{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='London museum explores German history through 200 unique objects' data-url='/boclips/videos/5c54bdb3d8eafeecae136028' data-video-url='/boclips/videos/5c54bdb3d8eafeecae136028' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nLondon museum explores German history through 200 unique objects\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eA Volkswagen Beetle, a replica of a concentration camp iron gate and one of Europe's first printed books are some of the key artefacts at an exhibition exploring German history.With the 25th anniversary of the fall of the Berlin Wall...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eA Volkswagen Beetle, a replica of a concentration camp iron gate and one of Europe's first printed books are some of the key artefacts at an exhibition exploring German history.\u003cbr/\u003eWith the 25th anniversary of the fall of the Berlin Wall fast approaching, London's British Museum is reconsidering the country's rich history through a selection of unique objects. \u003cbr/\u003eRolling into central London, a Volkswagen Beetle Type 1 from 1953.\u003cbr/\u003eIt's one of the most familiar cars in the world and has become a symbol of Germany's post-war economic recovery.\u003cbr/\u003eAccording to the British Museum, with over 21 million produced, the Beetle became the longest running and most manufactured car of a single design worldwide, before being discontinued in 2003.\u003cbr/\u003eNow the Beetle - along with almost 200 other objects - is taking pride of a place at new exhibition which explores the narrative which shaped modern day Germany as we see it today.\u003cbr/\u003eWith the Berlin Wall falling almost 25 years ago (9 November 1989), the exhibition takes that as its end point, reaching far back over 600 years into the past into the 15th century.\u003cbr/\u003eIt features some of Germany's most famous and iconic artworks including this huge portrait of Johann Wolfgang von Goethe by Johann Heinrich Wilhelm Tischbein.\u003cbr/\u003eGoethe was the first German author to gain widespread international fame.\u003cbr/\u003eIt also explores areas of land once linked with Germany, this portrait shows the scholar Erasmus when he was based in Basel, at the time a German city shifting to a Swiss identity.\u003cbr/\u003e\"It looks at Germany history through its memories, through the things that have a legacy today in Germany and perhaps the things that the British might not quite understand in the same way because our legacy, our historic memory is so different,\" says the exhibition's lead curator, Barrie Cook.\u003cbr/\u003e\"So we look at such things as the fact that there have been huge areas of what was once Germany but not German at all, but are fundamentally part of German history.\"\u003cbr/\u003ePerhaps the exhibition's most standout artefact is the Gutenberg Bible from 1455.\u003cbr/\u003eIt was one of Europe's first printed books and took two and a half years to complete.\u003cbr/\u003eThis is one of 48 surviving copies which Johannes Gutenberg produced.\u003cbr/\u003eThe Gutenberg Bible was the first major book printed in Europe - China had been printing books since the 9th Century. \u003cbr/\u003eIt marked the start of the age of the printed book, and the \"Gutenberg Revolution.\"\u003cbr/\u003e\"We look at the great German reputation for technical skill which still survives today,\" says Cook.\u003cbr/\u003e\"Beginning with the earliest object in the exhibition which is Gutenberg's Bible, a first time a German changed the whole world, we are still living in Gutenberg's world.\"\u003cbr/\u003eThe exhibition also explores the country's great technical skills.\u003cbr/\u003eThere's this 'Strasbourg Clock' - a glistening example of German clock-making and metal-engraving - made by Isaac Habrecht in 1589.\u003cbr/\u003eThere's also numerous examples of work by the Bauhaus movement, an influential modernist art school founded in 1919 which sought to merge traditional craft forms with artistic vision and modern industrial design.\u003cbr/\u003eA print of a strange-looking rhinoceros and a porcelain model show two technological and artistic achievements by the German world.\u003cbr/\u003eThe invention of modern print-making in the mid-1400s allowed artist Albrecht Durer to mass-produce his own work.\u003cbr/\u003eThe reinvention of porcelain by scientists in Dresden in the early 1700s allowed Europeans for the first time to equal China.\u003cbr/\u003e\"The juxtapositioning of the two rhinoceroses makes the point that Durer, who was the first great artist known for his mass-produced work - previously you became an artist by your one-offs, Durer was the first great artist recognised in his lifetime for creating multiple versions of the same work - and one of his most famous ones is a wood cut of the rhinoceros which he never seen,\" says Cook.