{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Exhibition traces global history of tattoos' data-url='/boclips/videos/5c54c0dbd8eafeecae14dedf' data-video-url='/boclips/videos/5c54c0dbd8eafeecae14dedf' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nExhibition traces global history of tattoos\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eThese striking black images depict \"fine line\" and \"black and grey\" tattooing.This type of body art has its roots in Hispanic neighbourhoods of East Los Angeles.Before gaining mainstream popularity, this type of tattooing was created on...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eThese striking black images depict \"fine line\" and \"black and grey\" tattooing.\u003cbr/\u003eThis type of body art has its roots in Hispanic neighbourhoods of East Los Angeles.\u003cbr/\u003eBefore gaining mainstream popularity, this type of tattooing was created on the skins of convicts in Californian prison cells.  \u003cbr/\u003eArtists used this form to transform stories about young immigrants in the 1940s into images. \u003cbr/\u003eThe images are among three hundred historical and contemporary exhibits here at the \"Tattooists, Tattooed\" exhibition, which is being held at the Musee du Quai Branly in Paris. \u003cbr/\u003eThe aim is take visitors on a journey - taking in the ancestral art of tattooing, its history and the growing interest in modern-day life. \u003cbr/\u003e\"Here, we explain through this exhibit why tattooing is where is stands today, and whom and what it's been through since the beginning of the 19th century to become what it is today,\" says exhibition curator Anne, who only goes by her first name.  \u003cbr/\u003eTattoos are a graphic medium with a world-wide language. \u003cbr/\u003eThis exhibition highlights the diversity of tattooing traditions, their aesthetics and ritual dimensions - but also the renewal of these practices and their current day developments.\u003cbr/\u003eSebastien Galliot, is an anthropologist and has acted as a scientific advisor to the exhibition. \u003cbr/\u003eHis doctoral thesis looked at the tattoo traditions of Samoa (1722-2010) - and some of his work is on display here. \u003cbr/\u003e\"The main functions of tattooing in history are tattoos with medicinal or prophylactic goals,\" he explains.\u003cbr/\u003e\"We have tattoos with a magical function, which is possibly to capture the gaze of bad spirits. We have tattoos which are made to be taken beyond life for our destiny after death. \u003cbr/\u003e\"We have tattoos which are used to mark a collective or individual initiation and we also have tattoos that are more for personal aesthetics or ornamentation.\"\u003cbr/\u003eThe exhibition examines the history of tattoos in Asia.\u003cbr/\u003eIn China, tattoos held a great number of social statuses over several millennia. \u003cbr/\u003eThey were banned by the former Chinese leader, Mao Zedong during the cultural revolution of the 1960s, as he considered the practice to be a manifestation of impurity and dishonesty. \u003cbr/\u003eJapan's tattoo history also features.\u003cbr/\u003eIt was once regarded as a punitive tool of the military, before becoming an ornamental art in the 17th century.\u003cbr/\u003eIn the 19th century, Japanese tattoos featured iconography drawn from nature, religion and folklore. \u003cbr/\u003eThe exhibition also pays a tribute to the contemporary pioneers of tattooing.\u003cbr/\u003eEd Hardy, born in 1945, is regarded as one of the greatest living contemporary tattoo artists.\u003cbr/\u003eHe set up his first tattoo parlour in the US in the 1960s.  \u003cbr/\u003e\"I said I will only do unique commissions and tell them to bring their ideas because I thought it was stupid that people wanted to get tattooed and they would go into traditional shop and there was like a menu and they would be like 'I'm hungry, there's only McDonald's, that's all they serve' and this is idiotic, you gonna wear it for life,\" he explains.\u003cbr/\u003e\"So I wanted to just have it reach its potential.\"\u003cbr/\u003eHardy's work, including his 1972 drawings of a full body tattoo project, are on show at the exhibition.\u003cbr/\u003eWhile in some cultures and countries, tattoos were considered as a sign of social acceptance, in other parts of the world, it was the exact opposite.