{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Joely Richardson, co-stars and director on shooting Hemingway movie, the first Hollywood feature shot in Cuba in over 50 years' data-url='/boclips/videos/5c54c2c3d8eafeecae15c2a3' data-video-url='/boclips/videos/5c54c2c3d8eafeecae15c2a3' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nJoely Richardson, co-stars and director on shooting Hemingway movie, the first Hollywood feature shot in Cuba in over 50 years\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eAn international film crew in recent weeks has been re-enacting historic scenes in the streets of Havana for \"Papa,\" a biopic about the budding friendship between American writer Ernest Hemingway and a reporter in the turbulent,...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eAn international film crew in recent weeks has been re-enacting historic scenes in the streets of Havana for \"Papa,\" a biopic about the budding friendship between American writer Ernest Hemingway and a reporter in the turbulent, pre-revolution Cuba of the 1950s.\u003cbr/\u003eYears in the making, producers say it is the first full-length feature film with a Hollywood director and actors to be shot in the country since the 1959 revolution.\u003cbr/\u003eDue to decades of ill will between the two countries and Washington's 52-year-old embargo, other movies ostensibly set here, such as \"The Godfather Part II\" or 1990's \"Havana,\" were filmed in stand-in locations like the Dominican Republic.\u003cbr/\u003e\"It was an absolute passion to actually make it in Cuba where everything that is in the script happened, where the finca (farm) is where (Hemingway) lived, where his boat was, all the spots from the Morro castle to Cojimar where he fished,\" director Bob Yari said.\u003cbr/\u003e\"It's all here, so trying to duplicate it somewhere else was not very appealing.\"\u003cbr/\u003eShooting began in March and wrapped over the weekend on the joint Canadian-Cuban-American production, with the island's governmental film institute known as ICAIC providing location support, period costumes and local actors.\u003cbr/\u003e\"Papa\" came to Cuba under a U.S. Treasury Department license exempting it from most embargo restrictions. Filmmakers said there was a cap on how much they could spend, but would not say how much or release overall budget figures.\u003cbr/\u003eFor licensing purposes the movie qualified as a documentary, since it depicts a firsthand account of real events that took place here. So it's unlikely that that just any Hollywood blockbuster will get the same permission in the future.\u003cbr/\u003eThough the title derives from the Nobel Prize-winning novelist's nickname, the movie is based on an autobiographical script by Denne Bart Petitclerc, who was abandoned by his father as a young boy, fell in love with Hemingway's writing and later came to see him as a father figure.\u003cbr/\u003eWhile working for the Miami Herald in the 1950s, Petitclerc penned a letter to Hemingway professing his admiration. He didn't intend to send it, but his girlfriend found it and dropped it in the mail.\u003cbr/\u003eOn a recent Saturday, a reading room at the University of Havana library stood in for the Herald newsroom.  The scene retells the moment when Petitclerc _ known as \"Ed\" in the movie and played by Giovanni Ribisi (\"Avatar,\" \"Saving Private Ryan\") _ fields a fateful phone call that at first he thinks is a prank by one of his pals.\u003cbr/\u003eBefore long, Ed is on a boat with his idol, and the two strike up a friendship that would last until Hemingway's 1961 suicide.\u003cbr/\u003eOn board of Pilar - like the boat that belonged to Hemingway was called-  with a view of Havana city and the Morro castle behind,  the crew filmed some of the scenes. They got access to other Havana's most iconic locales including the former Government Palace, which long ago was turned into a museum celebrating Castro's revolution.\u003cbr/\u003eAdrian Sparks, a screen and theater veteran who has played Hemingway on stage since 2005, confessed to something of a spiritual connection to the writer and said it was a magical experience portraying him in the land he loved \"To be here in Cuba to see this land that he loved it's almost like my body is allowing him to be here again, to be on board the Pilar over the Cuban seas that he loved so much, what an opportunity\" he said adding,  \"What an opportunity for Americans (�) to be here and realize what an exquisitely beautiful country this is,  what an exquisitely beautiful people this is.