\u003cbr/\u003e\"He had reports and a sketch of the first rhinoceros to arrive in Europe and Portugal since the Roman period and he created this wonderful image that sort of looks like a rhinoceros but not as rhinoceros as rhinoceroses actually look. So it's a good go, but it doesn't actually look enormously like a real rhinoceros.\"\u003cbr/\u003eThe exhibition doesn't ignore the events of the first half of the twentieth century which have shaped modern perceptions of German history and culture.\u003cbr/\u003eIt features a children's cut-out sheet with German soldiers and also hyperinflation bank notes used during the 1920s.\u003cbr/\u003eAccording to the British Museum, on 20 November 1923 in Brandenburg a loaf of bread cost 480 billion paper marks.\u003cbr/\u003ePerhaps the most striking artefact on display is this replica of an iron gate used at Buchenwald Concentration Camp near Weimar.\u003cbr/\u003eThe inscription at the top reads; 'To Each His Due', an ideal of justice taken from Roman law.\u003cbr/\u003e\"Buchenwald was on German soil,\" says Cook.\u003cbr/\u003e\"And more than being on German soil it was just outside the city of Weimar, which has always been Germany's city of culture - it was the city of Goethe and of Schiller, it was the city were the Bauhaus was founded, the city were the constitutional republic was founded in 1918, 19 - so it has got all these positive connotations in German history and yet it is the site of a huge concentration camp.\"\u003cbr/\u003eBut after the dark clouds of two World Wars and the Cold War passed, Germany would eventually become reunited again in 1989.\u003cbr/\u003eThis bronze sculpture - named 'Der Schwebende' (meaning 'The Floating One') and designed by Ernst Barlach - was originally intended as a memorial to those who died during the First World War.\u003cbr/\u003eIt was loathed by the Nazis and confiscated and later melted down during the 1930s.\u003cbr/\u003eLater, a third cast was made and presented in 1953 as a gesture of friendship between West and East Germany.\u003cbr/\u003eThe British Museum says it's become a distillation of Germany's 20th century.\u003cbr/\u003e\"It's under that statue that Chancellor Helmut Schmidt met Erich Honecker, the President of East Germany, as a deliberate message of the hope of continuing friendship between West and East Germany,\" says Cook.\u003cbr/\u003e\"And Herr Schmidt himself said; 'Perhaps there'll be more than friendship, perhaps there'll be reunion'.\"\u003cbr/\u003eAccording to Cook, the exhibition seeks to re-present Germany to its visitors, showing how its story slowly evolved over hundreds of years.\u003cbr/\u003e\"Germany is different, but not so different that we can't understand it, I think that's the fundamental idea that we want to get across,\" he says.\u003cbr/\u003e\"That there are aspects of German history which make them a bit different from British history or French history, even longstanding nation states and it works in a different way. And also the fact that they have to get to grips with this dark legacy as well in a way that most other countries have shameful parts of their history , but they can absorb it and continue to present a relatively positive national message, Britain, France, America, we can do that. Germans cannot do that, they cannot have a consistent positive narrative national message, they've got to accommodate this shattered narrative.\"\u003cbr/\u003e'Germany: Memories of a Nation' runs at London's British Museum until 25 January 2014.\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 20 October 2014\u003cbr/\u003e1. Pan right to Volkswagen Beetle Type 1 (1953) on display in the British Museum's Great Court\u003cbr/\u003e2. Tilt up of Beetle\u003cbr/\u003e3. Pull focus of Beetle's wheel cap to show Volkswagen logo\u003cbr/\u003e4. Wide of Beetle with people walking in foreground\u003cbr/\u003e5. Wide of Segment of the Berlin Wall\u003cbr/\u003e6. Close pull focus of segment\u003cbr/\u003e7. Tilt down to Mechanical Galleon (the Great Nef) by Han Schlottheim of Augsburg (1580-90)\u003cbr/\u003e8. Pull focus between wooden carving and Mechanical Galleon\u003cbr/\u003e9. Various of 'A Lady with a Squirrel and a Starling' by Hans Holbein the Younger (1526-8)\u003cbr/\u003e10. Various of 'Goethe in der romischen Campagna' (Goethe in the Roman Campagna) by Johann Heinrich Wilheim Tischbein (1787)\u003cbr/\u003e11. Various of 'Portrait of Erasmus of Rotterdam' by Hans Holbein the Younger (1523)\u003cbr/\u003e12. SOUNDBITE (English) Barrie Cook, Exhibition Lead Curator:\u003cbr/\u003e\"It looks at Germany history through its memories, through the things that have a legacy today in Germany and perhaps the things that the British might not quite understand in the same way because our legacy, our historic memory is so different. So we look at such things as the fact that there have been huge areas of what was once Germany but not German at all, but are fundamentally part of German history.