{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Fashion line creating a buzz with bees and butterflies' data-url='/boclips/videos/5c54c27fd8eafeecae15a2fd' data-video-url='/boclips/videos/5c54c27fd8eafeecae15a2fd' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nFashion line creating a buzz with bees and butterflies\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eAP Television National Botanic Garden of Wales, Camarthenshire - 6 April 20111. Wide of models walking through Botanic Gardens2. Model, tilt down of dress3. Wide of artists Dr Karen Ingham taking photos of models4. Close up of Ingham...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eAP Television \u003cbr/\u003eNational Botanic Garden of Wales, Camarthenshire - 6 April 2011\u003cbr/\u003e1. Wide of models walking through Botanic Gardens\u003cbr/\u003e2. Model, tilt down of dress\u003cbr/\u003e3. Wide of artists Dr Karen Ingham taking photos of models\u003cbr/\u003e4. Close up of Ingham taking photos\u003cbr/\u003e5. SOUNDBITE (English) Dr Karen Ingham, Artist:\u003cbr/\u003e\"Each one of these dresses contains a lot of science within it, a lot of inter disciplinary relationships across art, science and technology. And each one tells a very important story in this much larger narrative of what's happening worldwide in terms of plants and pollinators.\"\u003cbr/\u003e6. Various of bee on flowers\u003cbr/\u003e7. Wide of roof of Botanic Garden, tilt down to plants\u003cbr/\u003e8. Mid of plant\u003cbr/\u003e9. Set up of Head of Conservation and Research at the National Botanic Garden of Wales, Dr Natasha De Vere\u003cbr/\u003e10. SOUNDBITE (English) Dr Natasha De Vere, Head of Conservation and Research, National Botanic Garden of Wales:\u003cbr/\u003e\"All of these flowers, they're not here to look pretty for us, they're here because they are trying to attract insects to come and pollinate them. That pollination, that taking of pollen from one place to another, that's how these plants are having sex. This is life and death for them. If they do not get pollen moved, if they do not get pollination, they cannot produce seed and they cannot survive.\"\u003cbr/\u003e11. Close up of bee on flowers\u003cbr/\u003e12. Ingham taking photos of flowers\u003cbr/\u003e13. Close up of photo on camera screen\u003cbr/\u003e14. Various of flowers\u003cbr/\u003e15. Ingham taking photo of flowers \u003cbr/\u003e16. Flower, pan to camera\u003cbr/\u003e17. Ingham taking photos of flowers\u003cbr/\u003e18. Close up of dress, tilt up\u003cbr/\u003e19. SOUNDBITE (English) Dr Karen Ingham, Artist :\u003cbr/\u003e\"They have a cryogenic chamber which will freeze dry the pollen grain so you get this beautifully preserved, crystalline structure. So you get these extraordinary, really beautiful designs, natural designs if you like.\"\u003cbr/\u003eAP Television \u003cbr/\u003eSwansea Metropolitan University, Wales - 6 April 2011\u003cbr/\u003e20. Close up of computer screen showing dress design\u003cbr/\u003e21. Wide of showing Ingham and model looking at screen\u003cbr/\u003e22. Close up of hand on computer mouse\u003cbr/\u003e23. Wide of Ingham and model looking at screen\u003cbr/\u003e24. Tilt up from cloth in printer to Ingham and model\u003cbr/\u003e25. Close up of cloth\u003cbr/\u003e26. SOUNDBITE (English) Dr Karen Ingham, Artist:\u003cbr/\u003e\"The designs are done, the cloth is printed and then before it's cut and made into garments, ok it's taken over to engineers that I've been working with at the Welsh Centre for Printing and Coating and then we look at applying the different coatings.\"\u003cbr/\u003eAP Television\u003cbr/\u003eWelsh Centre for Printing and Coating, Swansea, Wales - 6 April 2011\u003cbr/\u003e27. Wide of scientist walking into lab\u003cbr/\u003e28. Close up of fridge door opening\u003cbr/\u003e29. Wide of scientist removing jar from fridge, walking away\u003cbr/\u003e30. Close up jar \u003cbr/\u003e31. Mid of scientist looking at jar\u003cbr/\u003e32. Close up of scientist's face\u003cbr/\u003e33. Wide of printing press\u003cbr/\u003e34. Close up of button being pressed\u003cbr/\u003e35. Various close ups of cloth being printed\u003cbr/\u003e36. Various of close ups of faces\u003cbr/\u003e37. Wide of cloth coming out of printing press\u003cbr/\u003e38. Close up of cloth\u003cbr/\u003e39. SOUNDBITE (English) Professor Tim Claypole, Welsh Centre for Printing and Coating:\u003cbr/\u003e\"It's just a question of doing the background research as to what sugars were appropriate, then looking for a binder to turn them into an ink and then making sure once we'd put it all together that it actually worked.\"\u003cbr/\u003eAP Television \u003cbr/\u003eNational Botanic Garden of Wales, Camarthenshire - 6 April 2011\u003cbr/\u003e40. Wide exterior of Botanic Gardens\u003cbr/\u003e41. Wide interior glasshouse at Botanic Gardens\u003cbr/\u003e42. Mid of couple\u003cbr/\u003e43. Ingham taking photos of model, pan to model\u003cbr/\u003e44. Close up of dress \u003cbr/\u003e45. Wide of model wearing dress\u003cbr/\u003e46. Butterfly on dress\u003cbr/\u003eCourtesy Dr Karen Ingham\u003cbr/\u003eDate unknown \u003cbr/\u003e47. STILL showing bee on dress, zoom in\u003cbr/\u003e48. STILL showing butterfly on dress, zoom in\u003cbr/\u003eAP Television\u003cbr/\u003eNational Botanic Garden of Wales, Camarthenshire - 6 April 2011\u003cbr/\u003e49. SOUNDBITE (English) Dr Karen Ingham, Artist:\u003cbr/\u003e\"The idea is not to substitute the pollen source or the nectar source for the insects, obviously we need to protect their natural habitats, that's the most important thing, that's the crucial issue here really. But in a way of engaging the public, of actually making these clothes that were the insects to land on them they'd get a little sugar boost and that would give them energy to go and do the job they are meant to do, which is pollinate the plants.