{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Frieze Art festival celebrates modern masters and trail blazing artists' data-url='/boclips/videos/5c54ba91d8eafeecae11e78e' data-video-url='/boclips/videos/5c54ba91d8eafeecae11e78e' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nFrieze Art festival celebrates modern masters and trail blazing artists\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eFrieze Masters, London 10 October 2012  1. Wide of Alexander Calder's \"Triumphant red\" mobile from 1959-63, with big Joan Miro's 1968's painting \"The sorrowful march guided by the flamboyant bird of the desert\" 2. Various close ups of...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eFrieze Masters, London 10 October 2012  \u003cbr/\u003e1. Wide of Alexander Calder's \"Triumphant red\" mobile from 1959-63, with big Joan Miro's 1968's painting \"The sorrowful march guided by the flamboyant bird of the desert\" \u003cbr/\u003e2. Various close ups of Calder's \"Triumphant red\" mobile with Miro's painting in background\u003cbr/\u003e3. Various details of Calder's mobiles \"Two fish tails\" and \"Two blue sails\"\u003cbr/\u003e4. Pull focus on 1996 painting by Christopher Branham \"Gardens Mid Summer\"\u003cbr/\u003e5. Wide of Christopher Branham \"Gardens Mid Summer\" with people walking past\u003cbr/\u003e6. Pan of Japanese Mono-ha \"School of Things\" - various artists \u003cbr/\u003e7. Wide of Gothic gargles \u003cbr/\u003e8. Close up of gargles\u003cbr/\u003e9. Mid of William Eggleston's (father of colour photography) \"Bike on Sidewalk\" 1970-74  \u003cbr/\u003e10. Mid of William Eggleston's \"Parking Lot at Night\" 1970-74\u003cbr/\u003e11. Victoria Siddall, Director of Frieze Masters, walking past camera\u003cbr/\u003e12. SOUNDBITE: (English) Victoria Siddall, Director of Frieze Masters:\u003cbr/\u003e\"Frieze has always been very contemporary. The contemporary magazine was founded over 20 years ago. Frieze art fair, this is the 10th edition, and it has always been a very contemporary fair. Our discussions with contemporary artists showed that what they're interested in, what they're looking at or influenced by is often art made in the past. Art may be made 50 year ago, or maybe art made 100 years ago or event ancient art. So there are strong connections between art made today and art of the past.\" \u003cbr/\u003e13. Mid of Peter Paul Ruben's \"Alexander and Roxanne\" 1620\u003cbr/\u003e14. Close pull focus of Ruben\u003cbr/\u003e15. Mid tilt up case of modern wooden frame around the Ruben painting\u003cbr/\u003e16. Various of up Andy Warhol's \"Boy kissing toy tiger\" 1955  \u003cbr/\u003e17. Mid pan left of Warhol's drawings \"portrait with a lady with a feather hat\" 1954\u003cbr/\u003e18. Various of Chinese ancient artifacts \u003cbr/\u003e19. Mid of Chinese neolithic amphorae \"Red Pottery vessel\" Yangshao (7,000 years old)\u003cbr/\u003e20. Close detail of the same\u003cbr/\u003e21. SOUNDBITE: (English) Ben Janssens, orientalist: \u003cbr/\u003e\" People ar elooking for alternative investments, they are really looking for somewhere to park their money, if you like. The stock market is not interesting at the moment. Things like gold and other assets are perhaps less interesting, and so the art market seems like a good place to invest.\" \u003cbr/\u003e22. Wide of Frieze Masters and man looking at exhibits\u003cbr/\u003e23. Various of Dorothea Tanning \"Evening in Sedora\" 1976\u003cbr/\u003eFrieze London, London 10 October 2012   \u003cbr/\u003e24. Wide of Frieze London show floor with people mingling\u003cbr/\u003e25. Close pull of man talking on mobile phone\u003cbr/\u003e26. SOUNDBITE: (English) Joan Genzer, Private Collector from Boston:\u003cbr/\u003e\"I did buy already. I bought Mark Bradford and Theaster Gates and Martin Creed.\"\u003cbr/\u003e27. Mid of woman laughing\u003cbr/\u003e28. Wide pan left of Frieze London show floor\u003cbr/\u003e29. Wide of Mark Handforth's 2012 \"Seal\" sculpture\u003cbr/\u003e30. Close pan right of black board reading \"Life is unfair\"   - part of the Grizdale Arts/Yangjiang Group installation\u003cbr/\u003e31. Wide tilt up of vegetables on shelves\u003cbr/\u003e32. Close pan right of gourds\u003cbr/\u003e33. Close of tea being poured\u003cbr/\u003e34. Various of Yangjiang Group artists drinking tea\u003cbr/\u003e35. SOUNDBITE: (English) Alistair Hudson, deputy director of Grizedale Arts:\u003cbr/\u003e\"We as an organisation at Grizedale believe that art is not something of an object that you look at, It's a process of which it sometimes produces objects. But they don't have to necessarily conform to the traditional aesthetics that we agree upon at art fairs for example, you know the sort of things you see around the rest of the art fair. So this is a demonstration of a lot of artists' projects at work in the world , but they are coming here to make a statement within the context of the art fair. But all the things you see here, this structure, this building, our projects that are happening in the world and effective in ordinary society - we don't do art projects just for the art world, We do them for people in our village and in  the community in which we work.\"\u003cbr/\u003e36. Close tilt up of spilled fake blood\u003cbr/\u003e37. Close up of camera on tripod\u003cbr/\u003e38. Close over the shoulder of editor laptop\u003cbr/\u003e39. Wide zoom to blood stained wall \u003cbr/\u003e40. Wide pan left of studio recreating crime scene and actors \u003cbr/\u003e41. SOUNDBITE: (English) Asli �avusoglu, Turkish artist \"Murder in 3 acts\":\u003cbr/\u003e\"Murder in 3 acts is a performance and a live filming project that attempts to compare the representation of science and art in Hollywood films.