{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Interview with director Keith Allen on controversial film' data-url='/boclips/videos/5c54c2f5d8eafeecae15da64' data-video-url='/boclips/videos/5c54c2f5d8eafeecae15da64' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nInterview with director Keith Allen on controversial film\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eAP EntertainmentCannes, 13 May 20111.Wide Keith Allen arriving at press conference Wide press conference2. SOUNDBITE (English) Keith Allen, director: \"Look I just have to explain to you that I didn't find this film very difficult to...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eAP Entertainment\u003cbr/\u003eCannes, 13 May 2011\u003cbr/\u003e1.Wide Keith Allen arriving at press conference Wide press conference\u003cbr/\u003e2. SOUNDBITE (English) Keith Allen, director: \u003cbr/\u003e\"Look I just have to explain to you that I didn't find this film very difficult to make, the film virtually made itself because of what was being revealed in the inquest. I thought it was important that the public got to understand in a forensic manner what was happening in this inquest. I didn't want to make a sensationalist film, I don't think it's a sensationalist film, I think it is a very forensic analysis of a British legal process and I believe it reveals certain things which I think don't add up and they should be questioned and that's why I made the film and in essence it's what the film is about. I hope it shows people that nothing is as it seems. And I hope it shows, I'm sure I am saying too much here, but I hope it shows that it is possible to steer and inquest and I believe that it was steered\".\u003cbr/\u003eLocomotive Distribution\u003cbr/\u003eNo re-use/re-sale without clearance\u003cbr/\u003e3.Trailer clip - \"Unlawful Killing\"\u003cbr/\u003eAP Entertainment\u003cbr/\u003eCannes, 13 May 2011\u003cbr/\u003e4.SOUNDBITE (English) Keith Allen, director: \u003cbr/\u003e\"Let me make this absolutely clear this is not an attack on the monarchy, it's actually questioning the role of the establishment. And in so doing it will make it clear that there are connections between the royal house of Windsor and the establishment, it's as simple as that. It's not an attack, all I am doing is trying to get people to talk about this in a different way than they may have talked about it before.\"\u003cbr/\u003e5.Wide press conference\u003cbr/\u003e6.SOUNDBITE (English) Keith Allen, director: \u003cbr/\u003e\"As I said when I presented the film, there wont be a sharp intake of breath when you see the photograph of Princess Di. There wont be, you saw it and I don't believe there was. It's nowhere near as sensational or revealing as people made it out to be.\"\u003cbr/\u003eLocomotive Distribution\u003cbr/\u003eNo re-use/re-sale without clearance\u003cbr/\u003e7.Trailer clip - \"Unlawful Killing\"\u003cbr/\u003eAP Entertainment\u003cbr/\u003eCannes, 13 May 2011\u003cbr/\u003e8.SOUNDBITE (English) Keith Allen, director: \u003cbr/\u003e\"My own personal opinion about all of this? Off the record. I personally think that something went massively wrong. I do believe that Diana was in a position to rock a number of boats and I do believe that a warning may have sufficed because I remember with Mo Mowlam after she banged her head, she's a British MP, they could easily report anything that she said that may have been contentious within the frame work of 'well of course Mo's a little mad you know that don't you.' So I think that there is a chance that she may have survived the accident. They could argue that it's a warning. Then any statements that she made after the event you could put down to 'well she had a nasty crack on the head.' I think it may have gone too far. I believe that. I also believe that there is a cover up about the presentation of evidence, I believe that.\"\u003cbr/\u003e9.Pan press conference\u003cbr/\u003e10.SOUNDBITE (English) Keith Allen, director: \u003cbr/\u003e\"I don't understand at which point in the film I would have said to the viewers 'by the way this was financed by Mr Al Fayed.' I think it may have interrupted the flow of thoughts and there's no point. I think you'll find that there are an immense number of films coming out of America and all over the world which are financed by the mafia and there's no reference to those.\"\u003cbr/\u003e11.SOUND UP (English) Martyn Gregory, Author of \"Diana: The Last Days\":\u003cbr/\u003e\"So it's a Mohamed Al Fayed film yes or no? \u003cbr/\u003ePaul Sparks, Writer: \u003cbr/\u003e\"If we make a film for the BBC do you think it's a BBC film and we are just lackies?\"\u003cbr/\u003eMartyn Gregory:\u003cbr/\u003e\"Well then the BBC would have editorial control which is why they said no to this film because it's legally flawed an journalistically flawed and everything about it was seen in the inquest which, as you know Richard because you were there, writing it all down\".\u003cbr/\u003e12.Medium Martyn Gregory\u003cbr/\u003e13.SOUNDBITE (English) Martyn Gregory, Author of \"Diana: The Last Days\":\u003cbr/\u003e\"I think if one small frame could be used to condemn a whole film it's that because Mohamed Al Fayed has gone on for years about intrusion and 'how dare the paparazzi do this and how dare the paparazzi do that.' He's prosecuted them in France, he's tried to screw them in to the ground at the inquest and now what does he do? He finances a film with a picture of Diana dying in the car. Well if that's not hypocrisy please define the word for me.