{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Dior\u0026#39;s designs for legendary stars' data-url='/boclips/videos/5c54c078d8eafeecae14af9a' data-video-url='/boclips/videos/5c54c078d8eafeecae14af9a' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nDior\u0026#39;s designs for legendary stars\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eAP TelevisionGranville, Normandy, France - 11 May 20121. Mid of \"Soiree de Reveillon\" (New Year's Eve evening\") shimmering ivory strapless gown with lace and big bow, designed by Christian Dior for the Norman Krasna 1956 film \"The...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eAP Television\u003cbr/\u003eGranville, Normandy, France - 11 May 2012\u003cbr/\u003e1. Mid of \"Soiree de Reveillon\" (New Year's Eve evening\") shimmering ivory strapless gown with lace and big bow, designed by Christian Dior for the Norman Krasna 1956 film \"The Ambassador's Daughter\", worn by actress Olivia de Havilland with clips from film playing in background.\u003cbr/\u003e2. Close up bow, \"Soiree de Reveillon\" gown\u003cbr/\u003e3. Close up lace work on strapless top of \"Soiree de Reveillon\" gown\u003cbr/\u003e4.  Wide of Dior gowns worn on the red carpet by the Hollywood stars including Cameron Diaz, Marlene Dietrich (black dress), Kristen Dunst, Sarah Jessica-Parker (white ballerina tulle dress)\u003cbr/\u003e5. Mid of curator Florence Muller showing exhibition to guests\u003cbr/\u003e6. SOUNDBITE (French) Florence Muller, Curator of \"Stars in Dior\" exhibit:\u003cbr/\u003e\"As early as 1942, he (Christian Dior) collaborated on several films.  He designed the costumes for eight movies before launching his fashion line. Afterwards and throughout the history of the fashion house until nowadays, it is more than one film a year that had costumes from the House of Dior. There are about a hundred movies that credit Dior for costumes.\"\u003cbr/\u003e7. Wide of purple velvet skirt suit with ivory silk cuffs, hat and matching clutch worn by Elizabeth Taylor, designed by Marc Bohan for Joseph Losey's 1968 film \"Secret Ceremony\", next to film poster\u003cbr/\u003e8. Wide of \"Nuit Bor�ale\" pale rose silk gown with beading and silk ivory rose designed by Marc Bohan for Christian Dior London Spring-Summer 1963\u003cbr/\u003e9. Close up silk rose flower on \"Nuit Bor�ale\" dress \u003cbr/\u003e10. SOUNDBITE (French) Florence Muller, Curator of \"Stars in Dior\" exhibit:\u003cbr/\u003e\"Actresses are often first clients of the House of Dior before wearing it on the screen. And here, we have a great example of this with Rita Hayworth who attended the House's very first fashion show on February 12th 1947. She was delighted by the collection and she ordered twelve outfits, including this famous \"Pompom\" suit.\"\u003cbr/\u003e11. Close up hat, tilt down \"Pompom\" suit designed by Christian Dior, Haute Couture 1947 with pompom details\u003cbr/\u003e12. Close up cinched waist with black belt and trimmings of \"Pompom\" suit\u003cbr/\u003e13. Close up pan of soft shoulder look and pearls necklace from \"Pompom\" suit\u003cbr/\u003e14. SOUNDBITE (French) Florence Muller, Curator of \"Stars in Dior\" exhibit :\u003cbr/\u003e\"The New Look silhouette (as typified by the \"Pompom\" suit) is the complete opposite (of what was being done at the time). It is an ode to femininity with soft shoulders, slightly falling off, an accentuated bust, sometimes even with padding, a very slim waist, well-round hips, nicely curved, a skirt following the legs movements, and complimenting accessories that finish the look with a sense of harmony. It really is the perfect image of elegance.\"\u003cbr/\u003e15. Close up portrait of Grace Kelly, Princess of Monaco\u003cbr/\u003e16. \"Bal de Printemps\" (Spring Ball) dress and coat in straw yellow aleoulaine (fabric mix of silk and wool) designed by Christian Dior for Spring-Summer Haute Couture collections of 1956, worn by Grace Kelly, Princess of Monaco, while pregnant with daughter Caroline, tilt up\u003cbr/\u003e17. Close up \"Bal du Printemps\" dress with \"corbeille\" (basket) neck line and one of the three bows of the dress\u003cbr/\u003e18. Close up detail \"Bal du Printemps\" no collar short evening coat with flowers embroidered with silk thread and beads.\u003cbr/\u003e19. Mid of photo of actress Audrey Hepburn modelling \"Armide\" dress (in picture on right), photographed by Richard Avedon for Harper's Bazar in 1959\u003cbr/\u003e20. Pull focus of close up of \"Armide\" dress bust detail\u003cbr/\u003e21. SOUNDBITE (French) Florence Muller, Curator of \"Stars in Dior\" exhibit :\u003cbr/\u003e\"The structure of this dress is very characteristic of Dior style with this ball effect. But here the dress is gathered at the knee by a band which creates something quite light and upbeat, like a bubble in a way. This is accentuated by the type of embroidery made on a weightless sheer tulle, which lets the light go through the drapery.