{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Portraits and photography at curtain-raising London Art Fair' data-url='/boclips/videos/5c54be83d8eafeecae13c38c' data-video-url='/boclips/videos/5c54be83d8eafeecae13c38c' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nPortraits and photography at curtain-raising London Art Fair\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eFrom famed British artists to emerging international galleries, London Art Fair is starting the cultural year with a bang.While traditional mediums like painting and sculpture remain dominant, photography is gaining an ever-greater...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eFrom famed British artists to emerging international galleries, London Art Fair is starting the cultural year with a bang.\u003cbr/\u003eWhile traditional mediums like painting and sculpture remain dominant, photography is gaining an ever-greater presence.\u003cbr/\u003eA self-portrait by British painter and draughtsman, Lucian Freud.\u003cbr/\u003eIt was one the artist personally wanted to take back, therefore ensuring it never saw the light of day, but nonetheless offers insight into his style and perceptions of himself.\u003cbr/\u003eHere at London's Art Fair, the so-called 'premier fair for modern British and contemporary art', 128 galleries are exhibiting some of their most prized pieces.\u003cbr/\u003eNow in its 27th edition, the fair is hosting a variety of national and international galleries including Pallant House Gallery from Chichester (around 60 miles south of London).\u003cbr/\u003eThey've curated a unique exhibition which focuses on paintings, drawings and sculptures by some of Britain's leading figurative artists of the twentieth century.\u003cbr/\u003eNamed 'The Figure in Modern British Art', the collection seeks to show how different British artists have approached the human figure in different ways.\u003cbr/\u003e\"We've brought a selection of works from our permanent collection under the theme of the figure and we've tried to be representative of the collections to give a story around the evolvement of the figure within British art,\" says Marc Steene, executive director of Pallant House Gallery.\u003cbr/\u003e\"So, starting from (Walter) Sickert working through to Graham Sutherland and more abstract approaches, through to the Lucian Freud I'm standing by here. Showing the breadth and depth of our collections, but also helping to show the figure has inspired artists in many different ways.\"\u003cbr/\u003e\"I think British art has its own character, but obviously influenced by what's happening in the rest of the world,\" says Steene.\u003cbr/\u003e\"I think there's an eruditeness and intelligence about British art that's slightly different from what happened in the rest of Europe. I think there's a sort of psychology and insight you see, I think.\"\u003cbr/\u003eAs much as the fair is a spectacle for attendees, it's also a shop window for art buyers and this year, hopes are high.\u003cbr/\u003eHaving surveyed exhibiting galleries at the event, London Art Fair found that 51 percent were optimistic about the prospects for growth in the art market during 2015.\u003cbr/\u003eOnly 4 percent predicted a worse year during the coming 12 months.\u003cbr/\u003e\"We see here across the fair there's certainly a buzz and galleries have brought some very bullish, strong works that have a very strong price point at the upper-end,\" says London Art Fair director, Sarah Monk.\u003cbr/\u003e\"With that, it sends a very strong, confident message to those serious collectors about the strength of the market and that now is a strong time to make those acquisitions.\"\u003cbr/\u003eLondon Art Fair's survey also found that the around a third of exhibiting galleries think increased opportunities to show work abroad will have the most impact on the art market.\u003cbr/\u003eA chance many are taking, according to Monk.\u003cbr/\u003e\"I think there's definitely a sense that the market will continue to improve,\" she says.\u003cbr/\u003e\"We did a poll of research with our galleries just ahead of the fair and certainly there was a feeling that they didn't expect things to get any worse, that they felt positive. They see that it's certainly important to them to continue to do fairs and I think increasingly so for international galleries to have that platform in London and look at ways of galleries within the UK presenting themselves.\"\u003cbr/\u003eIt's not just UK-based galleries - like Pallant House Gallery - exhibiting here at the fair.\u003cbr/\u003eAround 14 percent of exhibiting galleries here are from outside the UK, hailing from emerging art centres like Milan and Toronto.\u003cbr/\u003eOne such gallery displaying their prized possessions for the first time is Brussels-based Rainhart Gallery with their collection of works by Brazilian artist Lourival Cuquinha.\u003cbr/\u003eThe so-called 'Financial Artist' explores the definition of work and how it's meant to add value.\u003cbr/\u003eTo create this piece called 'Transicao de fase: Moussa', Cuquinha met a street vendor named Moussa on the streets of Paris and purchased from him all of his goods for one-hundred dollars.\u003cbr/\u003eThey included metallic models of the Eiffel Tower.\u003cbr/\u003eThe resultant artwork was this stuck-together dollar sculpture with Moussa faintly seen in the background.\u003cbr/\u003e\"Here, what he wants to study, it's really the value of work and the immigration and how we see these people, they pass every day through us,\" says Angela Cardoso from Rainhart Gallery.\u003cbr/\u003e\"So he puts - very visually - the value of that merchandise, it's a hundred dollars for a really lot of stuff.\"\u003cbr/\u003eA noticeable trend at this year's fair is the growing amount of galleries exhibiting photographic work.