{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='French photo duo Pierre et Gilles love to shock' data-url='/boclips/videos/5c54c0d1d8eafeecae14d96a' data-video-url='/boclips/videos/5c54c0d1d8eafeecae14d96a' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nFrench photo duo Pierre et Gilles love to shock\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eFamed French photography duo, Pierre et Gilles, are hoping to shock with their latest work - a huge photograph of Algerian-born former prostitute Zahia Dehar made over as Marie Antoinette, provocatively clutching her stomach and holding...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eFamed French photography duo, Pierre et Gilles, are hoping to shock with their latest work - a huge photograph of Algerian-born former prostitute Zahia Dehar made over as Marie Antoinette, provocatively clutching her stomach and holding a virginal rose.\u003cbr/\u003eShe's the self-described escort who made headlines after accusing a top French footballer of flying her to Munich as a birthday present to himself in 2009 when she was under 18. \u003cbr/\u003eThe soccer player in question, Franck Ribery, has since been acquitted of soliciting sex with an underage prostitute.\u003cbr/\u003eThe photo, and more of their work, is currently on display at the Gallery of the Gobelins in Paris.\u003cbr/\u003eSpeaking at the gallery, the pair explained how they came to work with Dehar.\u003cbr/\u003e\"They gave us carte blanche to do something at the Gallery of the Gobelins. The theme was the eighteenth century. And by looking at all these magnificent pieces at the Mobilier National, we discovered furniture that belonged to Marie Antoinette. It was then we realised we wanted to do something about her. And as soon as we thought of Marie Antoinette, we thought of Zahia,\" said Gilles.\u003cbr/\u003e\"Zahia came to our mind. It was like a flash,\" added Pierre.\u003cbr/\u003eTheir installation at the gallery continues the Marie Antoinette theme, with furniture and other items inspired by the eighteenth century.\u003cbr/\u003e\"After the picture, we did the installation and what we enjoyed was to place this furniture off the wall in a way. It is actually already displayed in a unusual place, in the Shell Cottage at the Chateau de Rambouillet farm surrounded by animals. We loved this idea of this precious furniture in the countryside. We liked it a lot. So we placed some animals in there too, some small rats some country rats, or they could also be prison rats,\" said Gilles.\u003cbr/\u003ePushing the boundaries is typical of the French partners in love and art, whose full names are Pierre Commoy and Gilles Blanchard. \u003cbr/\u003eThey have established a worldwide reputation for shock ever since their stylized, hand-painted homoerotic photos first appeared nearly 40 years ago.\u003cbr/\u003eToday, their iconic images of stars such as Madonna, Kylie Minogue, Mick Jagger and Catherine Deneuve appear alongside images of naked gay porn stars in glittering and fantastical scenes on coffee tables around the world.\u003cbr/\u003eBut their art goes beyond famous faces.\u003cbr/\u003eAs with the Dehar photo, they always try to challenge prejudice over racial and social minorities - here, by using the former sex-worker-turned-fashion designer from a former French colony as the legendary French queen.\u003cbr/\u003eTheir takes on racism, religion and sexuality include an illustration of a loin-clothed Jesus writhing on the cross and Adam and Eve in a pornographic pose.\u003cbr/\u003eMost recently, the pair drew attention on the day France's parliament legalized gay marriage in 2013, when their self-portrait as newlyweds, below a photo of a camp and grinning President Francois Hollande, covered the front page of France's leading leftwing daily \"Liberation.\"\u003cbr/\u003eThe cover, which is now a collectors' item, was seen to lighten the atmosphere - with a much-needed touch of irony - of the angry debate over gay marriage that bruised and divided France and saw hundreds of thousands take to the streets in protest.