{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Writers revel in new freedoms' data-url='/boclips/videos/5c54be79d8eafeecae13be34' data-video-url='/boclips/videos/5c54be79d8eafeecae13be34' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nWriters revel in new freedoms\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eYangon - 1 February 20131. Various of second hand books being sold in the streets of Yangon.2. Close up of poet Saw Wai looking through his papers to find the poem that put him in jail.3. Mid of poet Saw Wai opening an envelope with the...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eYangon - 1 February 2013\u003cbr/\u003e1. Various of second hand books being sold in the streets of Yangon.\u003cbr/\u003e2. Close up of poet Saw Wai looking through his papers to find the poem that put him in jail.\u003cbr/\u003e3. Mid of poet Saw Wai opening an envelope with the poem inside.\u003cbr/\u003e4. Close up of poem\u003cbr/\u003e5. Close up face Poet Saw Wai\u003cbr/\u003e6. Close up poet reading a big print of poem that put him on jail.\u003cbr/\u003e7. Mid of Saw Wai, zoom into poem UPSOUND: (English) Saw Wai saying ''Crazy, powerful Senior general Thein Sein''.\u003cbr/\u003e8. SOUNDBITE: (Burmese) Saw Wai Burmese writer: \u003cbr/\u003e''When I was arrested, of course I was tortured.''\u003cbr/\u003e9. Close up of hands holding a poem.\u003cbr/\u003e10. SOUNDBITE: (Burmese) Saw Wai Burmese writer: \u003cbr/\u003e''With this new found freedom, I want the artist and the public - the audience, the readers - to stand for truth.'' \u003cbr/\u003e11. Close up hand holding a poem.\u003cbr/\u003e12. SOUNDBITE: (Burmese) Saw Wai, Burmese writer: \u003cbr/\u003e''There is not a complete change, but in the field there is a change because the artists are bringing changes and making changes. There is a little change but no complete change.'' \u003cbr/\u003eYangon, Irrawaddy Literary Festival - February 3 2013 \u003cbr/\u003e13. Wide of banner reading: (English) \"Compose \u0026amp;amp; share the poems. Queue the line if you are brave'' , pan to poet Saw Wai writing poems at the Irrawaddy Literary festival.\u003cbr/\u003e14. Close up of Saw Wai.\u003cbr/\u003e15. Close up of hand while writing a poem.\u003cbr/\u003e16. Wide of Saw Wai.\u003cbr/\u003eYangon - 1 February, 2013\u003cbr/\u003e17. Pan of writer, publisher and ex political prisoner, Ma Thida entering her office.\u003cbr/\u003e18. Mid of Ma Thida showing one of her publications.\u003cbr/\u003e19. Close up of Ma Thida publication called ''The independent.'' UPSOUND: (English) \"This is my weekly news journal.\u003cbr/\u003e20. Various of Ma Thida showing her Teen magazine publication with pictures of 1988 demonstration. UPSOUND: (English) \"The photographer wrote about the 1988, the demonstrations, and the pictures of the demonstrations.\"\u003cbr/\u003e21. SOUNDBITE: (English) Ma Thida, Burmese writer and publisher: \u003cbr/\u003e''I was terribly ill indeed. So everybody thought I might die in prison. So you couldn't imagine. My weight body was only 80 pounds, and six-month consecutive fever, pulmonary tuberculosis, endometriosis. But I couldn't have a proper medical treatment, even though I do know how to treat myself.\"\u003cbr/\u003e22. Various of Ma Thida at her desk surrounded by publications\u003cbr/\u003e23. SOUNDBITE: (English) Ma Thida, Burmese writer and publisher: \u003cbr/\u003e''Even they don't censor our manuscript if they can say you don't have or you cannot have licence, is it a kind of a censorship. They can screen who will run this media and if they don't like the people, the way they live, the way they behave they can easily say you cannot have licence. So its kind of another censorship.\"\u003cbr/\u003eYangon - 3 February, 2013\u003cbr/\u003e25. Pan from monks gathering at the Irrawaddy Literary festival to people gathering at the festival.\u003cbr/\u003e26. Various of people looking for books at the festival.\u003cbr/\u003e27. Close up Burmese young women attending at the literary talk with Tin Tin Win.\u003cbr/\u003e28. Various of Tin Tin Win walking up on the stage and getting ready to start her talk. \u003cbr/\u003e29. Close up people attending the literary talk.