\"\u003cbr/\u003e22. Tilt down of \"Armide\" glittery white muslin bubble dress with gold embroidery designed by Yves Saint Laurent for Dior Haute Couture 1959, worn by Audrey Hepburn in Harper's Bazar 1959 photo spread inspired by Hepburn's movie \"Funny Face\"\u003cbr/\u003e23. Close up beading and bow on \"Armide\" dress\u003cbr/\u003e24. Zoom in photo of actress Marlene Dietrich in the 1950 Hitchcock film \"Stage Fright\"\u003cbr/\u003e25. SOUNDBITE (French) Florence Muller, Curator of \"Stars in Dior\" exhibit :\u003cbr/\u003e\"When Hitchcock asked her to star in Stage Fright, she tells him, 'I accept but on the one condition that I'd be dressed in Dior'. This doesn't go well with Hitchcock who was used to working with Hollywood costume designer like Edith Head and liked to be put his hands in the costumes design. So she tells him,'It's quite simple: No Dior, No Dietrich. If you don't use Dior, you won't be able to have Marlene'.\"\u003cbr/\u003e26. Zoom in of Western Union telegram written to Marlene Dietrich by Christian Dior in 1952, inviting her for cocktails\u003cbr/\u003e27. Wide of Marlene Dietrich room in exhibit featuring clothes the actress wore off-screen and designed by Christian Dior, Haute Couture collections 1950 to 1956\u003cbr/\u003e28. Mid of \"J'adore\" dresses worn by Charlize Theron for the perfume ad campaign, all designed by John Galliano for Dior - (left) 2006 black lace over raw silk tulle dress, (centre) 2010 sheer silk tulle dress with golden beads and \"Belle Epoque\" gold necklace, (right) photo of Charlize Theron wearing 2010 dress\u003cbr/\u003e29. Close up sparkling gold beads on 2010 \"J'adore\" dress\u003cbr/\u003e30. SOUNDBITE (French) Florence Muller, curator of \"Stars in Dior\" exhibit (on the beading work on the 2010 \"J'adore\" dress:\u003cbr/\u003e\"It gives us the impression that it tumbles down the dress, that runs down the dress and you cannot see the fasteners at all. This is the subtlety of such a dress, created with the blur technic using extremely light silk muslin.  It has to create the impression that it was not touched, meaning the seamstress hands are not visible. We have to forget about them and have the impression that the star is almost naked, that she is wrapped in this golden rain.\" \u003cbr/\u003e31. Mid tilt down of 2010 \"J'adore\" dress\u003cbr/\u003e32. Tilt down \"J'adore\" sheer silk tulle dress with golden beads and \"Belle Epoque\" gold necklace, designed by John Galliano, worn by actress Charlize Theron in 2010 Dior perfume \"J'adore\" ad campaign\u003cbr/\u003e33. Mid of advisor to LVMH's president Bernard Arnault, Jean-Paul Claverie addressing audience at show opening\u003cbr/\u003e34 SOUNDBITE (French) Jean-Paul Claverie, Advisor to LVMH's president Bernard Arnault:\u003cbr/\u003e\"This link with the film world and with the women who made Hollywood history, is an enduring link. A link made of pleasure, of passion, because Dior sublimates women's beauty and women are madly in love with Dior.\"\u003cbr/\u003e35. Wide exterior of Christian Dior's childhood home and now Dior fashion house museum\u003cbr/\u003e Wide of actress Marilyn Monroe in black Dior dress, photographed by Bert Stern in 1962 for US Vogue\u003cbr/\u003eDior's designs for legendary movie stars such as Elizabeth Taylor and MarlenE Dietrich have gone on show at a special exhibition in France.\u003cbr/\u003eHeld at the childhood home of Christian Dior, the collection reveals how he dressed some of the world's most famous faces both on and off screen, for over 50 years.\u003cbr/\u003eThe exhibit features a rare collection of gowns - three floors housing some 50 glittering dresses worn by actresses including Grace Kelly, Elizabeth Taylor and Rita Hayworth.\u003cbr/\u003eActress Olivia de Havilland wore this shimmering ivory strapless gown with lace and big bow named \"Soiree de Reveillon\" (New Year's Eve Evening\")  in the Norman Krasna 1956 film \"The Ambassador's Daughter\".\u003cbr/\u003eChristian Dior started out designing costumes for the movies, as curator of \"Stars in Dior\" exhibit Florence Muller explains.\u003cbr/\u003e\"As early as 1942, he collaborated on several films; he designed the costumes for eight movies  before launching his fashion line. Afterwards and throughout the history of the fashion house until nowadays, it is more than one film a year that had costumes from the House of Dior. There are about a hundred movies that credit Dior for costumes.\"  \u003cbr/\u003eChristian Dior gained an instant following among celebrities who were first of all clients of the designer, Muller says.