\u003cbr/\u003eOne of the exhibition sections, titled \"The street, the jail, the army,\" shows how tattoos were regarded as a sign of social exclusion, evidence of marginal life. \u003cbr/\u003eFrom the mid-19th century onwards, tattooing became the bearer of messages - private or societal, indicating personal convictions or identifying membership of a particular group such as soldiers, sailors or prisoners. \u003cbr/\u003eEd Hardy still remembers how marginalised his passion was - and how the tattooed were looked upon with strong prejudices and considered as social exiles.\u003cbr/\u003e\"People tried to discourage me because it was really, in those days either someone had been in jail or had been in the armed services, and that was pretty much anybody who had a tattoo,\" he says.\u003cbr/\u003e\"There was not much tattooing going on. When I began in 1966, I think there were maybe 500 tattoo artists in all North America, US and Canada, now there's five-thousand in Los Angeles area, right? So it's gone to this incredible level.\"\u003cbr/\u003eOver the past two decades, tattooing has grown. \u003cbr/\u003eFashion, design, advertising and the media have been quick to dub the interest as a \"tattoo phenomenon.\"\u003cbr/\u003eDozens of stars have had tattoos added to their bodies - but not always in the most artistic way, says British tattoo artist Alex Binnie.\u003cbr/\u003e\"I wouldn't say I was disappointed, but in a way it got in a direction with all the football, sports stars and music stars all getting often not very good tattooing and it's become much more part of kind of a mainstream rather trashy popular culture,\" he says.\u003cbr/\u003e\"So I think it's amazing that a museum show like this is taking it seriously. \" \u003cbr/\u003eFounder of the French National Syndicate of Tattoo Artists (SNAT) and exhibition consultant, French tattoo artist Tin-Tin says the tattoo industry shares a common core with other artists: drawing, composition and technique.\u003cbr/\u003e\"The only difference between us and paintings, comics strips, illustrations or drawings is that we work on skin, and it's a living support,\" says Tin-Tin.\u003cbr/\u003eAt the Abraxas tattoo parlour based in the heart of Paris, tattoo artist Loic Abraxas is working on his latest creation. \u003cbr/\u003eHe's been tattooing his client Olivier over the past six years. \u003cbr/\u003eAbraxas says people are more and more interested in tattoos and are eager to get inked. \u003cbr/\u003e\"People try to make a difference because of this very modern society where everything is mechanised, people have a tendency to all dress up the same, and rightly, tattoos allow to go further in terms of individualism and to take out things that we have inside us and to put them outside,\" he says. \u003cbr/\u003eAccording to a 2010 study by the French polling institute IFOP, one out of 10 French people had a tattoo, one in five in the age group of 25-34.\u003cbr/\u003eAnd one in five US adults has at least one tattoo, a 2012 poll by Harris Interactive has reported.\u003cbr/\u003eThe \"Tattooists, Tattooed\" exhibition is being held at the Musee du Quai Branly in Paris from 6 May 2014 to 18 October 2015.\u003cbr/\u003eAP Television \u003cbr/\u003eParis, France - 5 May 2014\u003cbr/\u003e1. Close-up of photograph showing \"fine line\" and \"black and grey\" tattooing, by photographer Isabel Munoz, on display at exhibition \u003cbr/\u003e2. Wide of \"fine line\" and \"black and grey\" tattoo pictures on display \u003cbr/\u003e3. Mid of coloured images on display \u003cbr/\u003e4. Wide of various pictures of tattooed bodies \u003cbr/\u003e5. Mid of pictures of tattooed bodies \u003cbr/\u003e6. Close-up of picture of man's tattooed back \u003cbr/\u003e7. Tilt up of Anne (only wants first name to be used), Creator of \"Hey! Modern art and pop culture\" and exhibition curator\u003cbr/\u003e8. SOUNDBITE: (French) Anne (only wants first name to be used) Creator, \"Hey! Modern art and pop culture\" and Curator, \"Tattooists, Tattooed\" exhibition: \u003cbr/\u003e\"Here, we explain through this exhibit why tattooing is where is stands today, and whom and what it's been through since the beginning of the 19th century to become what it is today.\"\u003cbr/\u003e9. Wide of Samoa section of exhibition\u003cbr/\u003e10. Close-up of book featuring Samoan tattooed people\u003cbr/\u003e11. Mid of visitors looking at art pieces on display \u003cbr/\u003e12. Close-up of video showing Samoan tattoo work, shot by anthropologist Sebastien Galliot, tattoo specialist \u003cbr/\u003e13. Mid of tattoo art pieces and tattooing tools on display \u003cbr/\u003e14. Tracking shot of Sebastien Galliot, anthropologist and exhibition scientific advisor, walking through display area  \u003cbr/\u003e15. SOUNDBITE: (French) Sebastien Galliot, anthropologist and exhibition scientific advisor:\u003cbr/\u003e\"The main functions of tattooing in history are tattoos with medicinal or prophylactic goals. We have tattoos with a magical function, which is possibly to capture the gaze of bad spirits. We have tattoos which are made to be taken beyond life for our destiny after death. We have tattoos which are used to mark a collective or individual initiation and we also have tattoos that are more for personal aesthetics or ornamentation.