{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='The 95th anniversary celebration of the National Board of Review Film Awards' data-url='/boclips/videos/5c54bafdd8eafeecae121a58' data-video-url='/boclips/videos/5c54bafdd8eafeecae121a58' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nThe 95th anniversary celebration of the National Board of Review Film Awards\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eAPTN New York, 13 January 20041. Exterior pan street to Tavern on the Green restaurant in Central Park2. Exterior pull tree lights to restaurant3. Setup shot Morgan Freeman4. SOUNDBITE (English) Morgan Freeman, Actor (Lifetime...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eAPTN New York, 13 January 2004\u003cbr/\u003e1. Exterior pan street to Tavern on the Green restaurant in Central Park\u003cbr/\u003e2. Exterior pull tree lights to restaurant\u003cbr/\u003e3. Setup shot Morgan Freeman\u003cbr/\u003e4. SOUNDBITE (English) Morgan Freeman, Actor (Lifetime Achievement Award):\u003cbr/\u003e\"Yeah, it's a little dubious there, you know. I mean 'Lifetime Achievement' - lifetime achievement's like end of the line, is it? Let's hope not.\"\u003cbr/\u003e5. Setup shot Anthony Minghella\u003cbr/\u003e6. SOUNDBITE (English) Anthony Minghella, Director (Best Screenplay Award)  - on being nominated for awards:\u003cbr/\u003e\"You win and you lose and winning is better, you know. But you lose as well and the one thing you can be certain of with all this stuff is disappointment. There's always some level of disappointment - the film is never as good as you hoped it would be, it's never as honoured as you hoped it would be, you're never as clever as you hoped you would be, you know it's always about...that's why you make another film because you hope the next time you would do it better, that you'll get something right, you know, it's all about dealing with your own failures. And so occasionally when somebody says nice things to you, it gives you some confidence to start again.\"\u003cbr/\u003e7. Setup shot Christopher Plummer\u003cbr/\u003e8. SOUNDBITE (English) Christopher Plummer, Actor (Cast Award for Lord of the Rings) :\u003cbr/\u003e\"I think awards are honestly very nice to get but they're not really why we're all here.\"\u003cbr/\u003e9. Wide shot hobbits\u003cbr/\u003e10. Setup shot Bernard Hill\u003cbr/\u003e11. SOUNDBITE (English) Bernard Hill, Actor (Cast Award for Lord of the Rings) :\u003cbr/\u003e\"i think we kind of raised the standard in a way, we certainly raised the standard in terms of how you can put together a major movie project and make it feel like a small budget movie, with the way people are treated. Pete ran a very Galitarian society as it were on the set, everybody felt that they had an equal privilege place as much as anybody else. There was no kind of hierarchy there at all.\"\u003cbr/\u003e12. Setup shot Billy Boyd\u003cbr/\u003e13. SOUNDBITE (English) Billy Boyd, Actor (Cast Award for Lord of the Rings) : \u003cbr/\u003e\"Like the books, I think Pete Jackson's done a great job in making it deep and making it multi-layered, you know, so that people can go back to it. \"\u003cbr/\u003e14. SOUNDBITE (English) Andy Serkis, Actor (Cast Award for Lord of the Rings):\u003cbr/\u003e\"A question I've been asked is, 'Has there been a day in the last five years where the words 'Lord of the Rings' haven't been mentioned?' and no there hasn't but I guess the days, you know, the periods of time are going to get wider and wider between those answers. So yeah, it's weird, it is kind of weird that it is coming to an end.\"\u003cbr/\u003e15.cutaway photographers\u003cbr/\u003e16. Tilt up Charlize Theron\u003cbr/\u003eNewmarket Films\u003cbr/\u003e17. film clip 'Monster'\u003cbr/\u003eAPTN New York, 13 January 2004\u003cbr/\u003e18. SOUNDBITE (English) Charlize Theron, Actress (Breakthrough Award):\u003cbr/\u003e\"I've been doing this for ten years and this film, I knew, it was going to change me as an actor. So you know, as far as breakthrough, I mean I don't know. I mean I think every film is different and you do it for different reasons and I just knew that this film was going to be something really special for me as an actor.\"\u003cbr/\u003eSony Pictures\u003cbr/\u003e19. film clip 'Something's Gotta Give'\u003cbr/\u003eAPTN New York, 13 January 2004\u003cbr/\u003e20. SOUNDBITE (English) Diane Keaton, Actress (Best Actress Award):\u003cbr/\u003e \"You know I really don't know what to do with this, this is like new for me ok so you guys got to bear with me. But I don't know, it's all very thrilling (laughs). I just want to touch them all, touch you all, kiss you all, thank you.\"\u003cbr/\u003e21. SOUNDBITE (English) Patricia Clarkson, Actress - on involvement in two award nominated films:\u003cbr/\u003e\"There were moments when I was like 'Oh my God, which film am I doing?' I still kind of confuse them a little bit occasionally but I'm actually...it's really, really...I'm so overwhelmed to be here tonight with these two films. It's a beautiful thing.