\u003cbr/\u003e30. Mid of Tin Tin Win during the interview.\u003cbr/\u003e31. SOUNDBITE: (English) Tin Tin Win, Burmese writer: \u003cbr/\u003e''Sometimes when I describe about the poverty, the child abuse, and the fight between men and women and the discrimination against women, they cut some paragraphs and chapters.\"\u003cbr/\u003e32. Various of women listening to writer, Tin Tin Win, also known as Ju during the literary talk.  \u003cbr/\u003eBeing able to read the books you choose, or say the words you want is a new phenomenon in Myanmar after years of censorship. \u003cbr/\u003eIn the past year, the closed country has opened economically, and politically, at breakneck speed. \u003cbr/\u003eNow poets and writers are able to speak freely for the first time in years at the country's first Literature Festival.\u003cbr/\u003eBanned books were once secretly passed between readers. Today, books are sold openly in Yangon's markets. \u003cbr/\u003eDuring the strict military Junta regime in Myanmar ther was very little choice in what could be written, read or published.\u003cbr/\u003eStreet vendors with second hand books, or few bookshops controlled by the Generals restricted the literary world of the Burmese people. \u003cbr/\u003eSweeping political and economic change in Myanmar is unwinding a half century of totalitarianism. \u003cbr/\u003eNearly two years after reformist president Thein Sein ushered in sweeping economic and political changes, the country is filled with hope. \u003cbr/\u003eFreedom of speech is something that many are cautiously optimistic about, and it is a barometer of how far the country has come and how far it has yet to go.\u003cbr/\u003ePoet Saw Wai was put in jail for writing a line in a poem. \u003cbr/\u003eHe tried to challenge the former dictator, Than Shwe with poetry and words. \u003cbr/\u003eFrustrated by the lack of political freedom he wrote a poem that began each line with a word that spelled out: ''Crazy powerful General Than Shwe\". \u003cbr/\u003eSaw Wei revels in reading the poem again and again, and says with a smile: ''When I was arrested, of course I was tortured.''\u003cbr/\u003eNo publisher has yet been brave enough to publish the poem that landed him in prison in 2008. That doesn't mean you can't read it. A poster of the poem, which contains an encrypted insult against Myanmar's former top leader, hangs on the wall of his wife's restaurant in Yangon. It's also on his Facebook page.\u003cbr/\u003eSaw Wai says he never let the censors into his head, writing exactly what he wanted to, even if it meant his work could not be distributed. \u003cbr/\u003eAnd now after a series of repressive regimes from 1962 onwards, Myanmar is opening up. \u003cbr/\u003eA new book of his poems - including some that were previously censored or written during his incarceration - came out in November.\u003cbr/\u003eSaw Wei is challenging people to test the boundaries of Myanmar's relaxed censorship laws and make poetry with him.\u003cbr/\u003eHe planted himself on the lawn of the first Myanmar Literary Festival with a banner reading: \"Compose \u0026amp;amp; share the poems. Queue the line if you are brave.''\u003cbr/\u003eThe end of pre-publication censorship six months ago is allowing new voices to reach broader audiences. \u003cbr/\u003eLong accustomed to writing around censorship, Myanmar's writers are relearning the habits of free thought and free speech. \u003cbr/\u003eBut change has also brought questions about how licensing requirements and market capitalism will shape public debate and how speech should be regulated in a multi-ethnic nation of Buddhists, Muslims and Christians.\u003cbr/\u003eMyanmar's censorship board, which shut down in August, was officially rebranded the Copyrights and Registration Division at the end of January, just in time for Yangon's first international literary festival. \u003cbr/\u003eThe festival brings together around 80 Myanmar authors - including exiles and former political prisoners - and international writers, like Jung Chang, whose best-selling \"Wild Swans\" recently became available in Burmese, though it is still banned in China.