner,\" conveys.He told journalists at the Chateau of Versailles on Friday that viewers can interpret it as they like.Some critics deem it an inappropriate installation on the main grounds of the historical venue.The conservative Versailles mayor tweeted his disapproval, and some far-right bloggers expressed theirs, but most viewers seemed largely unperturbed.Versailles - 5 June 20151. Mid Versailles Le Notre with the Anish Kapoor installation \"Dirty Corner\" on the main grounds2. Wide of Versailles grounds with \"Dirty Corner\" in background3. Zoom out from inside \"Dirty Corner\" work 4. Sign reading (English): \"Anish Kapoor Versailles Dirty Corner, 2011 - 2015\" 5. Pan outside Palace of Versailles to Anish Kapoor being interviewed by journalists6. Mid of Kapoor being interviewed7. SOUNDBITE (English) Anish Kapoor, Artist: Questions: \"Sexuality? Female genitalia looking at the Versailles. Is that exactly what you had in mind?\"Absolutely not. Look, a work has multiple interpretive possibilities and what I'm interested in is that panoply of meaning. One of them, undoubtedly, what I am doing here is kind of taking the surface of Le Notre's ordered garden, opening it and looking inside or attempting to look inside. Inevitably, inevitably, I say, one comes across the body, our bodies and a certain level of sexuality. That's one of the things the work's kind of pointing to or perhaps if even about. But it is certainly not the only thing it is about.\"8. Wide of Dirty Corner installation as seen from behind, a long pipe and then behind the large metallic structure looking at Palace of Versailles9. Pan from pipe portion of the sculpture to rocks and the back of the main element of \"Dirty Corner\" facing Versailles10. SOUNDBITE (English) Anish Kapoor, Artist:\"Polemic is okay, because it does speak to the fact that art isn't an innocent bystander. Art does enter a conversation and needs to enter a conversation. Otherwise it is irrelevant.\"\"And it's not inappropriate to have it here in Versailles?\"\"I don't believe so. I believe we can only look at the historical through the perspective of the contemporary, of the modern, whatever. You can't see either if you don't have the relative perspective.\"11. Pan of \"Dirty Corner\"12. SOUNDBITE (English) Pierre Dhainaut, Versailles Resident, retired professor:\"This is a bit of a mess, a heap of metal, rocks. I know it is a composition, but let's say that this is ruining the perspective that visitors to the palace may have.\"13. SOUNDBITE (English) Brittany Watson, American tourist from Virginia:\"Oh, I think it is appropriate. I mean, a human body is a work of art, it's all a work of art, so he (Kapoor) took a big piece of metal and made a work of art.\"14. Pan from Watson and other American tourists taking pictures to the installation 15. Another Kapoor work in same exhibit called Sky Mirror16. Close-up of mirror by Kapoor, statue in foreground 17. Wide of mirror and Palace of Versailles behind it18. Various close ups of mirror19. Statue of Louis 14th and Palace of Versailles behind it20. 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