{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Exquisite Cartier Jewellery on display in Paris' data-url='/boclips/videos/5c54c154d8eafeecae15157f' data-video-url='/boclips/videos/5c54c154d8eafeecae15157f' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nExquisite Cartier Jewellery on display in Paris\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eCurators say the exhibition in the grand reception room of the Grand Palais in Paris is the largest ever dedicated to the famous jeweller.\"Cartier Style and History\" showcases more than 600 pieces. Most of the jewellery comes from the...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eCurators say the exhibition in the grand reception room of the Grand Palais in Paris is the largest ever dedicated to the famous jeweller.\u003cbr/\u003e\"Cartier Style and History\" showcases more than 600 pieces. Most of the jewellery comes from the Cartier Collection, but there are also items on loan from public institutions and private collections including the Prince of Monaco and the UK's Queen Elizabeth II.\u003cbr/\u003eLouis-Francois Cartier founded Cartier Jewellery in Paris in 1847. It remained a family business until 1964 and is now owned by Compagnie Financi�re Richemont. \u003cbr/\u003eKing Edward VII of England was the first to refer to Cartier as \"the jeweller of kings and the king of jewellers\". For his coronation in 1902, the monarch famously ordered 27 tiaras. \u003cbr/\u003eLaurent Salome, co-commissioner of the exhibition says: \"A piece of jewellery can be perfectly boring even if it has the most beautiful stones in the world. What we can see here is the fact you have big diamonds or the prettiest pearls is not enough, you have to know how to put a soul in them. I think that is what is fascinating in this company.\"\u003cbr/\u003eCartier's fame has been shaped by the scores of celebrities that have worn and still wear its creations.  Elizabeth Taylor, Wallis Simpson, Grace Kelly, Jackie Kennedy, Gary Cooper, Clark Gable, Barbara Hutton and Marlene Dietrich are just a few.\u003cbr/\u003eAnd royalty simply adores Cartier.  Over the years, the courts of England, Spain, Portugal, Russia, Siam, Greece, Serbia, Belgium, Romania, Egypt, Albania, Monaco and the House of Orleans have all issued royal warrants. \u003cbr/\u003e( Note: The tiara worn by Her Royal Highness Catherine, Duchess of Cambridge for her wedding with Prince William was made in 1936 and purchased by the Duke of York (later King George VI) for his wife Elizabeth. The tiara is part of the Royal Collection on loan from Buckingham Palace). \u003cbr/\u003eSalome says: \"We had some very prestigious personalities who accepted to lend us some of their treasures. The Queen of England was particularly generous because she lent us one of her favourite brooches, a truly magical object with a famous diamond, a pink diamond, the Williamson. This unprecedented collection is unique, there's never been a bigger exhibition on this subject.\"\u003cbr/\u003eThe exhibition also pays tribute to the Cartier's craftsmanship by exhibiting a collection of mystery clocks and imposing pieces such as the bib necklace made for Bhupindar Singh, maharaja of Patiala.\u003cbr/\u003eThe pieces have been arranged into historical context showing the strong bonds Cartier had with evolutions in society as well as with artistic movements such as art deco.\u003cbr/\u003eSalome says: \"We can see there's a fascination for India, for China, we can feel that society was becoming cosmopolitan, we also feel the evolution in fashion, the liberation of women. The dresses show too how jewels had to be adapted for a liberated woman who doesn't wear corsages anymore, who doesn't live the same life anymore. It is a woman who has the right to smoke and to wear make-up even if it is still exceptional at the beginning. We can see here that Cartier followed this evolution closely.