\"\u003cbr/\u003e42. Wide of actors filming  \"Murder in 3 acts\"\u003cbr/\u003eThe Frieze Art Fair - one of the highlights of the UK's art calendar - is celebrating its 10th anniversary in London with a new spectacular display: Frieze Masters, a contemporary perspective on historical art. \u003cbr/\u003eCutting-edge galleries from around the globe are exhibiting here alongside masters from the past.\u003cbr/\u003eThese are rare sights : a giant mobile by Alexander Calder, and a Miro painting up for sale at a contemporary art fair.\u003cbr/\u003eAlthough modern, these pieces are now classics of the 20th century and are hard to come by.\u003cbr/\u003eThere are just 13 other mobiles of similar dimensions in the world - measuring six by three meters. \u003cbr/\u003eThey are expected to sell for approximately 20 (m) million US dollars each here at Frieze Masters, a new art fair bridging the gap between historical and contemporary art. \u003cbr/\u003eVictoria Siddall, Director of Frieze Masters, explains why the London art scene needs this new event. \u003cbr/\u003e\"Frieze has always been very contemporary. The contemporary magazine was founded over 20 years ago. Frieze art fair, this is the 10th edition, and it has always been a very contemporary fair. Our discussions with contemporary artists showed that what they're interested in, what they're looking at or influenced by is often art made in the past. Art may be made 50 year ago, or maybe art made 100 years ago or event ancient art. So there are strong connections between art made today and art of the past.\" \u003cbr/\u003eOver 90 of the world's leading galleries are present here, exhibiting art ranging from the ancient era and the old masters through to art of the 20th century.\u003cbr/\u003eAndy Warhol's previously unexhibited 1950's drawings are a short walk from 17th century masters Ruben and Stanchi. \u003cbr/\u003eThe Japanese post-war movement Mono-ha - shown in the UK for the first time since 1992 - shares this space with Chinese neolithic clay pots from 7,000 years-ago.\u003cbr/\u003eOriental art specialist and chairman of the prestigious TEFAF Maastricht art fair, Ben Janssens, thinks the mix of old work in a contemporary setting works really well, and that business is booming.\u003cbr/\u003e\"For alternative investments they are really looking for somewhere to park their money if you like. The stock market isn't interesting at the moment. Things like gold and other assets are perhaps less interesting, so the art market seems like a good place to invest,\" \u003cbr/\u003eFrieze Masters is also walking distance from this year's big name in current art - Frieze London. This event showcases  cutting edge contemporary art and installations. \u003cbr/\u003e60-thousand people visited the fair last year. More are expected in 2012.\u003cbr/\u003eMillionaire deals are made in just over 6 days - the first two days open to collectors, academics and journalists only. \u003cbr/\u003eA private collector from Boston has bought three pieces in one day.\u003cbr/\u003e\"I did buy already. I bought Mark Bradford and Theasta Gates and Martin Creed,\" Joan Genzer says.\u003cbr/\u003eThe tenth edition of Frieze London is the most international event organised by Frieze.\u003cbr/\u003eThere is a total of 175 galleries from 35 countries involving more than a thousand artists from Argentina, China, Columbia, Hungary, India, Korea and South Africa.\u003cbr/\u003eA special section is dedicated to Frieze Projects. \u003cbr/\u003eGrizedale Arts from the UK and Yangjiang Group from China have another radical proposition. They want to examine the artist value of day to day objects.\u003cbr/\u003eThey're offering up for sale the cheapest pieces of art in the whole fair - pots of jams noodles and tea can be bought for just a pound (sterling).\u003cbr/\u003eAlistair Hudson, deputy director of Grizedale arts, says it is non conventional art but as commercially viable as any other piece.\u003cbr/\u003e\"We as an organisation at Grizedale believe that art is not something of an object that you look at, It's a process of which it sometimes produces objects. But they don't have to necessarily conform to the traditional aesthetics that we agree upon at art fairs for example, you know the sort of things you see around the rest of the art fair. So this is a demonstration of a lot of artists' projects at work in the world , but they are coming here to make a statement within the context of the art fair. But all the things you see here, this structure, this building, our projects that are happening in the world and effective in ordinary society - we don't do art projects just for the art world, We do them for people in our village and in  the community in which we work.\"\u003cbr/\u003eAs every year, five artists or group of artists have been commissioned to create site-specific works.\u003cbr/\u003e30-year-old Turkish artist Asli �avusoglu says she was given \"carte blanche\", and she came up with \"Murder in 3 acts\", the filming of a short video  recreating a crime drama scene.\u003cbr/\u003eShe says she wants to explore the unlikely parallels between the production of murder mysteries and decisions made whilst making art.  \u003cbr/\u003e\"Murder in 3 acts is a performance and a live filming project that attempts to compare the representation of science and art in Hollywood films,\" she states.\u003cbr/\u003eThis year the fair is once again housed in a bespoke temporary structure designed by architects Carmody Groarke.\u003cbr/\u003eFrieze London and Frieze Masters are open to the public in London's Regent's Park 11-14 October 2012.\u003cbr/\u003eThe twin events are sponsored by Deutsche Bank.\u003cbr/\u003e(iii) they have editorial responsibility for the use of all and any content included within the AP Television News service and for libel, privacy, compliance and third party rights applicable to their Territory.\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' 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