{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Totem pole building revived in Canada' data-url='/boclips/videos/5c54c513d8eafeecae16d791' data-video-url='/boclips/videos/5c54c513d8eafeecae16d791' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nTotem pole building revived in Canada\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eAP Television First Nations Longhouse, Granville Island, Vancouver, BC, Canada - 22 August 20121. Wide tilt down on Haida totem pole carver, Clarence Mills, drawing on Thunderbird totem pole. 2. Medium over the shoulder shot of Mills...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eAP Television \u003cbr/\u003eFirst Nations Longhouse, Granville Island, Vancouver, BC, Canada - 22 August 2012\u003cbr/\u003e1. Wide tilt down on Haida totem pole carver, Clarence Mills, drawing on Thunderbird totem pole. \u003cbr/\u003e2. Medium over the shoulder shot of Mills drawing on totem pole.\u003cbr/\u003e3. Close of Mills' hand and pencil drawing on totem pole. \u003cbr/\u003e4. Medium of Mills drawing on Thunderbird totem pole's face.\u003cbr/\u003e5. Close of Mills' face as he draws on totem pole.  \u003cbr/\u003e6. SOUNDBITE (English) Clarence Mills, Haida Totem Pole Carver: \u003cbr/\u003e\"The Thunderbird typically lives in the mountains. He's a mythical creature. When he flaps his wings, you get thunder, and when he blinks his eyes, you get lightning. That's what they say. He's big enough to carry a whale, so I presume he lives somewhere near Whistler. Imagine the size of him if he can carry grey whales. I just think about the size of him. He's got a beak like this that comes down and hooks underneath. Probably eliminate this part here.\"  \u003cbr/\u003e7. Wide of First Nations Longhouse where Mills carves totem poles on Granville Island in Vancouver, British Columbia, Canada.\u003cbr/\u003e8. Medium tilt down on wooden poles with wooden carvings of salmon in front of Longhouse.\u003cbr/\u003e9. Close of wooden carvings of salmon on pole.\u003cbr/\u003e10. Medium tilt up on red cedar totem pole carved by Mills.\u003cbr/\u003e11. Close of animal figure at the top of totem pole.\u003cbr/\u003e12. Medium pan from Thunderbird totem pole to Mills carving totem pole on its side. \u003cbr/\u003e13. Medium of Mills carving totem pole. \u003cbr/\u003e14. Close of Mills carving totem pole. \u003cbr/\u003e15. Medium tilt from totem pole to pencil stencil of totem pole's design with animal figures.\u003cbr/\u003e16. Close of stencil and raven and wolf figures. \u003cbr/\u003e17. Medium tilt down on argillite totem pole (black slate stone) \u003cbr/\u003e18. Close of animal figure on argillite totem pole. \u003cbr/\u003e19. Medium pan on bronze jewellery.\u003cbr/\u003e19. Close of bronze jewellery. \u003cbr/\u003e20. Medium of Mills' hand and tool carving wooden sun.\u003cbr/\u003e21. Medium tilt from one small wooden sun to another larger one.\u003cbr/\u003e22. Close of wooden sun.\u003cbr/\u003e23. Archive photos, Museum of Anthropology, University of British Columbia, Vancouver, BC, Canada \u003cbr/\u003e24. Wide of old totem poles near beach, British Columbia.  \u003cbr/\u003e25. Medium of old totem poles with men. \u003cbr/\u003e26. Men turning over old totem pole on ground. \u003cbr/\u003e27. Pan up old totem pole with man perched at top. \u003cbr/\u003e28. Man inspecting old totem pole on ground. \u003cbr/\u003eAP Television \u003cbr/\u003eMuseum of Anthropology, University of British Columbia, Vancouver, BC, Canada - 26 August 2011\u003cbr/\u003e29. Wide of totem pole, visitors taking photos, and First Nations Longhouse. \u003cbr/\u003e30. Close of animal's face carved on totem pole. \u003cbr/\u003e31. Medium tilt down on totem pole inside Longhouse. \u003cbr/\u003e32. Close of face carved on totem pole. \u003cbr/\u003e33. SOUNDBITE (English) William McLennan, Curator, Pacific Northwest, UBC Museum of Anthropology: \u003cbr/\u003e\"Actually, First Nations people took the Canadian government to court and won and showed that the potlatch law is an illegal law. And subsequently, more and more groups are potlatching again. Some groups never stopped potlatching. But in the process, poles are made and put up as part of potlatches and memorials for people who've passed away. I mean, all the reasons that totem poles were put up in the past are being done again today.