{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Young artists compete for solo exhibition' data-url='/boclips/videos/5c54c4e5d8eafeecae16c1e9' data-video-url='/boclips/videos/5c54c4e5d8eafeecae16c1e9' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nYoung artists compete for solo exhibition\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eIt is something that thousands of young artists dream of - the chance to win the \"Preis der Nationalgalerie fur junge kunst\".The prize is a solo exhibition at one of the Nationalgalerie's venues in Berlin, something normally only awarded...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eIt is something that thousands of young artists dream of - the chance to win the \"Preis der Nationalgalerie fur junge kunst\".\u003cbr/\u003eThe prize is a solo exhibition at one of the Nationalgalerie's venues in Berlin, something normally only awarded to established artists such as Gerhard Richter or Martin Kippenberger.\u003cbr/\u003eThis year four Berlin-based artists were selected for the shortlist and are shown at the exhibition, out of a total of 140.\u003cbr/\u003eTheir work ranges from large, imposing, oil paintings to Mexican costumes and video installations. \u003cbr/\u003eThe curator of the exhibition, Joachim Jager, says this year's exhibition differs from previous years as all the artists focus on space. \u003cbr/\u003e\"The interesting thing about this exhibition is that its very dense and intensive exhibition. That is because all four artists work with installations, they work with the space,\" he says. \u003cbr/\u003eIn a perfect reflection of the international nature of the German capital's burgeoning art scene, three of the artists were born outside of Germany.\u003cbr/\u003eAuckland-born artist Simon Denny (born 1982) has lived in Berlin for the last two years.\u003cbr/\u003eHis work focuses on popular culture such as television shows, shop windows and computer games.\u003cbr/\u003eThe installation he is showing as a part of the prize exhibition analyses the language and aesthetics of the Digital Life Design conference in Munich in 2012.\u003cbr/\u003eThe conference drew academics, politicians and business people from around the world to discuss the possibilities and pitfalls of the Internet.\u003cbr/\u003eDenny was there to document each moment, every speech and every debate.\u003cbr/\u003eThe result was a large installation compromised of posters showing every minute of the conference, from the registration to the keynote speeches by such internet heavyweights as Sheryl Sandberg, the Chief Operating Officer of Facebook and Arianna Huffington, the founder of the Huffington Post.\u003cbr/\u003eHis approach is mostly journalistic, using the posters to show quotes from the speeches.  \u003cbr/\u003e\"I think it is a really good frame to look at a group of people who are in charge of designing the ways and infrastructure in which we are able to communicate. And, an exhibition is a good time to take a look at this and see what they have thought, what they have said, what they look like,\" he says.  \u003cbr/\u003eThe only German born artist competing for the prize is Kerstin Bratsch (born 1979), a Hamburg native, now living in Berlin and New York. \u003cbr/\u003eHer works mostly consist of large abstract oil paintings that dominate the huge walls of the Hamburger Bahnhof.\u003cbr/\u003eShe worked on her \"Psychic Series\" sets of paintings from 2004 to 2008 and they form the core of he contribution to the exhibition.\u003cbr/\u003eThe paintings overlook smaller works made out of glass standing on the floor of the room.\u003cbr/\u003eIn one corner is a strong lamp, which turns on and off on a regular basis.\u003cbr/\u003e\"The theme I work with in my paintings and in my other work is light. That is why I have this Japanese construction site light that turns on in an interval and splash the paintings and the glass with light,\" she says. \u003cbr/\u003eRepresenting South America is Mariana Castillo Deball (born 1975) who moved to Europe from her native Mexico City ten years ago.\u003cbr/\u003eIn 2008 she moved to Berlin where she now lives and works full time.\u003cbr/\u003eShe brings her native Mexico with her, on the floor of the space is a wooden map showing the first ever drawing of Mexico City by the Spanish colonisers.\u003cbr/\u003eThe map was first printed in Nuremberg in Germany and it is accompanied by a series of carnival costumes that were produced in Mexico.\u003cbr/\u003eBut she does not want to draw any parallels between her work and her own personal journey from Mexico to Berlin.\u003cbr/\u003e\"My work is always related to various specific histories and various specific cultural objects. So it is not necessarily based on Mexico or on Germany but I'm interested in objects that experience a lot of different transformations,\" she says.  \u003cbr/\u003eIn a dark room at the end of the exhibition are four large screens showing a video installation by Haris Epaminonda (born 1980) from Nicosia in Cyprus.\u003cbr/\u003eEpaminonda moved to Berlin five years ago and now works full time in the German capital.\u003cbr/\u003eThe abstract videos were shot on 16mm film on locations in Cyprus and show various characters from around the world.\u003cbr/\u003eShe says she had an idea of what she wanted the installation to look like before starting off, but once working on it she let the people and the locations inspire her.\u003cbr/\u003e\"It is the beauty of it� That I let things happen. Naturally,\" she says.\u003cbr/\u003eUnlike previous years when there was the chance to win a cash prize, this year's prize is a solo exhibition at one of the National gallery's location in the German capital.