\"\u003cbr/\u003e16. Mid of photograph showing Chinese tattoos on arms\u003cbr/\u003e17. Mid of Chinese art and tattoo project display, including Chinese legendary ghost hunter Zhong Kui depicted in 18th century drawing (right)\u003cbr/\u003e18. Wide of Japanese art and tattoo project display  \u003cbr/\u003e19. Close-up of Chinese tattoo picture depicting Buddha, by Chinese tattoo artist Bo\u003cbr/\u003e20. Tracking shot of Ed Hardy, American tattoo artist, speaking to woman \u003cbr/\u003e21. SOUNDBITE: (English) Ed Hardy, American tattoo artist:\u003cbr/\u003e\"I opened the first real private studio and encouraged all my clients that to just, I said I will only do unique commissions and tell them to bring their ideas because I thought it was stupid that people wanted to get tattooed and they would go into traditional shop and there was like a menu and they would be like 'I'm hungry, there's only McDonald's, that's all they serve' and this is idiotic, you gonna wear it for life. So I wanted to just have it reach its potential.\"\u003cbr/\u003e22. Mid of Ed Hardy's 1972 preparatory drawing for a full body tattoo work \u003cbr/\u003e23. Wide of tattoo drawings on display \u003cbr/\u003e24. Close-up of photograph on display, showing sailor revealing tattoos to other sailors (captured 14 July 1928, photographer and exact location unknown)\u003cbr/\u003e25. Wide of video display in exhibition section called: \"The street, the jail, the army\"\u003cbr/\u003e26. Mid of photograph of tattooed soldier (left) taken in France \u003cbr/\u003e27. SOUNDBITE: (English) Ed Hardy, American tattoo artist:\u003cbr/\u003e\"People tried to discourage me because it was really, in those days either someone had been in jail or had been in the armed services, and that was pretty much anybody who had a tattoo. There was not much tattooing going on. When I began in 1966, I think there were maybe 500 tattoo artists in all North America, US and Canada, now there's five-thousand in Los Angeles area, right? So it's gone to this incredible level.\"\u003cbr/\u003e28. Mid of video installation showing tattooed pop stars, singers and actors \u003cbr/\u003e29. Mid of photograph on display, showing Angelina Jolie being tattooed in Thailand\u003cbr/\u003e30. Mid of Alex Binnie, British tattoo artist, speaking to Anne\u003cbr/\u003e31. SOUNDBITE: (English) Alex Binnie, British tattoo artist:\u003cbr/\u003e\"When I first got into tattoo, thought, I always saw it very much as an art thing. I wouldn't say I was disappointed, but in a way it got in a direction with all the football, sports stars and music stars all getting often not very good tattooing and it's become much more part of kind of a mainstream rather trashy popular culture. So I think it's amazing that a museum show like this is taking it seriously. \" \u003cbr/\u003e32. Wide of Tin-Tin, French tattoo artist and exhibition artistic consultant (man on right) speaking to group\u003cbr/\u003e33. SOUNDBITE: (French) Tin-Tin, French tattoo artist and exhibition artistic consultant:\u003cbr/\u003e\"It's important for all tattoo artists to be recognised as artists. The only difference between us and paintings, comics strips, illustrations or drawings is that we work on skin, and it's a living support.\"\u003cbr/\u003eAP Television \u003cbr/\u003eParis, France - 5 May 2014\u003cbr/\u003e34. Pan across tattoo artists working in Abraxas Tattoo parlour\u003cbr/\u003e35. Close-up of skin being inked\u003cbr/\u003e36. Wide of tattoo artist Loic Abraxas \u003cbr/\u003e37. Pan from tattooed arm to Loic's face\u003cbr/\u003e38. SOUNDBITE: (French) Loic Abraxas, French tattoo artist:\u003cbr/\u003e\"There is a re-appropriation of the body by people. People try to make a difference because of this very modern society where everything is mechanised, people have a tendency to all dress up the same, and rightly, tattoos allow to go further in terms of individualism and to take out things that we have inside us and to put them outside.\"\u003cbr/\u003e39. Pan from inks and tattooing material to Abraxas with client\u003cbr/\u003e40. 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