\"\u003cbr/\u003e34. Wide of Museum of Anthropology and woman taking photo in foreground. \u003cbr/\u003e35. Medium tilt down on totem pole inside museum.\u003cbr/\u003e36. Close of face of Dzunuk'wa, a giant, mythical woman in Northwest coast First Nations art and culture, carved on totem pole. \u003cbr/\u003e37. Medium tilt down on totem pole. \u003cbr/\u003e38. Close of animal's face with long beak carved on totem pole. \u003cbr/\u003e39. SOUNDBITE (English) Rebecca MacKenzie, Communications Assistant, UBC Museum of Anthropology: \u003cbr/\u003e\"We do have very good relationships here with certain aboriginal communities. And we have been able to work with those communities and work with the artifacts that we have here to have them gain a greater understanding of what their communities may have been like prior to European contact or in the early days of European contact and before that really intense period of assimilation on the part of the Canadian government. So preservation, in the long run, does have the ability to sort of help in healing communities, I feel.\"\u003cbr/\u003e40. Medium pan across totem poles.\u003cbr/\u003e41. Close of eye carved on totem pole.\u003cbr/\u003e42. Medium tilt down on totem pole.\u003cbr/\u003eContemporary native artists in Canada are helping to revive the tradition of carving totem poles.\u003cbr/\u003eAssimilation policies in the 19th century nearly wiped out the practice of creating these monumental works of art - but that's now changing. \u003cbr/\u003eFor the past 25 years, Clarence Mills has dedicated his life to reviving an ancient cultural tradition that was nearly wiped out. \u003cbr/\u003eMills spends his days carving totem poles and making masks and jewellery the way his ancestors did for hundreds of years. \u003cbr/\u003eMills is half Caucasian and half Haida, an aboriginal people from Haida Gwaii, formerly the Queen Charlotte Islands on the northwest coast of British Columbia. \u003cbr/\u003eToday, he's busy carving a wooden Thunderbird, a figure has filled his imagination for decades. \u003cbr/\u003e\"The Thunderbird typically lives in the mountains,\" says Mills. \"He's a mythical creature. When he flaps his wings, you get thunder, and when he blinks his eyes, you get lightning. That's what they say. He's big enough to carry a whale, so I presume he lives somewhere near Whistler. Imagine the size of him if he can carry gray whales. I just think about the size of him. He's got a beak like this that comes down and hooks underneath. Probably eliminate this part here,\" he says. \u003cbr/\u003eHis workshop is a spacious First Nations longhouse in the heart of Vancouver's Granville Island, a popular destination for locals and visitors.\u003cbr/\u003eOutside the workshop stands a tall red cedar totem pole that Mills carved in 2008. \u003cbr/\u003eIt took him eight months to complete, and it stands over 30 feet tall. The pole includes Haida figures of a bear, a First Nations chief, the chief's daughter, and an eagle at the very top. \u003cbr/\u003eMills carved the totem pole from an 800 year-old tree that fell in Vancouver's Stanley Park during a powerful windstorm in 2006. \u003cbr/\u003eThese days, Mills says it's rare to find such large and strong pieces of cedar. A friend of Mills purchased the totem pole, but had nowhere to store it, so they rented a crane and put it up on Granville Island.  \u003cbr/\u003eThe Thunderbird watches over Mills he carves his latest totem pole, also made from a red cedar tree that fell during the 2006 storm in Stanley Park. \u003cbr/\u003eThe unusual thing about the log is that it is hollow, and no one else wanted it. Mills says hollow logs are much lighter and easier to transport. They're also easier to carve, because they don't split. \u003cbr/\u003eHe says carving totem poles is important for him because he wants to continue telling the stories of First Nations clans and villages. \u003cbr/\u003eToday, just eight to ten Haida totem pole carvers are working, Mills says. \u003cbr/\u003eOver the past five years, Mills has trained five other totem pole carvers. \u003cbr/\u003eHe says he tries to teach them to perform complicated cuts and understand the importance of centre lines and proportion, all qualities that help make fine totem poles. \u003cbr/\u003eHaida artists are adamant that totem poles be symmetrical and that all lines are curved, Mills says. Instead