{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Jean Paul Gaultier shows his haute couture collection in Paris' data-url='/boclips/videos/5c54c11ed8eafeecae14fe78' data-video-url='/boclips/videos/5c54c11ed8eafeecae14fe78' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nJean Paul Gaultier shows his haute couture collection in Paris\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003emusic on catwalks not cleared for use. please replace with your own clearable musicAP EntertainmentParis, 26 Jan. 20111. Exterior Jean Paul Gaultier headquarters 2. Cutaway of In�s de la Fressange, former supermodel, fashion designer...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003emusic on catwalks not cleared for use. please replace with your own clearable music\u003cbr/\u003eAP Entertainment\u003cbr/\u003eParis, 26 Jan. 2011\u003cbr/\u003e1. Exterior Jean Paul Gaultier headquarters \u003cbr/\u003e2. Cutaway of In�s de la Fressange, former supermodel, fashion designer and businesswoman\u003cbr/\u003e3. SOUNDBITE (English) In�s de la Fressange - former supermodel, fashion designer and businesswoman: \"At Gaultier you know, more or less, what you're going to see. There is, all the time, a base that is very serious, of somebody who really knows his work since ever and a little bit old school, you know? And he, he knows history of fashion and he knows his work better than a lot of people. But there's all the time, also, something amusing, something fun, of course a lot of creativity and something that is going to make you smile, you know?\" \u003cbr/\u003e4. French actress Catherine Deneuve arrives, greets architect Zaha Hadid\u003cbr/\u003e5. SOUNDBITE (English) Zaha Hadid - Architect: \"I love his work as well.... I mean, you know, all of us who lived in London in the 80's and the 90's, this was such an influence on all of us. The Gaultier material - it's very fantastic.\" \u003cbr/\u003e6. Catherine Deneuve takes her seat\u003cbr/\u003e7. Various of runway show, including wedding gown and French cancan and show finale\u003cbr/\u003e8. Jean Paul Gaultier takes his bow with model Farida Khelfa\u003cbr/\u003e9. Cutaways Gaultier \u003cbr/\u003e10. SOUNDBITE (English) Jean Paul Gaultier - Designer: \"Well the collection was a mix of punk, can-can and couture. So at the time I tried to make it very couture with the old tradition of the couture like with presentation, with description of the words and with the clothes like the influence of punk. So it means with the black and with the setting and the can-can, the \"frou frou\" and but all that in a way maybe to use the frou frou in another way. Like if it is inside the clothes but like jackets also. I tried to change it a little but to make it also, to present it also in a nice way. And the hair, in reality, like the chignon of Mr. Alexandre de Paris like in the old times. Really it's quite elegant, I think.\" \u003cbr/\u003e11. Cutaway Jean Paul Gaultier and Farida Khelfa\u003cbr/\u003e12. SOUNDBITE (English) Farida Khelfa, former model: \"It was very, very emotional because it was really, there was no music, we do the catwalk like in the old days; in the 50's, so we have only the numbers and we had the magical voice of Catherine Deneuve describing all the outfits. So it was really magical. It was Paris. \" \u003cbr/\u003e13. Cutaway Farida Khelfa\u003cbr/\u003eIt was haute couture, old school style at Paris Fashion Week on Wednesday (26 JAN 2011). Except for the Mohawks, that is.\u003cbr/\u003eAt Jean Paul Gaultier's spring-summer couture show, the recorded voice of Catherine Deneuve read out the name and number and a description of each outfit, replacing the booming soundtracks of today's shows. The models held their numbers in their hands as they walked, and the audience clapped politely in a sign of appreciation for the looks they liked.\u003cbr/\u003eIt was couture as it was done half a century ago, when the displays were held in the intimate salons of Paris fashion houses. Only then, the models probably wouldn't have been accessorized with rhinestone-encrusted dog collars or sported towering Mo-hawks.\u003cbr/\u003eGaultier infused the sophisticated Parisian styles he does best with a stiff dose of 70's punk, flawlessly blending two aesthetics you'd think would be allergic to one another.\u003cbr/\u003e\"The collection was a mix of punk, can-can and couture,\" said Gaultier. \"So at the time I tried to make it very couture with the old tradition of the couture ...with presentation, with description of the words and with the clothes the influence of punk. So it means with the black and with the setting and the can-can, the \"frou frou\" and but all that in a way maybe to use the frou frou in another way. Like if it is inside the clothes but like jackets also. I tried to change it a little but to make it also, to present it also in a nice way. And the hair, in reality, like the chignon of Mr. Alexandre de Paris like in the old times. Really it's quite elegant, I think.\" \u003cbr/\u003eCalled \"I Am an Anarchist,\" look No. 31 was a single sleeved trench coat dress in shocking pink, while No. 36, \"Stinky Toys,\" layered a ruby crystal-covered leather jacket over a pleated black evening number.\u003cbr/\u003eBesides their elegantly calligraphic numbers, the models carried round handbags that resembled cannonballs suspended from little leather straps and wore studded cuffs and collars.\u003cbr/\u003eThe collection was Gaultier at his best: The skirt suits and clingy column dresses were debonaire and glamorous, with the obligatory dose of subversive sexiness -- the calling card of the man who gave the world Madonna's mythic pointy cone bra.\u003cbr/\u003eAnd because a Gaultier show wouldn't be complete without a blowout finale, the show ended with a high-kicking number by a cancan dancer, her white tulle-covered bustier dress lined with photo-printed legs.\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv 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