\u003cbr/\u003eMaking their first appearance at the fair is Voies Off Gallery from Arles in southern France.\u003cbr/\u003eThey've been hosting a contemporary photography festival for 19 years now and have brought work by Portuguese artist, Tito Mouraz and Dutch photographer Marlous van der Sloot.\u003cbr/\u003eAccording to the gallery's director, Marie Dal Falco, the importance of photography shouldn't be underestimated in the contemporary art world.\u003cbr/\u003e\"The place of photography in contemporary art, it's very important,\" she says.\u003cbr/\u003e\"I think that the relationship between photography and painting, it's deep and they influence themselves in both directions.\"\u003cbr/\u003eLondon Art Fair runs 21-25 January at the Business Design Centre.\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 21 January 2015\u003cbr/\u003e1. Various of 'Self-Portrait with Hyacinth in Pot' by Lucian Freud (1947-48) on display in Pallant House Gallery collection at London Art Fair\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 20 January 2015\u003cbr/\u003e2. Pull out of man talking about artwork to attendees inside Pallant House Gallery booth at London Art Fair\u003cbr/\u003e3. Various of 'David Tindle as a Boy' by John Minton (1952)\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 21 January 2015\u003cbr/\u003e4. Mid of 'Reclining Head of Gerda Boehm' by Frank Auerbach (1982)\u003cbr/\u003e5. Setup shot of Marc Steene, Executive Director, Pallant House Gallery, looking at 'Reclining Head of Gerda Boehm'\u003cbr/\u003e6. Pull focus of  'Reclining Head of Gerda Boehm'\u003cbr/\u003e7. SOUNDBITE (English) Marc Steene, Executive Director, Pallant House Gallery:\u003cbr/\u003e\"We've brought a selection of works from our permanent collection under the theme of the figure and we've tried to be representative of the collections to give a story around the evolvement of the figure within British art. So, starting from (Walter) Sickert working through to Graham Sutherland and more abstract approaches, through to the Lucian Freud I'm standing by here. Showing the breadth and depth of our collections, but also helping to show the figure has inspired artists in many different ways.\"\u003cbr/\u003e8. Various of 'Girl Reflecting' by William Coldstream (1977)\u003cbr/\u003e9. SOUNDBITE (English) Marc Steene, Executive Director, Pallant House Gallery:\u003cbr/\u003e\"I think British art has its own character, but obviously influenced by what's happening in the rest of the world. I think there's an eruditeness and intelligence about British art that's slightly different from what happened in the rest of Europe. I think there's a sort of psychology and insight you see, I think.\"\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 20 January 2015\u003cbr/\u003e10. Various of 'Peter' by David Hockney (1969)\u003cbr/\u003e11. Various of artwork by Jonathan Callan (name not given)\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 21 January 2015\u003cbr/\u003e12. Pan left from London Art Fair floor to Sarah Monk, Director of London Art Fair\u003cbr/\u003e13. Close of Monk\u003cbr/\u003e14. Mid of gallery space inside London Art Fair\u003cbr/\u003e15. SOUNDBITE (English) Sarah Monk, Director of London Art Fair:\u003cbr/\u003e\"We see here across the fair there's certainly a buzz and galleries have brought some very bullish, strong works that have a very strong price point at the upper-end. With that, it sends a very strong, confident message to those serious collectors about the strength of the market and that now is a strong time to make those acquisitions.\"\u003cbr/\u003e16. Various of attendees at London Art Fair\u003cbr/\u003e17. SOUNDBITE (English) Sarah Monk, Director of London Art Fair:\u003cbr/\u003e\"I think there's definitely a sense that the market will continue to improve. We did a poll of research with our galleries just ahead of the fair and certainly there was a feeling that they didn't expect things to get any worse, that they felt positive. They see that it's certainly important to them to continue to do fairs and I think increasingly so for international galleries to have that platform in London and look at ways of galleries within the UK presenting themselves.\"\u003cbr/\u003e18. Various of 'Financial Boulivarian Art Project' by Lourival Cuqinha \u003cbr/\u003e19. Various of 'Transicao de fase: Moussa' by Lourival Cuqinha \u003cbr/\u003e20. SOUNDBITE (English) Angela Cardoso, Rainhart Gallery:\u003cbr/\u003e\"Here, what he wants to study, it's really the value of work and the immigration and how we see these people, they pass every day through us. So he puts - very visually - the value of that merchandise, it's a hundred dollars for a really lot of stuff.\"\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 20 January 2015\u003cbr/\u003e21. Pan left of Voies Off booth at London Art Fair\u003cbr/\u003e22. Mid of 'Untitled, from the series 'Casa das Sete Senhoras' by Tito Mouraz (2,700 euros/$3,131 USD)\u003cbr/\u003e23. Various of 'Likijsje' by Marlous van der Sloot (3,600 euros/$4,175 USD)\u003cbr/\u003e24. Various of 'Pop Cycles' photographic series by artist due PUTPUT\u003cbr/\u003e25. Mid of various photographs on display\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 21 January 2015\u003cbr/\u003e26. SOUNDBITE (English) Marie Dal Falco, Director of Voies Off gallery:\u003cbr/\u003e\"The place of photography in contemporary art, it's very important. I think that the relationship between photography and painting, it's deep and they influence themselves in both directions.\"\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 20 January 2015\u003cbr/\u003e27. Wide tilt down of London Art Fair\u003cbr/\u003e28. 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