\"\u003cbr/\u003eFine Line Features\u003cbr/\u003e22. film clip 'American Splendor'\u003cbr/\u003eAPTN New York, 13 January 2004\u003cbr/\u003e23. SOUNDBITE (English) Paul Giamatti and Hope Davis:\u003cbr/\u003eHope Davis, Actress: \"It's been very nice of all the critics to pay attention to the smaller films this year and they really have and it helps the movie's a lot, so.\"\u003cbr/\u003ePaul Giamatti, Actor: \"It really does seem like they're paying more attention to these smaller ones. It's very gratifying, it's good, yeah. Nice trend.\"\u003cbr/\u003e24. Setup shot Jim Sheridan with Lauren Bacall\u003cbr/\u003e25. SOUNDBITE (English) Jim Sheridan, Director (Best Original Screenplay Award):\u003cbr/\u003e\"The funny thing is when I did 'My Left Foot', I didn't really know about awards season. The only thing I knew about was, in a Chines restaurant somebody said, 'Do you know you got five Academy Award nominations?' I was like 'No'. And then 'In The Name of The Father', I think it came out on Christmas Day and a week later or two weeks later, we got nominations, you know and I wasn't even in the loop.  But this year's been such a surprise to me, the amount people do and just it's like, it's literally amazing to me. You know, it's amazing how much more that season has grown, you know. It's become like a feast, you know.\"\u003cbr/\u003e26. SOUNDBITE (English) Norman Jewison, Director (Billy Wilder Award for Excellence in Directing):\u003cbr/\u003e\"I'm British and direct. What is the most important thing about it? We control behaviour, how about that?  It's a power trip, let's face it. But it's nice to be honoured here tonight because this is the group in New York that really is committed to film and they're the great appreciators, I  think, of film.\"\u003cbr/\u003e27. SOUNDBITE (English) Hans Zimmer (Career Achievement Award for Film Music Composition):\u003cbr/\u003e\"It's such a joy and such an honour to do what I do. I never think about the recognition part of it - just let me do another movie because that's what I love doing, that's why I get out of bed in the morning.\"\u003cbr/\u003e28. SOUNDBITE (English) Andrew Stanton, Director  and Lee Unkrich, Co-director (Best Animated Feature):\u003cbr/\u003eLee Unkrich: \"You know, we don't expect it at all so we're totally enjoying it but it's especially weird because we both live up in San Francisco, that's where we make our movies, so we're already totally removed from the whole entertainment industry.\"\u003cbr/\u003eAndrew Stanton: \"I was taking my garbage out yesterday, down my street and the suddenly standing here, it's very strange.\"\u003cbr/\u003eLee Unkrich: \"And we'll be back there again tomorrow (laughs).\"\u003cbr/\u003eBuena Vista International\u003cbr/\u003e29. film clip 'Finding Nemo'\u003cbr/\u003eAPTN New York, 13 January 2004\u003cbr/\u003e30. SOUNDBITE (English) Vadim Perelman, Director (Best Directorial Debut  Award):\u003cbr/\u003e\"It feels gratifying you know. It's interesting, you can get caught up in it though, you know. It's all about the work really and it's about make the film be the best that it can be. And then after that, it's if people respond to it's wonderful , which has always been my greatest hope, to have the critics and the people respond to the film and when they do pat me on the back or pat these wonderful actors on their back, it just feels great.\"\u003cbr/\u003e31. Pan photographers to Clint Eastwood\u003cbr/\u003eWarner Bros.\u003cbr/\u003e32. Film clip 'Mystic River'\u003cbr/\u003eAPTN New York, 13 January 2004\u003cbr/\u003e33. SOUNDBITE (English) Clint Eastwood, Actor/Director (Best Film Award):\u003cbr/\u003e\"Once a picture is finished, it's sort of finished, you sort of turn it over to the audience and it's for them to either embrace or reject or embrace in different increments whatever they think about it. And a picture like this, from a book, it's kind of a tough subject matter, sometimes there's no anticipating, there's no reading the final result of it. You just sort of make it the best you can, which you should do with any  movie, just make it the best you can and then walk away from it.\"\u003cbr/\u003e34. Cutaway Clint Eastwood\u003cbr/\u003e35. SOUNDBITE (English) Clint Eastwood, Actor/Director - on winning Academy Awards:\u003cbr/\u003e\"I don't know, it would be nice to see it win because of everybody who's involved. I was fortunate to win a 'Best Picture' back in '93 and I must say it was a lot of fun. It was hectic but it was a lot of fun, it was very gratifying because after you've been hanging around as long as I have, it's kind of fun. Not sure that's going to happen.\"\u003cbr/\u003eThe taut thriller 'Mystic River' is the Best Film of 2003, according to New York's prestigious National Board of Review of Motion Pictures. \u003cbr/\u003eThe film, directed by Clint Eastwood and based on the popular mystery novel by Dennis Lehane, stars Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Marcia Gay Harden, and Laura Linney. \u003cbr/\u003eSean Penn, 43, was picked as the group's Best Actor of the year for 'Mystic River' and '21 Grams.' \u003cbr/\u003eThe National Board of Review (NBR) said that the other nine best films of 2003 were 'The Last Samurai,' 'The Station Agent,' '21 Grams,' 'House of Sand and Fog,' 'Lost in Translation,' 'Cold Mountain,' 'In America,' 'Seabiscuit,' and 'Master and Commander.' \u003cbr/\u003eThe annual event held at Tavern on the Green in Central Park, screens more than 300 films per year to come up with its annual best lists.     \u003cbr/\u003e\"This was a strong year for the studios,\" said NBR President Annie Schulhof in a prepared statement. \"They produced films with powerful storylines and characters with their own moral codes.\" \u003cbr/\u003eOther awards went to Oscar winnerDiane Keaton for Best Actress in 'Something's Gotta Give,' Alec Baldwin for Best Supporting Actor in 'The Cooler,' and Patricia Clarkson for Best Supporting Actress for 'Pieces of April' and 'The Station Agent.' \u003cbr/\u003eThe ensemble cast of massive hit 'The Lord of the Rings: The Return of the King' was also recognized. \u003cbr/\u003eBreakthrough Awards were for two bio-pics. Paul Giamatti for 'American Splendor,' about the eccentric life of cartoon writer Harvey Pekar and to Charlize Theron for 'Monster,'  the story of the executed American female serial killer, Aileen Wuornos.\u003cbr/\u003eEdward Zwick was named Best Director for the Japanese epic 'The Last Samurai' starring Tom Cruise, and Vadim Perelman was recognized for Best Directorial Debut with 'House of Sand and Fog,' a powerful tale of the American Dream that descends into a nightmare.\u003cbr/\u003eIn the screenplay categories, Anthony Minghella won Best Adapted for the Civil War story 'Cold Mountain,' and the family team of Jim, Naomi, and Kirsten Sheridan won Best Original for 'In America.' \u003cbr/\u003e'Finding Nemo,' which scaled new heights at the box office, won Best Animated Feature, and HBO's 'Angels in America' won Best Cable TV film/mini-series. \u003cbr/\u003eCareer Achievement Awards will go to actor Morgan Freeman, composer Hans Zimmer, and cinematographer John Toll. \u003cbr/\u003eVeteran director Norman Jewison, whose body of work include 'In the Heat of the Night,' (1967) 'Fiddler on the Roof (1971) and 'The Hurricane,' (1999) scooped this year's Billy Wilder Award for Excellence in Directing. \u003cbr/\u003eSofia Coppola got an award for Special Filmmaking Achievement for 'Lost in Translation.' \u003cbr/\u003eThe NBR also recognized four films \"that reflect freedom of expression\": the child sex abuse documentary 'Capturing the Friedmans,' the UK feature about the struggles of illegal immigrant, 'Dirty Pretty Things,' 'The Magdalene Sisters' about the Irsih Catholic hurc's abuse of vulnerable women, and 'September 11,' about the terror attacks on the USA in 2001.\u003cbr/\u003eSpecial mention for excellence in filmmaking went to: 'American Splendor,' 'Bend It Like Beckham,' 'The Cooler,' 'Dirty Pretty Things,' 'Girl With A Pearl Earring,' 'Pieces of April,' 'The Secret Lives of Dentists,' 'Shattered Glass,' 'The Statement,' 'Thirteen,' and 'Whale Rider.' \u003cbr/\u003eThe group's top five foreign films were 'The Barbarian Invasions,' 'Best of Youth,' 'Monsieur Ibrahim,' 'Autumn Spring,' and 'The Man on the Train.' \u003cbr/\u003eThe top five documentaries selected were 'The Fog of War,' 'Capturing the Friedmans,' 'My Architect,' 'Winged Migration,' and 'Spellbound.' \u003cbr/\u003eThe National Board of Review of Motion Pictures was founded in 1909, just 13 years after the birth of cinema, to protest New York City Mayor George McClennan's revocation of moving-picture exhibition licences in1908. \u003cbr/\u003eThe mayor tried to kill off cinema because he believed that the new medium was a threat to public morals. \u003cbr/\u003eTo assert their constitutional freedom of expression, theatre owners led by Marcus Loew and film distributors (Edison, Biograph, Pathe and Gaumont) joined John Collier of The People's Institute at Cooper Union and established a National Review Committee that endorsed films of merit and championed the new \"art of the people,\" which was transforming America's cultural life.  \u003cbr/\u003eIn an effort to avoid government censorship of films, the National Board became the unofficial clearinghouse for new movies. From 1916 into the 1950's thousands of motion pictures carried the legend \"Passed by the National Board of Review\" in their main titles. To the public, this was a seal of confidence.  \u003cbr/\u003eIn 1929, the NBR was the first group to choose the ten best English-language movies of the year and the best foreign films, and is still the first critical body to announce its annual awards. \u003cbr/\u003e'Monster'\u003cbr/\u003eNewmarket Films\u003cbr/\u003e'Finding Nemo'\u003cbr/\u003eBuena Vista International\u003cbr/\u003e'American Splendor'\u003cbr/\u003eFine Line Features\u003cbr/\u003e'Something's Gotta Give'\u003cbr/\u003eSony Pictures\u003cbr/\u003e'Mystic River'\u003cbr/\u003eWarner Bros.\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv 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