\"\u003cbr/\u003eAccording to Stanislas de Quercize, Cartier President and CEO, each Cartier piece is a work of art in its own right:\u003cbr/\u003e\"You say 'It's Cartier' like you say 'it's Picasso', you can recognise it from far away. This style is at the same time universal, so it appeals to you whatever the continent you live on, whatever the colour of your passport is, and it's also timelessness.\"\u003cbr/\u003eThe golden age of Cartier is often thought of as ending in 1940's after the death of the jeweller in 1942.  But according to de Quercize the golden age is now: \u003cbr/\u003e\"Today, it's the golden age of high jewellery. We have never created so many high jewellery creations with such a talent. Why? Because high jewellery is a question of experience. The more experience you have, the better you are at creating high jewellery.\"\u003cbr/\u003e\"Cartier, Style and History\" runs until February 16th 2014.\u003cbr/\u003eAP Television \u003cbr/\u003eParis, December 2nd 2013.\u003cbr/\u003e1. Close up of diadem 'Rinceaux' (1902), Cartier collection\u003cbr/\u003e2. Wide of exhibition hall and diadems in display case\u003cbr/\u003e3. Mid of diadems. On the left - the diadem of Marie Bonaparte (1907), from the collection of Qatar Museums Authority, Doha\u003cbr/\u003e4. Wide tilt down from the ceiling of Grand Palais to the exhibition hall\u003cbr/\u003e5. Wide right pan of the co-commissioner of the exhibition, Laurent Salome, approaching window display with clocks\u003cbr/\u003e6. Zoom out from the co-commissioner of the exhibition, Laurent Salome, looking at clocks\u003cbr/\u003e7. SOUNDBITE (French) Laurent Salome, co-commissioner of the exhibition:\u003cbr/\u003e\"A piece of jewellery can be perfectly boring even if it has the most beautiful stones in the world. What we can see here is the fact you have big diamonds or the prettiest pearls is not enough, you have to know how to put a soul in them. I think that is what is fascinating in this company.\"\u003cbr/\u003e8. Wide of display, and video screen showing the actress Elisabeth Taylor trying Cartier jewellery\u003cbr/\u003e9. Mid of Drapery necklace (1947), Cartier collection, presented in Duchess of Windsor  display\u003cbr/\u003e10. Wide of Duchess of Windsor display\u003cbr/\u003e11. Mid right pan from magazine clipping showing a model to ruby necklace, Cartier collection, unknown year; presented in Liz Taylor display\u003cbr/\u003e12. Close up of ruby necklace, Cartier collection, unknown year; presented in Liz Taylor display\u003cbr/\u003e13. Wide of Elizabeth Taylor display\u003cbr/\u003e14. SOUNDBITE (French) Laurent Salome, co-commissioner of the exhibition:\u003cbr/\u003e\"We had some very prestigious personalities who accepted to lend us some of their treasures. The Queen of England was particularly generous because she lent us one of her favourite brooches, a truly magical object with a famous diamond, a pink diamond, the Williamson. This unprecedented collection is unique, there's never been a bigger exhibition on this subject.\"\u003cbr/\u003e15. Mid tilt down from the photograph of Queen Elisabeth II, to the brooch - Flower with Williamson diamond (1953), from The Royal Collection\u003cbr/\u003e16. Close up of the brooch - Flower with Williamson diamond (1953), from The Royal Collection\u003cbr/\u003e17. Wide tilt down from Grand Palais wall with projected animation to exhibit displays\u003cbr/\u003e18. SOUNDBITE (French) Laurent Salome, co-commissioner of the exhibition:\u003cbr/\u003e\"We can see there's a fascination for India, for China, we can feel that society was becoming cosmopolitan, we also feel the evolution in fashion, the liberation of women. The dresses show too how jewels had to be adapted for a liberated woman who doesn't wear corsages anymore, who doesn't live the same life anymore. It is a woman who has the right to smoke and to wear make-up even if it is still exceptional at the beginning. We can see here that Cartier followed this evolution closely.