\"\u003cbr/\u003eThere have also been some only-in-Cuba moments of frustration.\u003cbr/\u003eIn a country with a history of raft crises and high-seas defections, something as simple as getting on a boat requires official approval. So when cast members' names were missing from a list one day, an open-water shoot was delayed.\u003cbr/\u003eCuba's scarce and creaky Internet service forced the crew to return to the yesteryear practice of slipping the day's call sheets under hotel room doors, rather than sending them by email. \u003cbr/\u003eAt the majestic Grand Theater, which is currently closed for restoration, a sumptuous salon was tricked out to look like the bar of the Ambos Mundos hotel where Hemingway frequently stayed.\u003cbr/\u003eIn this scene, Ed is tipped off by notorious mobster Santo Trafficante (James Remar; \"Django Unchained,\" \"Dexter\") that FBI director J. Edgar Hoover has it out for Hemingway. Producers even secured unprecedented permission to shoot inside Hemingway's former estate, Finca Vigia, today considered such a shrine that tourists aren't even allowed inside and must peer in through the windows.\u003cbr/\u003eMuch of the equipment had to be brought in overseas to guarantee high production values. But the payoff was the opportunity to shoot in a city that has in many ways remained frozen in the 1950s, with classic American automobiles from the era readily available to provide a historic backdrop.\u003cbr/\u003e\"It's been chaotic. Every day there's a new drama � but you know what? It's up there with my best experiences\" said Joely Richardson (\"Nip/Tuck,\" \"The Girl With the Dragon Tattoo\"), who plays Hemingway's fourth wife, Mary.  \"It was quite difficult to play someone who was a real person\" the English actress commented about her character.\u003cbr/\u003ePetitclerc went on to a long career as a journalist and writer of books, TV shows and movies, including the screenplay for \"Islands in the Stream\" based on the Hemingway novel of the same name. He died in 2006.\u003cbr/\u003eHemingway lived in Cuba from 1939 to 1960 and wrote much of \"The Old Man and the Sea\" and other works here, and islanders claim him as much as Americans do. According to the Cuban people, \"Santiago\" one of the characters of \"The Old Man and the Sea\" was inspired by Gregorio Fuentes, the first mate of  Hemingway's boat, Pilar. \u003cbr/\u003e\"This second film would be a second time, a second point of view that Hollywood is bringing to the new generation because the first film (The Old Man and the Sea\") was so old, maybe it has been seen by old people but this one is a new perspective of Hemingway's life in Cuba\" Fuentes's grandson, Andres Valdes Fuentes said during an interview in \"The Terrace\", a place in Cojimar where his grandfather and Hemingway used to meet to have a drink. \u003cbr/\u003eThe U.S and Cuba's mutual affection for Hemingway is among the few things they agree on _ both countries have cooperated multiple times to preserve his writings and belongings _ so it's no accident that the first Hollywood feature to shoot in Cuba would be about him.\u003cbr/\u003e1. Wide of Morro Castle (view from a boat)\u003cbr/\u003e2. Mid of boat  called \"Pilar\" (representing Hemingway's boat) and ship were the crew stayed and part of the movie was filmed \u003cbr/\u003e3. Close of sign reading \"Pilar\" (in the back of the boat)\u003cbr/\u003e4. Mid and close of film crew in the boat\u003cbr/\u003e5. Close and mid of Bob Yari, director of the movie, talking to members of the crew\u003cbr/\u003e6. SOUNDBITE (English) Bob Yari, Director:\u003cbr/\u003e\"It's been two years trying to get the filming finished but actually six, seven years in trying to make this project and there was an absolute passion  to actually make it in Cuba where everything that is in the script happened, where the finca (farm) is where he lived, where his boat was, all the spots from the Morro castle to Cojimar where he fished, you know it's all here so trying to duplicate it somewhere else was not very appealing\"\u003cbr/\u003e7. Wide