{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='New 007 exhibition looks at screen spy as style icon' data-url='/boclips/videos/5c54bd0ad8eafeecae13124e' data-video-url='/boclips/videos/5c54bd0ad8eafeecae13124e' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nNew 007 exhibition looks at screen spy as style icon\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eIf there's one thing James Bond has taught us it's that behind every great spy is a great tailor.A new exhibition at London's Barbican Centre explores the style of the suave secret agent, displaying costumes, props, set pieces and design...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eIf there's one thing James Bond has taught us it's that behind every great spy is a great tailor.\u003cbr/\u003eA new exhibition at London's Barbican Centre explores the style of the suave secret agent, displaying costumes, props, set pieces and design drawings from half a century of 007 films.\u003cbr/\u003eAssembled with help from the films' producers - who have a new Bond movie to promote in the fall - the exhibition, called \"Designing 007: 50 Years of Bond Style,\" includes the spy's tuxedos, Bond girl ballgowns and villains' vestments, as well as a selection of props and gadgets. \u003cbr/\u003eThere are also sketches by the films' influential set designer, Ken Adam, whose cavernous lairs and sleek space stations did much to create the movies' modernist luster.\u003cbr/\u003eThe show is both a reflection of the remarkable staying power of Ian Fleming's fictional secret agent and a tribute to the British, European and American craftspeople and designers who have created the look of the quintessentially British icon.\u003cbr/\u003eFashion historian and exhibition co-curator Bronwyn Cosgrave says the exhibition will allow visitors to follow in Bond's footsteps.\u003cbr/\u003e\"When we were conceiving the show, we looked to the films, obviously, and the films have a defined narrative structure and how the show evolved was that we decided to take the places that James Bond visits and create spaces within the exhibition that reflect that,\" she explains.  \"So, one of the first places a visitor will encounter is M's office; from M's office they will go to Q Branch; which is where Bond always went to pick up a gadget to protect himself; from there you progress to the Casino, which is a domain that Bond usually visits prior to his mission to glean vital information and contacts and then the show really unfolds like a journey.\"\u003cbr/\u003eSome of the items on display in the show have become mini-icons, from the white bikini worn by Ursula Andress in the first Bond film, \"Dr. No,\" to the tight blue swimming trunks sported by Daniel Craig in \"Casino Royale.\"\u003cbr/\u003eAccording to Cosgrave's fellow curator Lindy Hemming, getting their hands on some of the items proved to be tough.\u003cbr/\u003e\"One of the biggest challenges was getting the bikini from the people who own Planet Hollywood, because they wanted to have an exchange of another bikini to display for that, so that was complicated but we did get it in the end,\" she says.  \"Getting Grace Jones' dress to arrive here - it just arrived one minute before the case to contain it was to be closed down, so that was pretty good. I hope she comes to the exhibition and sees it there.\"\u003cbr/\u003eHemming, who has worked as a costume designer on a few Bond films, certainly had her work cut out creating the exhibition.\u003cbr/\u003e\"I kind of tried to craft the shape of the exhibition and the flow of the exhibition together with Abe Rogers who is the official designer and we, together, chose the contents of the exhibition and that was the most challenging thing because, as you can imagine, in the beginning of the Bond films there is not a very great amount of content been kept, but as you move on through the 80s and into the 90s and 2000s everyone was much more aware of the iconic value of what they had,\" she explains.\u003cbr/\u003e\"What we decided was, because there wasn't a lot for the Casino room for instance from early, we would recreate very very painstakingly some of the early evening dresses and I think they are very successful the ones we did,\" she added.\u003cbr/\u003e\"Designing 007: 50 Years of Bond Style\" opens at London's Barbican Centre on Friday 6 July and runs to 5 Sept.  \u003cbr/\u003eIt will then tour internationally, opening at the TIFF Bell Lightbox in Toronto in October.\u003cbr/\u003eAP Entertainment \u003cbr/\u003eLondon, 5 July 2012\u003cbr/\u003e1. Pan down, exterior of Barbican Centre\u003cbr/\u003e2. Medium exterior of Barbican Centre\u003cbr/\u003e3. Wide shot interior entrance to \"Designing 007\" exhibition \u003cbr/\u003e4. Wide of Sean Connery model figure leaning on car\u003cbr/\u003e5. Various of gold model figure lying on bed (replica of scene from \"Goldfinger\") \u003cbr/\u003e6. Zoom in on gold gun\u003cbr/\u003e7. Various of Jaws character memorabilia \u003cbr/\u003e8. Wide of fashion historian and exhibition co-curator Bronwyn Cosgrave speaking to reporter\u003cbr/\u003e9. SOUNDBITE (English) Bronwyn Cosgrave, fashion historian and exhibition co-curator - on what people can expect from the exhibition:\u003cbr/\u003e\"Well, I think the fun thing about this exhibition is that visitors can follow in James Bond's footsteps. When we were conceiving the show, we looked to the films, obviously, and the films have a defined narrative structure and how the show evolved was that we decided to take the places that James Bond visits and create spaces within the exhibition that reflect that. So, one of the first places a visitor will encounter is M's office; from M's office they will go to Q Branch; which is where Bond always went to pick up a gadget to protect himself; from there you progress to the Casino, which is a domain that Bond usually visits prior to his mission to glean vital information and contacts and then the show really unfolds like a journey.\"\u003cbr/\u003e10. Various of jewelry from various Bond films provided by David Morris (necklace worn by Teri Hatcher in \"Tomorrow Never Dies\" and replica of Jade pendant worn by Maud Adams  in \"The Man With The Golden Gun\")\u003cbr/\u003e11. Wide of costume section of exhibition \u003cbr/\u003e12. Various of costumes\u003cbr/\u003e13. Tilt up of black dress from new \"Bond\" movie \"Skyfall\"\u003cbr/\u003e14. Pan of costumes\u003cbr/\u003e15. Medium of casino table with figures seated around it\u003cbr/\u003e16. SOUNDBITE (English) Lindy Hemming, costume designer and exhibition co-curator:\u003cbr/\u003e\"I kind of tried to craft the shape of the exhibition and the flow of the exhibition together with Abe Rogers who is the official designer and we, together, chose the contents of the exhibition and that was the most challenging thing because, as you can imagine, in the beginning of the Bond films there is not a very great amount of content been kept, but as you move on through the 80s and into the 90s and 2000s everyone was much more aware of the iconic value of what they had. And so, for every costume that you design, they will take one to the archive. So, we did have much more access to things later on and what we decided was, because there wasn't a lot for the Casino room for instance from early, we would recreate very very painstakingly some of the early evening dresses and I think they are very successful the ones we did.\"\u003cbr/\u003e17. Various shots of white bikini worn by Ursula Andress and orange bikini worn by Halle Berry\u003cbr/\u003e18. Various of dress worn by Grace Jones in \"View to a Kill\"\u003cbr/\u003e19. SOUNDBITE (English) Lindy Hemming, costume designer and exhibition co-curator:\u003cbr/\u003e\"One of the biggest challenges was getting the bikini from the people who own Planet Hollywood, because they wanted to have an exchange of another bikini to display for that, so that was complicated but we did get it in the end. Getting Grace Jones' dress to arrive here - it just arrived one minute before the case to contain it was to be closed down, so that was pretty good. I hope she comes to the exhibition and sees it there, because it's fabulous, because if she hadn't kept it all those years it wouldn't be here, you know.\"\u003cbr/\u003e20. Various shots of props, models and drawings used for \"Bond\" films\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" 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