\"\u003cbr/\u003e14.SOUNDBITE (English) Emma Jones, British Entertainment Journalist: \u003cbr/\u003e\"Keith Allen has said he doesn't see why that is an issue that the film has been funded by Mohammed al Fayed, he said he went to every UK broadcaster they all turned him down and this was the only way to get the film out. Unfortunately for him though I think amongst journalists it certainly raises the question that it is basically a presentation of Mohamed Al Fayed's views on the death of Princess Diana and Dodi al Fayed which he has been repeating for around 10 years.\"\u003cbr/\u003e15. Wide shot Keith Allen talking to reporter \u003cbr/\u003e16. Medium shot Keith Allen talking to reporter\u003cbr/\u003e17. SOUNDBITE (English) Keith Allen, filmmaker\u003cbr/\u003e\"What came across to me, because I was there at the inquest for a lot of the time and I would read the transcripts of our man in the press tent and you know, I know what's going on and what I was seeing reported and what I knew happened weren't actually quite the same thing. They didn't really marry. It's best exemplified really by when the verdict was returned it was immediately sold, mostly by the BBC, in a completely wrong way.\"\u003cbr/\u003eLocomotive Distribution\u003cbr/\u003eNo re-use/re-sale without clearance\u003cbr/\u003e18. Trailer clip - \"Unlawful Killing\"\u003cbr/\u003eAP Entertainment\u003cbr/\u003eCannes, France, 13 May 2011\u003cbr/\u003e19. SOUNDBITE (English) Keith Allen, filmmaker\u003cbr/\u003e\"Well because it's part of a journey. It's part of that journey; that story, about, you know, if other steps had been taken there's every chance that Princess Diana may have survived. If she'd got to hospital earlier, if they could have operated on her aorta in a clinically clean environment they could have opened her up - I don't know but maybe, maybe that would have been the case, so it was a part of that picture and showing that picture of her, which, I don't know whether you realize this, but that picture of her was pixelated on the advise of the coroner for the jury to look at. So because there's a pixelation over the picture of her face, which is a picture of a woman who is alive and alert by the way - there's nothing pornographic about it. She's not covered in blood, she's not cut - it's a picture of Princess Di, you know, in the back of a car but it was pixelated. Now that pixelation, for a lot of people, it would raise the question 'God, what does she look like if they've got to pixelate this?' which means that you're already embedding the idea - and I'm not a conspiracy theorist - you're embedding the idea that 'oh my God, she was obviously dying on the way out. Well actually, that's not quite true.\"\u003cbr/\u003eLocomotive Distribution\u003cbr/\u003eNo re-use/re-sale without clearance\u003cbr/\u003e20. Trailer clip - \"Unlawful Killing\"\u003cbr/\u003eAP Entertainment\u003cbr/\u003eCannes, France, 13 May 2011\u003cbr/\u003e21. SOUNDBITE (English) Keith Allen, filmmaker \u003cbr/\u003e\"There was a level. You know, this film has taken three years to be the film it is at the moment. It's never been like this all the time, and very early on - I mean I've got reams of footage of stuff that I found funny, you know, that I think is funny. There's a kind of humorous strata to the film, which, as it unravelled, I realized I couldn't do that. It would be misplaced. But one of the things I did was, you know, when I was doing the commentary I was actually saying, you know, people have spoken about...people will probably asking 'Did Mohammed Al Fayed finance this film? And has it in any way effected my ability to be an independent editorial?' and as I'm pulling back there's Mohammed handing me gold bars, which are actually chocolate, and me stacking up saying, 'This is absolutely untrue, I will sue anybody. I've got this footage and I'm going to out it on the internet tonight, funnily enough. So I was fully prepared for that and I'm fully prepared to say 'yeah, I knew it was coming', but it was the only way I could get the money to make the film, and I was I was left alone to be quite honest. You know, it's just the way it is, and you might find that difficult to believe, bit it's true\".\u003cbr/\u003eLocomotive Distribution\u003cbr/\u003eNo re-use/re-sale without clearance\u003cbr/\u003e22. Trailer clip - \"Unlawful Killing\"\u003cbr/\u003eA provocative new documentary made its debut Friday (13 May 2011) at the Cannes Film Festival.\u003cbr/\u003eThe movie \"Unlawful Killing\" revives claims that Princess Diana - adored by millions as the \"people's princess\" but viewed in royal circles as an embarrassing loose cannon - was murdered by the British establishment. The film was screened Friday for the first time at the festival.\u003cbr/\u003eIt bills itself as \"the antidote to 'The King's Speech\"' and depicts the royal family as feudal relics presiding over a network of official cronies at taxpayers' expense. Director Keith Allen defends the premise of his film:\u003cbr/\u003e\"This is not an attack on the monarchy, it's actually questioning the role of the establishment\".