\u003cbr/\u003eThe winner will be announced on September 19 and the exhibition will stay open until January 12, 2014. \u003cbr/\u003eBerlin - 29 August 2013\u003cbr/\u003e1. Wide of \"Psychic series\" (2005-2008) paintings by Kerstin Bratsch\u003cbr/\u003e2. Close of Psychic series (2005-2008) paintings with \"Blocked radiant for Loanna\" (2013) in foreground by Kerstin Bratsch\u003cbr/\u003e3. Zoom in of \"Psychic series\" paintings by Kerstin Bratsch\u003cbr/\u003e4. Close of \"Psychic series\" paintings by Kerstin Bratsch\u003cbr/\u003e5. Mid of rows of \"Psychic series\" paintings by Kerstin Bratsch\u003cbr/\u003e6. Pan of \"All you need is Data\" (2013) installation by Simon Denny\u003cbr/\u003e7. Close of quote on \"All you need is Data\" (2013) installation by Simon Denny\u003cbr/\u003e8. Mid of detail in \"My flowers will not end�\" installation (2013) by Mariana Castillo Deball\u003cbr/\u003e9. Close of detail in \"My flowers will not end�\" installation (2013) by Mariana Castillo Deball\u003cbr/\u003e10. Mid of video in \"Chapters\" (2013) video installation by Haris Epaminonda\u003cbr/\u003e11. Close of video in \"Chapters\" video installation by Haris Epaminonda\u003cbr/\u003e12. Close of logo for exhibition on wall \u003cbr/\u003e13. Wide of people looking at artworks by Kerstin Bratsch\u003cbr/\u003e14. Wide of people looking at \"All you need is Data\" (2013) installation by Simon Denny\u003cbr/\u003e15. Wide of people looking at \"My flowers will not end�\" installation (2013) by Mariana Castillo Deball\u003cbr/\u003e16. Curator of exhibition Joachim Jager looking at  \"Psychic series\" paintings\u003cbr/\u003e17. SOUNDBITE (German), Joachim Jager, exhibition curator\u003cbr/\u003e\"The interesting thing about this exhibition is that its very dense and intensive exhibition. That is because all four artists work with installations, they work with the space.\" \u003cbr/\u003e18. Wide of people looking at \"All you need is Data\" by Simon Denny\u003cbr/\u003e19. Close of poster on \"All you need is Data\" by Simon Denny\u003cbr/\u003e20. Zoom in of photo of Sheryl Sandberg, the Chief Operating Officer of Facebook, part of \"All you need is Data\" by Simon Denny\u003cbr/\u003e21. Close of from Sandberg on poster in \"All you need is Data\" by Simon Denny\u003cbr/\u003e22. Close of photo of Arianna Huffington on poster in \"All you need is Data\" installation by Simon Denny\u003cbr/\u003e23. Auckland-born artist Simon Denny speaking to woman \u003cbr/\u003e24. SOUNDBITE (English), Simon Denny, artist\u003cbr/\u003e\"I think it is a really good frame to look at a group of people who are in charge of designing the ways and infrastructure in which we are able to communicate. And, an exhibition is a good time to take a look at this and see what they have thought, what they have said, what they look like.\" \u003cbr/\u003e25. Man looking at \"Psychic series\" (2005-2008) paintings by Kerstin Bratsch\u003cbr/\u003e26. Tilt up of \"Psychic series\" painting by Kerstin Bratsch\u003cbr/\u003e27. Close of \"Psychic series\" painting by Kerstin Bratsch\u003cbr/\u003e28. Pull focus from \"Psychic series\" painting to \"Blocked radiant for Loanna\" (2013) by Kerstin Bratsch\u003cbr/\u003e29. \"Blocked radiant for Loanna\" (2013) in foreground,  \"Psychic series\" painting in background by Kerstin Bratsch\u003cbr/\u003e30. Light in front of paintings \u003cbr/\u003e31. Light behind \"Blocked radiant for Loanna\" (2013) by Kerstin Bratsch\u003cbr/\u003e32. SOUNDBITE (German) Kerstin Bratsch, artist \u003cbr/\u003e\"The theme I work with in my paintings and in my other work is light. That is why I have this Japanese construction site light that turns on in an interval and splash the paintings and the glass with light.\"\u003cbr/\u003e33. Wide of \"My flowers will not end�\" installation (2013) and \"Nurnberger karte von Tenochtitlan\" (2013) floor installation by Mariana Castillo Deball\u003cbr/\u003e34. Man taking photo of mask in \"My flowers will not end�\" installation by Mariana Castillo Deball\u003cbr/\u003e35. Pan of \"Nurnberger karte von Tenochtitlan\" (2013) floor installation by Mariana Castillo Deball\u003cbr/\u003e36. Mid of mask in \"My flowers will not end�\" installation (2013) by Mariana Castillo Deball\u003cbr/\u003e37. Close of mask in \"My flowers will not end�\" installation (2013) by Mariana Castillo Deball\u003cbr/\u003e38. Artist Mariana Castillo Deball speaking to man\u003cbr/\u003e39. SOUNDBITE: (English), Mariana Castillo Deball, artist\u003cbr/\u003e\"My work is always related to various specific histories and various specific cultural objects. So it is not necessarily based on Mexico or on Germany but I'm interested in objects that experience a lot of different transformations.\" \u003cbr/\u003e40. Mid of video in \"Chapters\" (2013) video installation by Haris Epaminonda\u003cbr/\u003e41. Close of video in \"Chapters\" (2013) video installation by Haris Epaminonda\u003cbr/\u003e42. Mid of video in \"Chapters\" (2013) video installation by Haris Epaminonda\u003cbr/\u003e43. Close of video in \"Chapters\" (2013) video installation by Haris Epaminonda\u003cbr/\u003e44. SOUNDBITE (English), Haris Epaminonda, artist\u003cbr/\u003e\"It is the beauty of it� That I let things happen. Naturally\"\u003cbr/\u003e45. Close of \"Psychic series\" painting\u003cbr/\u003e46. Close of \"Das Institute. VIOLA (from when you see me it wont be again)\" (2011) projector installation by Kerstin Bratsch\u003cbr/\u003eFour Berlin-based artists are in the running to win one of Germany's most prestigious prizes for young artists.\u003cbr/\u003eThe exhibition showcasing their work has opened at the Hamburger Bahnhof museum ahead of the announcement of the winner on September 19.\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource 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