{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Leonardo da Vinci blockbuster opens in London' data-url='/boclips/videos/5c54c49bd8eafeecae16a0fa' data-video-url='/boclips/videos/5c54c49bd8eafeecae16a0fa' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nLeonardo da Vinci blockbuster opens in London\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eNational Gallery, London, UK - November 7, 20111. Mid of poster for Leonardo da Vinci exhibition inside the National Gallery2. Wide of entrance to exhibition with visitors entering3. Various of visitors looking at  'Portrait of a Young...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eNational Gallery, London, UK - November 7, 2011\u003cbr/\u003e1. Mid of poster for Leonardo da Vinci exhibition inside the National Gallery\u003cbr/\u003e2. Wide of entrance to exhibition with visitors entering\u003cbr/\u003e3. Various of visitors looking at  'Portrait of a Young Man' ('The Musician') (Veneranda Biblioteca Ambrosiana, Pinacoteca, Milan)\u003cbr/\u003e4. Mid of Luke Syson with visitors, looking at painting\u003cbr/\u003e5.  SOUNDBITE (English) Luke Syson, Curator of Italian Paintings before 1500 and Head of Research, National Gallery:\u003cbr/\u003e\"We've been able to gather here the largest number of pictures that's ever been seen in one place. We're telling a story, a particular story of Leonardo's time as court artist to Ludovico Il Moro, the Sforza Duke of Milan, who gave him a salary and the time and the space to meditate upon his art, the art of painting, as never before.\"\u003cbr/\u003e6. Mid of book with painting of 'Portrait of Ludovico Maria Sforza' (Archivio Storico Civico and Biblioteco Trivulziana, Milan)\u003cbr/\u003e7. Various of visitors in gallery\u003cbr/\u003e8. SOUNDBITE (English) Luke Syson, Curator of Italian Paintings before 1500 and Head of Research, National Gallery:\u003cbr/\u003e\"What we see here is an extraordinary journey, one that takes Leonardo from an artist who believed that his responsibility was to record nature as precisely as possible to an artist who believed that his creative skills were akin to those of God himself.\"\u003cbr/\u003e9. Close of the head of the Virgin from 'The Virgin of the Rocks' (National Gallery)\u003cbr/\u003e10. Various of people looking at 'The Virgin of the Rocks' (National Gallery)\u003cbr/\u003e11. SOUNDBITE (English) Larry Keith, Director of Conservation, National Gallery:\u003cbr/\u003e\"One of the interesting things about Leonardo's career is the fact that so many of his paintings are unfinished, as we know, and from the point of view of understanding how he painted however, it's a sort of hidden blessing. You can see various states of non-finish in all kinds of works throughout the entire exhibition, from the tabard of the Musician in room 1, through the St Jerome, to indeed our own Virgin of the Rocks.\"\u003cbr/\u003e12. Tilt down 'The Virgin of the Rocks' (National Gallery)\u003cbr/\u003e13. Close of detail of rocky landscape from background of 'The Virgin of the Rocks' (National Gallery)\u003cbr/\u003e14. Various of details of  'The Virgin of the Rocks' (National Gallery)\u003cbr/\u003e15. Wide of framed drawing - the 'Cartoon (study) for the head of the infant Saint John the Baptist' (Mus�e du Louvre, Paris)\u003cbr/\u003e16. Close detail of the face from the 'Cartoon of the head of the infant Saint John the Baptist' (Mus�e du Louvre, Paris)\u003cbr/\u003e17. Various of drawing of 'A rocky ravine' (Lent by Her Majesty The Queen)\u003cbr/\u003e18. Various of diagrammatic drawing illustrating how human sight works (Lent By Her Majesty The Queen)\u003cbr/\u003e19. SOUNDBITE (English) Luke Syson, Curator of Italian Paintings before 1500 and Head of Research, National Gallery:\u003cbr/\u003e\"There is a marvellous array of drawings, many of them lent by Her Majesty The Queen but we are most proud perhaps of two juxtapositions - the gathering together of all three of Leonardo's Milanese portraits which show him really revolutionising the genre, giving his sitters an interior life which had never been seen before.