{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='60 years of extraordinary fashion photos of German photographer, Horst' data-url='/boclips/videos/5c54bc19d8eafeecae12a1d7' data-video-url='/boclips/videos/5c54bc19d8eafeecae12a1d7' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\n60 years of extraordinary fashion photos of German photographer, Horst\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eDeclared the 'photographer of style', Horst was the man Hollywood sirens and fashion icons wanted to be snapped by. Now, a retrospective of his work gives us all a peep at the pioneer of the colour photograph.On display are some of the...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eDeclared the 'photographer of style', Horst was the man Hollywood sirens and fashion icons wanted to be snapped by. \u003cbr/\u003eNow, a retrospective of his work gives us all a peep at the pioneer of the colour photograph.\u003cbr/\u003eOn display are some of the German-born artist's best known images, including stylised fashion photos, drawings and prints from his sixty year career. \u003cbr/\u003eThere's nothing B-list about this pantheon of celebrities.\u003cbr/\u003eHorst P Horst was a favourite in Hollywood and with some like Marlene Dietrich, a professional relationship became a long friendship.\u003cbr/\u003eHe was born in 1906 and christened Horst Paul Albert Bohrmann in Germany. He studied design with the founders of the Bauhaus School which would contribute to his future art work, and portraiture. \u003cbr/\u003eIn 1930s Paris he became apprenticed to Le Corbusier the famous architect learning about structure and space.\u003cbr/\u003eThen a meeting with the star photographer Baron George Hoyningen-Huene dramatically shifted his life.\u003cbr/\u003eHorst learned his trade from a master of photography, enjoying the creativity in the world of Paris that surrounded him.\u003cbr/\u003eBrought to the attention of Vogue, Hollywood stars like Bette Davis and French designer Coco Chanel become part of his circle.\u003cbr/\u003eHere at London's Victoria and Albert Museum (V\u0026amp;amp;A) hundreds of Horst's work is on show.\u003cbr/\u003eExhibition curator Susanna Brown says: \"Horst began photographing stage and screen stars in 1932. His first star portrait was of Gertrude Lawrence - it's a picture very much inspired by the art deco simplicity of the work of his colleague at Vogue Edward Steichen.\"\u003cbr/\u003eThis simplicity also attracted artists like Salvador Dali.\u003cbr/\u003eHorst was also beginning to use his other early influences, such as classical sculpture and art.\u003cbr/\u003eHis black and white nudes look almost sculptural.  \u003cbr/\u003eBrown says: \"To my mind he's someone who, although many of his images have become icons of 20th Century photography, the name 'Horst' isn't perhaps as well-known as it should be.\"\u003cbr/\u003eIt's Horst's colour photographs for Vogue in America that are well known.\u003cbr/\u003eThey are bright and bold and still carry a air of modernity.\u003cbr/\u003eVogue's publishers Conde Nast have contributed volumes of treasured old magazines, but also its archived transparencies which have been used to create new prints.\u003cbr/\u003eSenior director Shawn Waldron helped to curate the collection.\u003cbr/\u003eHe says: \"Horst did a lot of colour work early on in the '40s and '50s, he was a pioneer in colour. But the thing about colour work is that there is no vintage print, so he would have shot it on transparencies, they made separations, they printed it in the magazine, and then the transparency was filed away in the archive and really hasn't been seen since.\"\u003cbr/\u003eIt's interesting to hear that these beautiful colour photographs weren't necessarily aimed at the reader, or following demands of the photographer.