\u003cbr/\u003e\"It was fun to us to introduce the official portrait of Hollande above us while we had wigs and were looking ridiculous. We did something funny. This is how we wanted to talk about the subject. Because everything was so serious in France, the debate was becoming really heavy, embarassing and disturbing, so we thought we needed to lighten up the atmosphere and put back some humor into it,\" said Gilles.\u003cbr/\u003eWhile less well-known in the U.S. than the British art duo Gilbert and George, who are also gay lovers, Pierre et Gilles found fame in America with their major retrospective exhibition in New York's New gallery in 2000, and went on to reach a new level of notoriety in 2012 with their international exhibit \"Vive la France.\"\u003cbr/\u003eAP Entertainment \u003cbr/\u003eParis, 7 April 2014\u003cbr/\u003e1. Exterior of Gallery of Gobelins\u003cbr/\u003e2. Close shot of Pierre and Gilles banner on the Gallery\u003cbr/\u003e3. Wide of Pierre et Gilles installation\u003cbr/\u003e4. Mid shot of photo of Zahia Debar posing as Marie Antoinette\u003cbr/\u003e5. Close of photo of Zahia as Marie Antoinette and a scene representing the 'Hameau de la Reine' part of Versailles castle in background\u003cbr/\u003e6. Wide of Pierre et Gilles talking to a journalist\u003cbr/\u003e7. Mid of Gilles (left) and Pierre (right)\u003cbr/\u003e8. Close shot of Zahia's face\u003cbr/\u003e9. SOUNDBITE (French) Gilles, photographer: \u003cbr/\u003e\"They gave us carte blanche to do something at the Gallery of the Gobelins. The theme was the eighteenth century. And by looking at all these magnificent pieces at the Mobilier National, we discovered furniture that belonged to Marie Antoinette. It was then we realised we wanted to do something about her. And as soon as we thought of Marie AntoinetteÄÅ¼Ë\"\u003cbr/\u003ePierre, photographer: \"Zahia came to our mind. It was like a flash.\"\u003cbr/\u003eGilles: \"We thought she was the one.\"\u003cbr/\u003e10. Wide of installation with furniture belonging to Marie Antoinette\u003cbr/\u003e11. Wide pan of installation\u003cbr/\u003e12. Close shot of installation with the photo in background\u003cbr/\u003e13. SOUNDBITE (French) Gilles, photographer: \u003cbr/\u003e\"After the picture, we did the installation and what we enjoyed was to place this furniture off the wall in a way. It is actually already displayed in a unusual place, in the Shell Cottage at the Chateau de Rambouillet farm surrounded by animals. We loved this idea of this precious furniture in the countryside. We liked it a lot. So we placed some animals in there too, some small rats some country rats, or they could also be prison rats.\"\u003cbr/\u003ePierre, photographer: \"Yes, rats from the Revolution. There is a tension, the chair is knocked down, the light is dark, as if something just happened here.\"\u003cbr/\u003e14. Mid shot of a knocked down chair \u003cbr/\u003e15. Close shot of a butterfly on the chair\u003cbr/\u003e16. Close shot of rats around the knocked down chair\u003cbr/\u003e17. SOUNDBITE (French) Pierre, photographer: \u003cbr/\u003e\"There is a lot of discussion between us and we do some drawing. Gilles does more of the set and I do the photography and lighting. Gilles does the painting. It's a whole adventure. It's all handmade and homemade.\"\u003cbr/\u003e18. Wide of Pierre and Gilles posing for photos\u003cbr/\u003e19. Mid of Pierre and Gilles posing for photos\u003cbr/\u003e20. SOUNDBITE (French) Gilles, photographer: \u003cbr/\u003e\"It was fun to us to introduce the official portrait of Hollande above us while we had wigs and were looking ridiculous. We did something funny. This is how we wanted to talk about the subject. Because everything was so serious in France, the debate was becoming really heavy, embarassing and disturbing, so we thought we needed to lighten up the atmosphere and put back some humor into it.\"\u003cbr/\u003e21. Tilt up of installation\u003cbr/\u003e22. 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