\"\u003cbr/\u003e20. Various of 'Portrait of a Young Man ('The Musician') (Veneranda Biblioteca Ambrosiana, Pinacoteca, Milan)\u003cbr/\u003e21. Various of 'Portrait of Cecilia Gallerani ('The Lady with an Ermine') (Property of the Princes Czartoryski Foundation, National Museum, Cracow)\u003cbr/\u003e22. SOUNDBITE (English) Luke Syson, Curator of Italian Paintings before 1500 and Head of Research, National Gallery:\u003cbr/\u003e\"Then most movingly, most extraordinarily, to be able to put together the two versions of the Virgin of the Rocks, from London and from Paris, a juxtaposition that no one has ever seen before, perhaps not even Leonardo.\"\u003cbr/\u003e23. Wide of 'The Virgin of the Rocks' (National Gallery)\u003cbr/\u003e24. Wide of 'The Virgin of the Rocks' (Mus�e du Louvre, Paris)\u003cbr/\u003e25. Various details of  'The Virgin of the Rocks' (Mus�e du Louvre, Paris)\u003cbr/\u003e26. Wide of people looking at  'The Virgin of the Rocks' (Mus�e du Louvre, Paris)\u003cbr/\u003e27. SOUNDBITE (English) Luke Syson, Curator of Italian Paintings before 1500 and Head of Research, National Gallery:\u003cbr/\u003e\"Behind me is Leonardo's newly rediscovered painting of the Salvator Mundi, it's just turned up and this is the very first time that the public will have a chance to assess this attribution which scholars have agreed upon but now is the time for us all to decide - Is this really by Leonardo?\"\u003cbr/\u003e28. Various of people looking at 'Christ as Salvator Mundi' (Private Collection)\u003cbr/\u003eThe biggest ever collection of Leonardo da Vinci's paintings and drawings go on show in London today ( 9 November 2011).\u003cbr/\u003eGathered from all over the world, it's a once in a lifetime chance to see most of the greatest works of the most famous artist of all time.\u003cbr/\u003eHe is the most famous artist to have lived - and some say the greatest creative genius of all time.\u003cbr/\u003eLeonardo da Vinci died nearly 500 years ago but the legacy of his art lives on.\u003cbr/\u003eNow the National Gallery blockbuster show - 'Leonardo da Vinci: Painter at the Court of Milan' opens today in London.\u003cbr/\u003eIt brings together the biggest number ever of his rare surviving paintings.\u003cbr/\u003eThe show focuses on the extraordinary creativity of his time as court painter to Duke Ludovico Sforza in Milan at the end of the 15th century.\u003cbr/\u003eThe Duke's patronage was critical to his artistic development, says Luke Syson, the National Gallery's Head of Research:\u003cbr/\u003e\"We've been able to gather here the largest number of pictures that's ever been seen in one place. We're telling a story, a particular story of Leonardo's time as court artist to Ludovico Il Moro, the Sforza Duke of Milan, who gave him a salary and the time and the space to meditate upon his art, the art of painting, as never before.\"\u003cbr/\u003eBecause they are so fragile, this is probably the last chance that many of these paintings will ever be seen together.\u003cbr/\u003eThat guarantees the Leonardo show will be the hottest ticket in town, with international art lovers flocking to the capital over the next 3 months.\u003cbr/\u003eThe show reveals the ambition - and superhuman achievements - of Leonardo as never before, says Luke Syson:\u003cbr/\u003e\"What we see here is an extraordinary journey, one that takes Leonardo from an artist who believed that his responsibility was to record nature as precisely as possible to an artist who believed that his creative skills were akin to those of God himself.\"\u003cbr/\u003eThere may be no Mona Lisa here - it's too fragile and  too precious to travel from the Louvre in Paris - but there are plenty of other treasures.\u003cbr/\u003eThanks to the financial security he enjoyed under the Duke's patronage, during the 1480s and 1490s Leonardo produced some of his greatest art.\u003cbr/\u003eAll seven of the surviving paintings from Milan (about half of Leonardo's entire output) can be seen together at the National Gallery.\u003cbr/\u003eNo less than 33 drawings from the Royal Collection are included, revealing the extraordinary range of Leonardo's interests - from anatomy to armaments and the natural world.