\u003cbr/\u003eFor decades Myanmar's books, like its people, were subjected to varying degrees of physical violence. \u003cbr/\u003eFirst, there was the censor's red pen, which slashed across manuscript pages. Writers, bearing gifts of food, clothing and books pled with censors not to cut too deep. \u003cbr/\u003eAuthors also had to submit copies of their printed work before distribution, to make sure the final version conformed to the government's edit. Offending pages were torn out, undesirable phrases blacked over. It was an age of allegory. There were forbidden words: Poverty. Suicide. Kiss.\u003cbr/\u003eFiction began to fill in for news. People turned to literary magazines, stuffed with topical short stories, to learn about the world around them because newspapers and television broadcast only government propaganda. Writers passed banned manuscripts among friends, an informal circulation whose reach was amplified by Facebook.\u003cbr/\u003eAuthor Ma Thida helps oversee four magazine publications. She was once sentenced to 20 years in prison for onpassing a banned political journal to a friend. \u003cbr/\u003eThe former doctor thought she would die while in prison: ''I was terribly ill indeed. So everybody thought I might die in prison. So you couldn't imagine. My weight body was only 80 pounds, and six-month consecutive fever, pulmonary tuberculosis, endometriosis. But I couldn't have a proper medical treatment, even though I do know how to treat myself.\"\u003cbr/\u003eBut she says that the country's opening up has been surprising. Her magazine, Independent can now publish a photo essay on the uprising and protests in Yangon in 1988. \u003cbr/\u003eFearing the censors, she published her novel, \"The Roadmap\" in English in Thailand under a pen name: Suragamika (Brave traveller) in 2011. \u003cbr/\u003eAnd in a sign that the country is opening up, it was published in Yangon later the same year. \u003cbr/\u003eWhile the new liberties have been good for Ma Thida's writing, they've provided new competition in the publishing world. \u003cbr/\u003eToday, some of the laws used to incarcerate Ma Thida remain on the books.\u003cbr/\u003eUnder the 1962 Printers and Publishers Registration Act publications must be licensed by the state. Critics say the process of awarding licenses and renewing registrations each year is not transparent and could be used to silence dissent.\u003cbr/\u003e''Even they don't censor our manuscript if they can say you don't have or you cannot have license, is it a kind of a censorship. They can screen who will run this media and if they don't like the people, the way they live, the way they behave they can easily say you cannot have licence. So its kind of another censorship,\" she says. \u003cbr/\u003eIt took author Tin Tin Win, who writes under the name Ju, 22 years to get permission to publish the first book she wrote. \u003cbr/\u003eAnd today she is presenting at Yangon's literature festival. \u003cbr/\u003eWritten in 1989 and published in 2011 - minus a few key chapters cut by censors - \"Ahmat Taya\" (\"Remembrance\") is a love story about two unmarried medical students living together. The protagonist, a headstrong and romantic girl, ultimately leaves the boy she loves.\u003cbr/\u003eThe censors, Ju said, rejected the plot as \"poisonous\" to the dignity of Myanmar's women. But she said she felt compelled to write about such \"trial marriages\" because growing numbers of young people were in fact living together and because they allow women to test their partners before binding themselves in an inescapable marriage. \u003cbr/\u003e''Sometimes when I describe about the poverty, the child abuse, and the fight between men and women and the discrimination against women, they cut some paragraphs and chapters,\" she says. \u003cbr/\u003eAnd while the country makes tentative steps towards freedom of speech, only time will tell if the changes are indelibly stamped in the writing of the future. \u003cbr/\u003eThe Myanmar Literature Festival ran 1-3 February. \u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan 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