of the actors and film crew in the boats \u003cbr/\u003e8. Mid of director Bob Yari and actors (from left to right: Giovanni Ribisi, Joely Richardson, and Adrian Sparks) speaking \u003cbr/\u003e9. Close of film crew putting a camera on \"Pilar\" boat\u003cbr/\u003e10. Pan right from crew working in Pilar boat to director and actors speaking\u003cbr/\u003e11. Close of Adrian Sparks\u003cbr/\u003e12. SOUNDBITE (English) Adrian Sparks, Actor:\u003cbr/\u003e\"To be here in Cuba to see this land that he loved it's almost feesl like my body is allowing him to be here again, to be aboard the Pilar (boat) over the Cuban seas that he loved so much, what an opportunity. And what an opportunity for Americans -you know when I was, I was 8 years old when the embargo happened so I grew up with this image of this dark country somewhere, this evil dark country somewhere in the �.. to be here and realize what an exquisitely beautiful country this is,  what an exquisitely beautiful people this is\"\u003cbr/\u003e13. Wide of member of the film crew looking (from a boat) at the boat \"Pilar\" where the film is being shot\u003cbr/\u003e14. Mid of actors and film crew in the boat\u003cbr/\u003e15. Mid of director and actors speaking during the shooting inside the boat\u003cbr/\u003e16. Wide of Cuban flag and boat behind\u003cbr/\u003e17. Mid of actors in the boat\u003cbr/\u003e18. Mid of boat and Havana city behind\u003cbr/\u003e19. Various of make up artisit applying make up to Joely Richardson \u003cbr/\u003e20. Close of Sparks and Ribisi speaking during a break\u003cbr/\u003e21. Tilt up from actors speaking to film crew shooting on the top of the ship\u003cbr/\u003e22. Close of Richardson during the shooting\u003cbr/\u003e23. SOUNDBITE (English) Joely Richardson, Actor:\u003cbr/\u003e\"It was quite difficult to play someone  who was a real person because obviously our script deals with one side of the story which was the writer's based on a true story of a journalist who went to visit the Hemingways and to Mary.\"\u003cbr/\u003e 24. Wide and mid of extras and film crew outside the University of Havana\u003cbr/\u003e25. Tilt up from Spanish poster on the wall of the University (translation: \"Here I become revolutionary\") to picture of Fidel Castro\u003cbr/\u003e26. Mid of Ribisi during  make-up session\u003cbr/\u003e27. Close of clapboard and actors behind\u003cbr/\u003e28. Wide and close of Ribisi during the shooting (scene where the character receives a call from Hemingway)\u003cbr/\u003e 29. Close of script \u003cbr/\u003e30. Mid of script near the screens and film crew working behind\u003cbr/\u003e31. Mid of screen showing an assistant with a clapboard and actor James Remar \u003cbr/\u003e32. Mid of director looking at the screens saying: \"Action\" during the shooting at  Grand Theater of Havana and looking at the screen  where Ribisi appears\u003cbr/\u003e33. Various of Ribisi (during the shoot) walking to meet with Remar in the bar \u003cbr/\u003e34.  Close of the scene on the monitor screen\u003cbr/\u003e35. Wide of pictures of Hemingway with Fidel Castro on the wall of \"The Terrace\" restaurant,  where Hemingway used to go when he was in Cuba\u003cbr/\u003e36. Tilt up of picture showing Hemingway and Castro shaking hands\u003cbr/\u003e37. Close of picture of Gregorio Fuentes, captain of Hemingway's boat (Pilar)\u003cbr/\u003e38. Close of picture  of Gregorio Fuentes\u003cbr/\u003e39. Wide from picture to Andres Valdes Fuentes - Gregorio Fuentes's grandson - seated in the bar\u003cbr/\u003e40. Close of Andres Valdes Fuentes\u003cbr/\u003e41. SOUNDBITE (English) Andres Valdes Fuentes, Gregorio Fuentes's grandson:\u003cbr/\u003e\"This second film would be a second time, a second point of view that Hollywood is bringing to the new generation because the first film (The Old Man and the Sea) was so old, maybe it has been seen by old people but this one is a new perspective of Hemingway's life in Cuba.\"\u003cbr/\u003e42. Pan right from statue of Hemingway to man playing a guitar \u003cbr/\u003e43. Mid of man playing a guitar singing a traditional Cuban song which lyrics he changed to honour Hemingway\u003cbr/\u003e44. Tilt up of statue of Hemingway reading \"Ernest Hemingway 1898-1961\"\u003cbr/\u003e45. 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