\u003cbr/\u003eAccording to Waldron, it was about the advertisers:\u003cbr/\u003e\"They spent a lot of money and years on researching and developing a way to produce colour. To show colour fashion in the magazine, but also as a way to entice advertisers at the time, during the Great Depression in America, where everyone was looking for an up. So that happened in the 1930s. And then in 1936 you get the development of colour film, comes out from Kodak and Agfa. So he was photographing colour as early as the mid-1930s.\"\u003cbr/\u003eAnother interesting development in magazine artistry also appeared on Horst's watch.\u003cbr/\u003eThis is the famous \"Mainbocher Corset\".\u003cbr/\u003eStatuesque it appears to conform with the classical ideal of beauty, but the loosened bodice hints at an eroticism which American Vogue considered to be too much for the reader.\u003cbr/\u003eThe corset, which finally appears in the magazine, has been obviously airbrushed.\u003cbr/\u003eThe outbreak of the Second World War forced Horst along with many other artists and writers to flee Paris for a permanent home in the United States.\u003cbr/\u003eDropping the name Bohrmann he enlisted in the American army to gain citizenship.\u003cbr/\u003eAfter the war was perhaps the biggest event in Horst's life, he met British diplomat Valentine Lawford, who become his partner until Lawford's death.\u003cbr/\u003eSome of the exhibition is made up of this part of Horst's life.\u003cbr/\u003eHe journeyed with Lawford to Syria and Iran where the ancient city of Persepolis had been discovered. \u003cbr/\u003eBrown says: \"What we wanted to do was draw out the different strands of his career, you know those wonderful travel pictures from the Middle East, nature studies, still lives, Hollywood portraits, you know, there's so much more to his work.\"\u003cbr/\u003eHorst died in 1999, his life had spanned a tumultuous century, but this part of life was not reflected in his work.\u003cbr/\u003eThe exhibition at the Victoria and Albert Museum runs from September 6, 2014 until January 4, 2015.\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, September 3, 2014\u003cbr/\u003e1. Close of black and white photo of Marlene Dietrich (Horst, 1942) at retrospective of photographer Horst P. Horst.\u003cbr/\u003e2. Close tilt up of black and white photo 'Round the Clock' (Horst, 1987)\u003cbr/\u003e3. Mid of 'Round the Clock' (Horst, 1987)\u003cbr/\u003e4. Mid of black and white photo of Joan Crawford (Horst, 1938)\u003cbr/\u003e5. Mid tilt down of Bette Davis (Horst, 1939) and Joan Crawford (Horst, 1938)\u003cbr/\u003e6. Mid of black and white photo of Ginger Rogers (Horst, 1936)\u003cbr/\u003e7. Mid of black and white photo of Irina Baranova (Horst, 1944)\u003cbr/\u003e8. Mid of black and white photo of Vivien Leigh (Horst, 1936)\u003cbr/\u003e9. Mid of black and white photo of Olivia De Haviland (Horst, 1936)\u003cbr/\u003e10. SOUNDBITE: (English), Susanna Brown, curator of photographs, Victoria and Albert Museum (V\u0026amp;amp;A), National Collection of the Art of Photography:\u003cbr/\u003e\"Horst began photographing stage and screen stars in 1932. His first star portrait was of Gertrude Lawrence - it's a picture very much inspired by the art deco simplicity of the work of his colleague at Vogue Edward Steichen.\"\u003cbr/\u003e11. Mid of black and white photo of Gertrude Lawrence (Horst, 1931)\u003cbr/\u003e12. SOUNDBITE: (English), Susanna Brown, curator of photographs, Victoria and Albert Museum (V\u0026amp;A), National Collection of the Art of Photography\u003cbr/\u003e\"He went on to capture many great names from that golden age: Bette Davis, Marlene Dietrich to name just a couple.\"\u003cbr/\u003e13. Close tilt down of 'Dali Costumes' (Horst, 1939)\u003cbr/\u003e14. Mid of 'Dali Costumes' (Horst, 1939)\u003cbr/\u003e15. Mid coming into focus of black and white male nude (Horst, 1952)\u003cbr/\u003e16. Wide pan left of black and white male nudes series (Horst, 1952-3)\u003cbr/\u003e17. Medium coming into focus of black and white 'Agave Attenuata' (Horst, 1945) and 'Body Parts, Still Life' (Horst, 1989)\u003cbr/\u003e18. SOUNDBITE: (English), Susanna Brown, curator of photographs, Victoria and Albert Museum (V\u0026amp;A), National Collection of the Art of Photography  \u003cbr/\u003e\"To my mind he's someone who, although many of his images have become icons of 20th Century photography, the name 'Horst' isn't perhaps as well-known as it should be.