of painting features onto the figures of animals or people, artists carve intricate designs into the wood. Paint is occasionally used to highlight or accentuate features. \u003cbr/\u003eMills charges $2,000 to $3,000 a foot for wooden totem poles. It will take him a year to complete this 12 foot pole, and cost it cost its buyer $36,000. Once it's complete, it will stand on the grounds of a university in British Columbia. \u003cbr/\u003eMills first drew the totem pole's complex design on a stencil before he began carving. \u003cbr/\u003eWhen he first began as a carver, he created much smaller poles out of argillite, a black slate stone that Haida artists frequently work with. \u003cbr/\u003eMills keeps himself very busy, working on several projects at the same time. One of his favourite things to do is create bronze and silver Haida jewellery. \u003cbr/\u003eThe Museum of Anthropology at the University of British Columbia acquired dozens of historic totem poles in the 1950s with the permission of several First Nations communities. The museum's goal was to preserve and showcase the poles for the public. \u003cbr/\u003eFirst Nations people on Canada's northwest coast have carved totem poles for centuries, but the tradition was nearly wiped out by the Canadian government in the 19th century.\u003cbr/\u003eIn 1884, Ottawa passed an amendment to the Indian Act, which made it illegal for natives to hold traditional gatherings known as potlatches. \u003cbr/\u003eAt large potlatches, First Nations families would recount their family histories and proclaim their fishing and hunting claims. Totem poles were often carved and erected as icons that helped people remember particular potlatches.\u003cbr/\u003eThey transmitted the clan's culture, history, family crests, and indicated where particular families lived. When the potlatch law came into force, many First Nations groups stopped carving totem poles. \u003cbr/\u003eSeveral totem poles stand outside the Museum of Anthropology along with a traditional First Nations longhouse. \u003cbr/\u003eThe museum's main purpose is to educate masses of people about aboriginal culture that was nearly entirely lost but is now being revived. \u003cbr/\u003e\"Actually, First Nations people took the Canadian government to court and won and showed that the potlatch law is an illegal law,\" says William McLennan, Pacific Northwest Curator at the museum. \"And subsequently, more and more groups are potlatching again. Some groups never stopped potlatching. But in the process, poles are made and put up as part of potlatches and memorials for people who've passed away. I mean, all the reasons that totem poles were put up in the past are being done again today.\"\u003cbr/\u003eOne of the totem poles brings together several figures from northwest coast First Nations art and culture. Among them is Dzunuk'wa, a giant, mythical woman. According to the legend, Dzunuk'wa wears a cedar backpack and moves through the forest scooping up children who are late for dinner. But she is very vain and often blows kisses at herself in her reflection in the water, forgetting that others can see her.\u003cbr/\u003eHousing aboriginal artifacts in museums is often controversial. Yet, if they had been left in their natural settings, historic totem poles would have rotted and vanished in 60 to 100 years, the museum says. It insists many native groups have benefited from its preservation efforts. \u003cbr/\u003e\"We do have very good relationships here with certain aboriginal communities,\" says Rebecca MacKenzie, Communications Assistant at the museum. \"And we have been able to work with those communities and work with the artifacts that we have here to have them gain a greater understanding of what their communities may have been like prior to European contact or in the early days of European contact and before that really intense period of assimilation on the part of the Canadian government. So preservation, in the long run, does have the ability to sort of help in healing communities, I feel.\"\u003cbr/\u003eThousands of people from around the world visit the Museum of Anthropology ever year to see the monumental, rare totem poles. They are the centrepiece of westcoast Canadian First Nations art and culture.\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" 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