\"\u003cbr/\u003e19. Close up of headdress of Ida Rubinstein in 'Scheherazade', from the Collection of French National Library and the Museum of Paris Opera\u003cbr/\u003e20. Wide of headdress of Ida Rubinstein in 'Scheherazade', from the Collection of French National Library and the Museum of Paris Opera\u003cbr/\u003e21. Mid rack focus of Snake necklace (1968), Cartier collection, presented in Maria Felix display\u003cbr/\u003e22. Close up of handbag (1929), Cartier Collection, presented in Tutti Frutti display\u003cbr/\u003e23. Mid tilt up from the display of objects from Cartier collection (brooches, sewing kit, bracelet) to headband (1923)\u003cbr/\u003e24. Close up, rack focus of headband (1923)\u003cbr/\u003e25. Mid of upper-arm bracelet - Bazuband (1922), Cartier Collection\u003cbr/\u003e26. Close up of upper-arm bracelet - Bazuband (1922), Cartier Collection\u003cbr/\u003e27. Wide of Maharajas of Patiala display\u003cbr/\u003e28. Mid tilt down of the necklace (1928), Cartier Collection, presented in Maharajas of Patiala display\u003cbr/\u003e29. Wide of Barbara Hutton display\u003cbr/\u003e30. Mid of Tigers earrings (1961), Cartier Collection, presented in Barbara Hutton display\u003cbr/\u003e31. Close up of handbag (1961), Cartier Collection, presented in Barbara Hutton display\u003cbr/\u003e32. Wide left pan from window display presenting Cartier diadems to Stanislas de Quercize, Cartier President and CEO, approaching the display\u003cbr/\u003e33. Close up of Stanislas de Quercize, Cartier President and CEO, looking at diadems\u003cbr/\u003e34. SOUNDBITE (English) Stanislas de Quercize, Cartier President and CEO:\u003cbr/\u003e\"You say 'It's Cartier' like you say 'it's Picasso', you can recognise it from far away. This style is at the same time universal so it appeals to you whatever the continent you live on, whatever the colour of your passport is, and it's also timelessness.\"\u003cbr/\u003e35. Wide of Marjorie Merriweather Post display\u003cbr/\u003e36. Close up tilt down of painting showing Julieo de Blass's painting 'Marjorie Post and Deenie' (1929), Hillwood Estate, Museum and Gardens, Washington D.C. Collection; with emerald brooch\u003cbr/\u003e37. Mid of display showing emerald brooch, Hillwood Estate, Museum and Gardens, Washington D.C. Collection\u003cbr/\u003e38. Close up of Grace Kelly's necklace, from Princely Palace, Monaco\u003cbr/\u003e39. Wide right pan from Grace Kelly's necklace, from Princely Palace, Monaco to Paris Match magazine showing Grace Kelly wearing it\u003cbr/\u003e40. SOUNDBITE (English) Stanislas de Quercize, Cartier President and CEO :\u003cbr/\u003e\"Today, it's the golden age of high jewellery. We have never created so many high jewellery creations with such a talent. Why? Because high jewellery is a question of experience. The more experience you have, the better you are at creating high jewellery.\"\u003cbr/\u003e41. Mid of Grace Kelly's diadem (1949), from Princely Palace, Monaco\u003cbr/\u003e42. Close up of Grace Kelly's diadem (1949), from Princely Palace, Monaco\u003cbr/\u003e43. Mid of woman looking at diadems in window display\u003cbr/\u003e44. Wide of dress - Redfern dress\u003cbr/\u003e45. Mid of dress - Redfern dress\u003cbr/\u003e46. Close up of Wallis Simpson 3D brooch (1949), Cartier collection\u003cbr/\u003e47. SOUNDBITE (English) Stanislas de Quercize, Cartier President and CEO :\u003cbr/\u003e\"This creativity is never as buoyant as today and that's why we can say that the golden age of high jewellery, the golden age of Cartier it's today, now.\"\u003cbr/\u003e48. Wide of Grand Palais\u003cbr/\u003e49. Mid of Grand Palais entry \u003cbr/\u003e50. 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