\"\u003cbr/\u003e13. Setup shot of Cook approaching and looking at the The Gutenberg Bible (1455)\u003cbr/\u003e14. Pull focus of The Gutenberg Bible (1455)\u003cbr/\u003e15. Pan right of The Gutenberg Bible (1455)\u003cbr/\u003e16. SOUNDBITE (English) Barrie Cook, Exhibition Lead Curator:\u003cbr/\u003e\"We look at the great German reputation for technical skill which still survives today. Beginning with the earliest object in the exhibition which is Gutenberg's Bible, a first time a German changed the whole world, we are still living in Gutenberg's world.\"\u003cbr/\u003e17. Various of The Strasbourg Clock by Issac Harbrecht (1589)\u003cbr/\u003e18. Tilt up of postcard advertising the Bauhaus exhibition 'Kunst und Tecknik, eine neue Einheit' ('Art and Technology, a new union') 1923\u003cbr/\u003e19. Tilt up of Bauhaus Cradle (2014) original design by Peter Keler (1922)\u003cbr/\u003e20. Pan left to porcelain rhinoceros by Johann Gottlieb Kirchner (1730)\u003cbr/\u003e21. Pull out from porcelain rhinoceros\u003cbr/\u003e22. Mid of print of rhinoceros by Albrecht Durer (1519)\u003cbr/\u003e23. SOUNDBITE (English) Barrie Cook, Exhibition Lead Curator:\u003cbr/\u003e\"The juxtapositioning of the two rhinoceroses makes the point that Durer, who was the first great artist known for his mass-produced work - previously you became an artist by your one-offs, Durer was the first great artist recognised in his lifetime for creating multiple versions of the same work - and one of his most famous ones is a wood cut of the rhinoceros which he never seen. He had reports and a sketch of the first rhinoceros to arrive in Europe and Portugal since the Roman period and he created this wonderful image that sort of looks like a rhinoceros but not as rhinoceros as rhinoceroses actually look. So it's a good go, but it doesn't actually look enormously like a real rhinoceros.\"\u003cbr/\u003e24. Various of Sheet of cut-out figures of Hitler and German soldiers (1939-45)\u003cbr/\u003e24. Various of hyperinflation bank notes (1921-3)\u003cbr/\u003e25. Various of replica of iron gate to Buchenwald Concentration Camp, near Weimar\u003cbr/\u003e26. SOUNDBITE (English) Barrie Cook, Exhibition Lead Curator:\u003cbr/\u003e\"Buchenwald was on German soil and more than being on German soil it was just outside the city of Weimar, which has always been Germany's city of culture - it was the city of Goethe and of Schiller, it was the city were the Bauhaus was founded, the city were the constitutional republic was founded in 1918, 19 - so it has got all these positive connotations in German history and yet it is the site of a huge concentration camp.\"\u003cbr/\u003e27. Various of 'Der Schwebende' (The Floating Once) by Gustrower Ehrenmal (1953)\u003cbr/\u003e28. SOUNDBITE (English) Barrie Cook, Exhibition Lead Curator:\u003cbr/\u003e\"It's under that statue that Chancellor Helmut Schmidt met Erich Honecker, the President of East Germany, as a deliberate message of the hope of continuing friendship between West and East Germany and Herr Schmidt himself said; 'Perhaps there'll be more than friendship, perhaps there'll be reunion'.\"\u003cbr/\u003e29. Tilt down to 'Replica crown of the Holy Roman Empire' (1913)\u003cbr/\u003e30. Various close shots of crown\u003cbr/\u003e31. SOUNDBITE (English) Barrie Cook, Exhibition Lead Curator:\u003cbr/\u003e\"Germany is different, but not so different that we can't understand it, I think that's the fundamental idea that we want to get across. That there are aspects of German history which make them a bit different from British history or French history, even longstanding nation states and it works in a different way. And also the fact that they have to get to grips with this dark legacy as well in a way that most other countries have shameful parts of their history , but they can absorb it and continue to present a relatively positive national message, Britain, France, America, we can do that. Germans cannot do that, they cannot have a consistent positive narrative national message, they've got to accommodate this shattered narrative.\"\u003cbr/\u003e32. Various of 'Wir sind ein Volk' (We are one people) (1989) home-made placard carried on a march in East Berlin, 9 December 1989\u003cbr/\u003e33. Pan right to the British Museum exterior\u003cbr/\u003e34. Wide of exhibition poster on exterior of building\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" 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