\u003cbr/\u003e\"Actresses are often first clients of the House of Dior before wearing it on the screen. And here, we have a great example of this with Rita Hayworth who attended the House's very first fashion show on February 12th 1947. She was delighted by the collection and she ordered twelve outfits, including this famous \"Pompom\" suit.\"\u003cbr/\u003eA revolution from the 1940's fashion, Dior introduced a delicate womanly silhouette, as Muller explains.\u003cbr/\u003e\"The New Look silhouette (as typified by the \"Pompom\" suit) is the complete opposite (of what was being done at the time). It is an ode to femininity with soft shoulders, slightly falling off, an accentuated bust, sometimes even with padding, a very slim waist, well-round hips, nicely curved, a skirt following the legs movements, and complimenting accessories that finish the look with a sense of harmony. It really is the perfect image of elegance.\"\u003cbr/\u003eGrace Kelly was also a fan of Dior's evening gowns that she wore when she was still a Hollywood movie star and thereafter when she became Princess Grace of Monaco.\u003cbr/\u003eShown here is the \"Bal de Printemps\" (Spring Ball) dress and coat in straw yellow aleoulaine (silk - wool mix fabric) designed by Christian Dior for Spring-Summer Haute Couture collections of 1956.\u003cbr/\u003eAfter Christian Dior's sudden death in 1957, his young apprentice Yves Saint Laurent became the head designer and artistic director. \u003cbr/\u003eHe introduced a new shape to the fashion dictionary: the bubble dress. \u003cbr/\u003eStanding next to the \"Armide\" dress worn by Audrey Hepburn in a 1959 photo shoot for US Vogue, Florence Muller describes the dress.\u003cbr/\u003e\"The structure of this dress is very characteristic of Dior style with this ball effect. But here the dress is gathered at the knee by a band which creates something quite light and upbeat, like a bubble in a way. This is accentuated by the type of embroidery made on a weightless sheer tulle, which lets the light go through the drapery.\"\u003cbr/\u003eAnother actress deeply linked to the house was fashion icon Marlene Dietrich who loved Christian Dior so much she moved a few metres down the road from the House's flagship store on Avenue Montaigne. \u003cbr/\u003eTelegrams between the couturier and the German-American actress reveal the intimacy of their relationship. \u003cbr/\u003eBut beyond the clothes, the exhibit gives documentary insight into the fickleness of cinema's often capricious leading ladies.\u003cbr/\u003eA fickle Dietrich once refused to star in Alfred Hitchcock film, \"Stage Fright\" unless her friend made the costumes.\u003cbr/\u003e\"When Hitchcock asked her to star in Stage Fright, she tells him, 'I accept but on the one condition that I'd be dressed in Dior'. This doesn't go well with Hitchcock who was used to working with Hollywood costume designer like Edith Head and liked to be put his hands in the costumes design. So she tells him,'It's quite simple: No Dior, No Dietrich. If you don't use Dior, you won't be able to have Marlene'.\"\u003cbr/\u003eMore recently actress Charlize Theron has featured in the Dior perfume J'adore ad campaign. \u003cbr/\u003eThe last version, designed by John Galliano in 2010, features a dress with impressive beading work, which creates the illusion of rain as Muller explains.\u003cbr/\u003e\"It gives us the impression that it tumbles down the dress, that runs down the dress and you cannot see the fasteners at all. This is the subtlety of such a dress, created with the blur technic using extremely light silk muslin.  It has to create the impression that it was not touched, meaning the seamstress hands are not visible. We have to forget about them and have the impression that the star is almost naked, that she is wrapped in this golden rain.\" \u003cbr/\u003eToday, Dior is part of the luxury conglomerate LVMH with other legendary fashion houses like Louis Vuitton. \u003cbr/\u003eJean-Paul Claverie, advisor to LVMH's president Bernard Arnault, spoke of Dior's \"enduring link\" with women and films.\u003cbr/\u003e\"This link with the film world and with the women who made Hollywood history, is an enduring link. A link made of pleasure, of passion, because Dior sublimates women's beauty and women are madly in love with Dior.\"\u003cbr/\u003eThe setting also provides rare insight into how a young Dior, a boy who liked to spend time in the garden, became inspired by the Granville landscape and decided to dedicate his life to fashion.\u003cbr/\u003eBeyond the exhibit, the museum and surrounding gardens, hold many clues as to what drove Dior artistically, both in his theatricality and the aesthetics.\u003cbr/\u003e\"Stars in Dior\" opened May 12, 2012 at the Christian Dior Museum in Granville, Normandy.\u003cbr/\u003eIt runs until 23 September 2012.\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead 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