\u003cbr/\u003e\"There is a marvellous array of drawings, many of them lent by Her Majesty The Queen but we are most proud perhaps of two juxtapositions - the gathering together of all three of Leonardo's Milanese portraits which show him really revolutionising the genre, giving his sitters an interior life which had never been seen before.\"\u003cbr/\u003eLeonardo's portraits, for the first time, depicted the sitters as real people with real emotions and thoughts.\u003cbr/\u003eThe 'Portrait of a Young Man ('The Musician') holds a fragment of music in his right hand. The costume is crudely painted but historians agree that the finely painted face is by Leonardo. What is certain is that this a portrait of a young man deep in thought.\u003cbr/\u003eThe subject of \"The Lady with the Ermine\", Cecilia Gallerani is shown as turning, perhaps flirtatiously, towards an unseen viewer. Historians believe that the viewer was her lover, Duke Ludovico himself.\u003cbr/\u003eLeonardo was notoriously impatient, driven by a restless energy. That meant many of his paintings were never finished.\u003cbr/\u003eBut restoration and unfinished parts of paintings reveal a lot about his working methods, says Larry Keith, Director of Conservation at the National:\u003cbr/\u003e\"One of the interesting things about Leonardo's career is the fact that so many of his paintings are unfinished, as we know, and from the point of view of understanding how he painted however, it's a sort of hidden blessing. You can see various states of non-finish in all kinds of works throughout the entire exhibition, from the tabard of the Musician in room 1 through the St Jerome, to indeed our own Virgin of the Rocks.\"\u003cbr/\u003eThe National Gallery show was inspired by its own recently restored version of \"The Virgin of the Rocks\". \u003cbr/\u003eIt was previously thought that Leonardo's assistants had a big hand in painting it but restoration reveals it to be by Leonardo's hand.\u003cbr/\u003eTwo versions are known to exist and, for a unique comparison, the National Gallery's version is presented opposite that from the Louvre in Paris.\u003cbr/\u003ePainted many years apart, not even Leonardo saw the two paintings side by side, says Luke Syson:\u003cbr/\u003e\"Then most movingly, most extraordinarily, to be able to put together the two versions of the Virgin of the Rocks, from London and from Paris, a juxtaposition that no one has ever seen before, perhaps not even Leonardo.\"\u003cbr/\u003eLeonardo took 25 years to complete the commission that he originally undertook in 1483 for the Confraternity of the Immaculate Conception in Milan. The two paintings were the result and comparisons reveal much about Leonardo's methods.\u003cbr/\u003eForensic detective work continues to reveal some of Leonardo's secret history.\u003cbr/\u003eLeonardo scholarship is constantly shifting - and the last painting in the exhibition is a newly attributed canvas.\u003cbr/\u003eScholars seem to be in agreement but \"Christ as the Saviour of the World\" is so different to other Leonardo paintings that the final verdict is yet to come. This show is a chance for the rest of us to decide says Luke Syson:\u003cbr/\u003e\"Behind me is Leonardo's newly rediscovered painting of the Salvator Mundi, it's just turned up and this is the very first time that the public will have a chance to assess this attribution which scholars have agreed upon but now is the time for us all to decide: Is this really by Leonardo?\"\u003cbr/\u003eOnce again, painstaking restoration has revealed previously unseen subtleties that point to the painting being made by Leonardo.\u003cbr/\u003eBesides Leonardo's own work there are examples by his assistants and followers including an early copy of \"The Last Supper\" by his pupil Giampietrino. It's the best indication of how the famous fresco would have looked shortly after Leonardo completed the commission. In fact it was used as a guide for the restorers of the mural in Milan.\u003cbr/\u003eBut it's the work that is indisputably by Leonardo's hand that make this the must-see exhibition of the decade.\u003cbr/\u003e'Leonardo da Vinci: Painter at the Court of Milan' opens at the National Gallery in London on November 9th and continues until February 5th, 2012.\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv 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