\"\u003cbr/\u003e19. Close of Horst in black and white photo 'Horst and Lisa at Work' (Roy Stevens, 1949)\u003cbr/\u003e20. Wide of black and white photo 'Horst and Lisa at Work' (Roy Stevens, 1949)\u003cbr/\u003e21. Wide of Conde Nast director Shawn Waldron in front of 'Vogue in Colour' series\u003cbr/\u003e22. Close shifting focus of display cabinet of Vogue issues,  tilt up to Shawn Waldron \u003cbr/\u003e23. Wide pan left of 'Vogue in Colour' series\u003cbr/\u003e24. Wide of 'Dinner Suit and Headdress by Schiaparelli' (Horst, 1947)\u003cbr/\u003e28. Close tilt down of 'Dinner Suit and Headdress by Schiaparelli' (Horst, 1947)\u003cbr/\u003e29. Wide of colour photos including Vogue Summer Fashion cover (Horst, 1941) and Dress by Hattie Carnegie (Horst, 1939)\u003cbr/\u003e30. Close tilt down of Summer Fashions cover for Vogue (Horst, 1941)\u003cbr/\u003e31. Close tilt down of  Dress by Hattie Carnegie for Conde Nast (Horst, 1939)\u003cbr/\u003e32. Close defocus of colour photo of Muriel Maxwell for Conde Nast (Horst, 1939\u003cbr/\u003e33. SOUNDBITE: (English), Shawn Waldron, senior director, Conde Nast Archive:\u003cbr/\u003e\"Horst did a lot of colour work early on in the '40s and '50s, he was a pioneer in colour. But the thing about colour work is that there is no vintage print, so he would have shot it on transparencies, they made separations, they printed it in the magazine, and then the transparency was filed away in the archive and really hasn't been seen since.\"\u003cbr/\u003e34. Mid of composite colour photo of Suzanne Shaw (Horst, 1943)\u003cbr/\u003e35. Close tilt up of Horst in black and white photo 'Horst and Lisa at Work' (Roy Stevens, 1949)\u003cbr/\u003e36. Close of camera lens of large format camera (c.1930s)\u003cbr/\u003e37. Mid of large format camera (c.1930s)\u003cbr/\u003e38. Close of camera stand, focus to 'Horst' label\u003cbr/\u003e39. SOUNDBITE: (English), Shawn Waldron, senior director, Conde Nast Archive  \u003cbr/\u003e\"They spent a lot of money and years on researching and developing a way to produce colour. To show colour fashion in the magazine, but also as a way to entice advertisers at the time, during the Great Depression in America, where everyone was looking for an up. So that happened in the 1930s. And then in 1936 you get the development of colour film, comes out from Kodak and Agfa. So he was photographing colour as early as the mid-1930s.\"\u003cbr/\u003e40. Close of side of corset in 'Manbocher Corset' (Horst, 1939)\u003cbr/\u003e41. Close of side of corset in Vogue edit of 'Manbocher Corset' (Horst, 1939)\u003cbr/\u003e42. Close tilt up of Vogue edit of 'Manbocher Corset' (Horst, 1939)\u003cbr/\u003e43. Close pan right of 'Drawings for Manbocher Corset'\u003cbr/\u003e44. Close of black and white photo of Horst with gun (1940s)\u003cbr/\u003e45. Close of black and white signed portrait of Truman (Horst 1944) \u003cbr/\u003e46. SOUNDBITE: (English), Susanna Brown, curator of photographs, Victoria and Albert Museum (V\u0026amp;A), National Collection of the Art of Photography:\u003cbr/\u003e\"What we wanted to do was draw out the different strands of his career, you know those wonderful travel pictures from the Middle East, nature studies, still lives, Hollywood portraits, you know, there's so much more to his work.\"\u003cbr/\u003e47. Close zoom out of 'Palace of Persopolis, Persia' (Horst, 1949)\u003cbr/\u003e48. Wide to focus on black and white photos from 'Platinum' series\u003cbr/\u003e49. Wide pan left of b\u0026amp;amp;w photos from 'Patterns from Nature' series\u003cbr/\u003e50. Close zoom out of 'Photographic Collage of 'Unidentified' Patterns from Nature' (Horst, c.1945)\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star 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