\u003cbr/\u003eThe film takes its title from the verdict of an official British inquest into Diana's 1997 death in a Paris car crash. The jury ruled the princess was unlawfully killed, but deflated claims of a conspiracy, blaming \"grossly negligent driving\" by her drunk and speeding driver and pursuing vehicles.\u003cbr/\u003eBut the movie by actor Allen - father of singer Lily Allen - revisits conspiracy theories put forward by Mohamed Al Fayed, whose son Dodi was Diana's boyfriend at the time and died in the same crash.\u003cbr/\u003eFayed, the billionaire former owner of London's Harrods department store, funded the 2.5 million pound ($4 million) documentary. He has long maintained that his son and Diana were killed by the British secret service at the behest of an establishment horrified by her romance with a Muslim man.\u003cbr/\u003eWhen questioned about the funding, in a press conference today, Allen again defended Al Fayed's involvement in the finance of the film:\u003cbr/\u003e\"I don't understand at which point in the film I would have said to the viewers 'by the way this was financed by Mr al Fayed.' I think it may have interrupted the flow of thoughts and there's no point. I think you'll find that there are an immense number of films coming out of America and all over the world which are financed by the mafia and there's no reference to those.\"\u003cbr/\u003eThe film begins with Diana's prediction in a 1995 letter to a friend that \"my husband is planning an 'accident' in my car\" and attempts to expose holes in the coroner's inquest.\u003cbr/\u003eIt poses more questions than it answers. Who was in the white Fiat that witnesses saw in the Alma Tunnel just before the crash? Was driver Henri Paul really drunk or did someone tamper with his blood samples? Why did a French ambulance take so long to arrive?\u003cbr/\u003e\"Well because it's part of a journey. It's part of that journey; that story, about, you know, if other steps had been taken there's every chance that Princess Diana may have survived. If she'd got to hospital earlier, if they could have operated on her aorta in a clinically clean environment they could have opened her up - I don't know but maybe, maybe that would have been the case, so it was a part of that picture and showing that picture of her, which, I don't know whether you realize this, but that picture of her was pixelated on the advise of the coroner for the jury to look at. So because there's a pixelation over the picture of her face, which is a picture of a woman who is alive and alert by the way - there's nothing pornographic about it. She's not covered in blood, she's not cut - it's a picture of Princess Di, you know, in the back of a car but it was pixelated. Now that pixelation, for a lot of people, it would raise the question 'God, what does she look like if they've got to pixelate this?' which means that you're already embedding the idea - and I'm not a conspiracy theorist - you're embedding the idea that 'oh my God, she was obviously dying on the way out. Well actually, that's not quite true.\" Says Allen.\u003cbr/\u003eThe film certainly doesn't pull punches. Critics would say it lashes out in all directions, scattering accusations of royal racism, judicial complicity and media laziness.\u003cbr/\u003eIt includes an array of high-profile talking heads: talk show host Piers Morgan, actor Tony Curtis, celebrity biographer Kitty Kelley and psychologist Oliver James, who brands the husband of Queen Elizabeth II a psychopath.\u003cbr/\u003eAl Fayed spokesman Conor Nolan said the businessman had seen the film and was \"absolutely delighted\" with it.  Others remain decidedly unconvinced. Martin Gregory, author of \"Diana,the Last Days,\" said the movie was \"simply regurgitation of everything Mohamed al Fayed has been saying since the year 2000.\"\u003cbr/\u003e\"Nothing in the film is new,\" he said, taking Allen to task at the film's Cannes press conference.\u003cbr/\u003eThe film was screened Friday for journalists and buyers. It's unlikely to find one in Britain, where it cannot be shown in its current form for legal reasons. Allen said he had declined to make any of the 87 cuts recommended by the film's lawyers before it can be shown there.\u003cbr/\u003eThe documentary already has been criticized for including a picture of Diana after the crash that has never been shown before in Britain.\u003cbr/\u003eSo does Allen agree with Al Fayed that Diana was murdered? Not exactly.\u003cbr/\u003e\"My own personal opinion about all of this? Off the record. I personally think that something went massively wrong. I do believe that Diana was in a position to rock a number of boats and I do believe that a warning may have sufficed because I remember with Mo Mowlam after she banged her head, she's a British MP, they could easily report anything that she said that may have been contentious within the frame work of 'well of course Mo's a little mad you know that don't you.' So I think that there is a chance that she may have survived the accident. They could argue that it's a warning. Then any statements that she made after the event you could put down to 'well she had a nasty crack on the head.' I think it may have gone too far. I believe that. 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