\"\u003cbr/\u003e50. Pull focus close up of flower\u003cbr/\u003e51. Wide of Ingham taking photos of models\u003cbr/\u003e52. Model wearing dress\u003cbr/\u003e53. Close up of dress\u003cbr/\u003e54. Wide of Ingham and models walking through gardens\u003cbr/\u003eA Welsh artist has designed a range of eco-clothing that is not only creating a buzz in the fashion world, but is also very attractive to bees and butterflies.\u003cbr/\u003ePollinating insects are in decline across the globe. \u003cbr/\u003eThe destruction of their natural habitats combined with the effects of climate change has led to their numbers dwindling at an alarming rate, which threatens eco-systems around the world,\u003cbr/\u003eThese aren't the famous catwalks of Milan or Paris, but the National Botanic Garden in Carmarthenshire in South Wales -  the perfect place to exhibit a new fashion line with an ecological twist. \u003cbr/\u003eThese dresses have been designed to catch the eye of discerning fashionistas, but also to attract pollinating insects.\u003cbr/\u003eTo raise awareness of the plight of pollinating insects, Dr Karen Ingham from Swansea Metropolitan University in South Wales has come up with a limited edition collection of surface pattern designs and clothing. \u003cbr/\u003eShe says the dresses are a fusion of art, design and science.\u003cbr/\u003e\"Each one of these dresses contains a lot of science within it, a lot of inter disciplinary relationships across art, science and technology. And each one tells a very important story in this much larger narrative of what's happening worldwide in terms of plants and pollinators.\"\u003cbr/\u003eThe decline in pollinating insects has an enormous knock-on effect for plants across the world, which depend on pollinators to help them reproduce.\u003cbr/\u003eDr Natasha De Vere is Head of Conservation and Research at the National Botanic Garden of Wales. She says flowers are beautiful for a very important reason.\u003cbr/\u003e\"All of these flowers, they're not here to look pretty for us, they're here because they are trying to attract insects to come and pollinate them. That pollination, that taking of pollen from one place to another, that's how these plants are having sex. This is life and death for them, if they do not get pollen moved, if they do not get pollination, they cannot produce seed and they cannot survive.\"\u003cbr/\u003eIngham takes photos of plants and flowers and their pollen grains are digitally enhanced to replicate how insects see them.  These pictures form the basis of her designs. \u003cbr/\u003eThe process does not stop there. Ingham has joined forces with a team of Welsh scientists to help realise her artistic inspiration.\u003cbr/\u003eShe explains how the printed fabric works.\u003cbr/\u003e\"They have a cryogenic chamber which will freeze dry the pollen grain so you get this beautifully preserved, crystalline structure. So you get these extraordinary, really beautiful designs, natural designs if you like.\"\u003cbr/\u003eAt her studio Ingham finalises her designs, which include garments for all occasions. \u003cbr/\u003eThere is daywear that will attract the attention of bees and butterflies that are active during the day and then there's evening wear which appeals to moths and the insects of the night.\u003cbr/\u003eAfter the designs are complete, the fabric is printed then sent to a workshop for the coatings to be applied.\u003cbr/\u003e\"The designs are done, the cloth is printed and then before it's cut and made into garments, ok it's taken over to engineers that I've been working with at the Welsh Centre for Printing and Coating and then we look at applying the different coatings.\"\u003cbr/\u003eThis is a crucial part of the design process for the \"Pollinator Frocks\" range. \u003cbr/\u003eIn this jar is a substance that replicates the nectar pollinating insects feed on. \u003cbr/\u003eThis mix of sucrose and fructose is applied to the dresses along with an iridescent coating that gives them a sheen which bees, butterflies and moths are drawn to, as Professor Tim Claypole from the Welsh Centre for Printing and Coating explains:\u003cbr/\u003e\"It's just a question of doing the background research as to what sugars were appropriate, then looking for a binder to turn them into an ink and then making sure once we'd put it all together that it actually worked.\"\u003cbr/\u003eBack at the National Botanic Garden for Wales Ingham's designs are ready to be modelled. \u003cbr/\u003eInsects won't suddenly flock to the dresses, especially when they have flora and fauna around them to choose from. \u003cbr/\u003eBut Ingham says when they were tested at an art and ecology event held in New Zealand at the start of 2011, Ingham's dresses proved popular with the insects there.\u003cbr/\u003eIngham says the dresses are not supposed to replace their original food sources.\u003cbr/\u003e\"The idea is not to substitute the pollen source or the nectar source for the insects, obviously we need to protect their natural habitats, that's the most important thing, that's the crucial issue here really. But in a way of engaging the public, by making these clothes that were the insects to land on them they'd get a little sugar boost and that would give them energy to go and do the job they are meant to do which is pollinate plants,\" she says. \u003cbr/\u003eIngham is currently designing a new fashion line, which can be worn by men and women. \u003cbr/\u003eIngham would not disclose how much the garments will be priced, but says ten percent of the profits made from the sale of these clothes will go to organisations tackling the decline of pollinating insects.\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv 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